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Modernist Time Ecology

Author : Jesse Matz
Publisher : JHU Press
Page : 320 pages
File Size : 38,86 MB
Release : 2018-12-03
Category : Literary Criticism
ISBN : 1421427001

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Modernist Time Ecology is a deeply interdisciplinary book that changes what we think literature and the arts can do for the world at large.

Modernist Time Ecology

Author : Jesse Matz
Publisher : Johns Hopkins University Press
Page : 321 pages
File Size : 41,45 MB
Release : 2018-12-03
Category : Literary Criticism
ISBN : 1421426994

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Modernist Time Ecology is a deeply interdisciplinary book that changes what we think literature and the arts can do for the world at large.

Exhausted Ecologies

Author : Andrew Kalaidjian
Publisher : Cambridge University Press
Page : 245 pages
File Size : 37,23 MB
Release : 2020-01-23
Category : Literary Criticism
ISBN : 1108477917

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Modern literature and environmentalism combined ecology, psychology, and aesthetics to restore communal well-being to the United Kingdom after world war.

The Ecology of Modernism

Author : Joshua Schuster
Publisher : University of Alabama Press
Page : 233 pages
File Size : 35,92 MB
Release : 2015-10-15
Category : Literary Collections
ISBN : 0817358293

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The Ecology of Modernism explores the unexpected absence of an environmental ethic in American modernist and avant-garde poetics, given its keen concern with an environmental aesthetic, and explains why American modernism was never green. Examining the relationships of key modernist writers, poets, and musicians to nature, industrial development, and pollution, Joshua Schuster posits that the curious failure of modernist poets to develop an environmental ethnic was a deliberate choice and not an inadvertent omission.

Reading and the Making of Time in the Eighteenth Century

Author : Christina Lupton
Publisher : JHU Press
Page : 338 pages
File Size : 31,61 MB
Release : 2018-08-15
Category : Literary Criticism
ISBN : 1421425777

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How did eighteenth-century readers find and make time to read? Books have always posed a problem of time for readers. Becoming widely available in the eighteenth century—when working hours increased and lighter and quicker forms of reading (newspapers, magazines, broadsheets) surged in popularity—the material form of the codex book invited readers to situate themselves creatively in time. Drawing on letters, diaries, reading logs, and a range of eighteenth- and early nineteenth-century novels, Christina Lupton’s Reading and the Making of Time in the Eighteenth Century concretely describes how book-readers of the past carved up, expanded, and anticipated time. Placing canonical works by Elizabeth Inchbald, Henry Fielding, Amelia Opie, and Samuel Richardson alongside those of lesser-known authors and readers, Lupton approaches books as objects that are good at attracting particular forms of attention and paths of return. In contrast to the digital interfaces of our own moment and the ephemeral newspapers and pamphlets read in the 1700s, books are rarely seen as shaping or keeping modern time. However, as Lupton demonstrates, books are often put down and picked up, they are leafed through as well as read sequentially, and they are handed on as objects designed to bridge temporal distances. In showing how discourse itself engages with these material practices, Lupton argues that reading is something to be studied textually as well as historically. Applying modern theorists such as Niklas Luhmann, Bruno Latour, and Bernard Stiegler, Lupton offers a rare phenomenological approach to the study of a concrete historical field. This compelling book stands out for the combination of archival research, smart theoretical inquiry, and autobiographical reflection it brings into play.

Cultivation and Catastrophe

Author : Sonya Posmentier
Publisher : JHU Press
Page : 299 pages
File Size : 29,53 MB
Release : 2017-06-30
Category : Literary Criticism
ISBN : 1421422654

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Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- PART 1: CULTIVATION -- 1 Cultivating the New Negro: The Provision Ground in New York -- 2 Cultivating the Nation: The Reterritorialization of Black Poetry at Midcentury -- 3 Cultivating the Caribbean: "The Star-Apple Kingdom," Property, and the Plantation -- PART 2: CATASTROPHE -- 4 Continuing Catastrophe: The Flood Blues of Sterling Brown and Bessie Smith -- 5 Collecting Catastrophe: How the Hurricane Roars in Zora Neale Hurston's -- 6 Collecting Culture: Hurricane Gilbert's Lyric Archive -- Coda: Unnatural Catastrophe -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z

Modernism: A Very Short Introduction

Author : Christopher Butler
Publisher : Oxford University Press
Page : 137 pages
File Size : 20,67 MB
Release : 2010-07-29
Category : Art
ISBN : 0192804413

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A compact introduction to modernism--why it began, what it is, and how it hasshaped virtually all aspects of 20th and 21st century life

Early Modern Écologies

Author : Pauline Goul
Publisher :
Page : 0 pages
File Size : 25,92 MB
Release : 2020
Category : Ecocriticism
ISBN : 9789462985971

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1. It asks not what ecological thought can do for early modern literature, but vice-versa. 2. It brings a specifically Francophone focus to the dialogue between early modern literature and eco-theory. 3. It gathers work from some of the most respected scholars in French Studies, but also from several younger scholars within the field.

The Plastic Turn

Author : Ranjan Ghosh
Publisher : Cornell University Press
Page : 241 pages
File Size : 26,42 MB
Release : 2022-11-15
Category : Literary Criticism
ISBN : 1501766287

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The Plastic Turn offers a novel way of looking at plastic as the defining material of our age and at the plasticity of plastic as an innovative means of understanding the arts and literature. Ranjan Ghosh terms this approach the material-aesthetic and, through this concept, traces the emergence and development of plastic polymers along the same historical trajectory as literary modernism. Plastic's growth as a product in the culture industry, its formation through multiple application and chemical syntheses, and its circulation via oceanic movements, Ghosh argues, correspond with, and offers novel insights into, developments in modernist literature and critical theory. Through innovative readings of canonical modernist texts, analyses of art works, and accounts of plastic's devastating environmental impact, The Plastic Turn proposes plastic's unique properties and destructive ubiquity as a "theory machine" to explain literature and life in the Anthropocene. Introducing several new concepts (like plastic literature, plastic literary, etc.) into critical-humanist discourse, Ghosh enmeshes literature and theory, materiality and philosophy, history and ecology, to explore why plastic as a substance and as an idea intrigues, disturbs, and haunts us.

British Modernism and the Anthropocene

Author : David Shackleton
Publisher : Oxford University Press
Page : 225 pages
File Size : 15,95 MB
Release : 2023-08-11
Category : Literary Criticism
ISBN : 0192857746

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British Modernism and the Anthropocene: Experiments with Time assesses the environmental politics of modernism in relation to the idea of the Anthropocene--a proposed geological epoch in which humans have fundamentally changed the Earth System. The early twentieth century was marked by environmental transformations that were so complex and happened on such great scales that they defied representation. Modernist novelists responded with a range of innovative narrative forms that started to make environmental crisis on a planetary scale visible. Paradoxically, however, it is their failures to represent such a crisis that achieve the greatest success. David Shackleton explores how British modernists employed types of narrative breakdown--including fragmentation and faltering passages devoid of events--to expose the limitations of human schemes of meaning, negotiate the relationship between different scales and types of time, produce knowledge of ecological risk, and register various forms of non-human agency. Situating modernism in the context of fossil fuel energy systems, plantation monocultures, climate change, and species extinctions, Shackleton traces how H.G. Wells, D.H. Lawrence, Olive Moore, Virginia Woolf, and Jean Rhys undertook experiments with time in their novels that refigure history and the historical situations into which they were thrown. Ultimately, British Modernism and the Anthropocene shows how modernist novels provide rich resources for rethinking the current environmental crisis, and cultivating new structures of environmental care and concern.