[PDF] Mississippi Folklife In Focus eBook

Author : Ian Brodie
Publisher : Univ. Press of Mississippi
Page : 351 pages
File Size : 39,43 MB
Release : 2014-10-29
Category : Performing Arts
ISBN : 162674405X

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In A Vulgar Art, Ian Brodie uses a folkloristic approach to stand-up comedy, engaging the discipline's central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize—“literature” or “theatre”; “editorial” or “morality”—and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make them laugh. So, this book takes the moment of performance as its focus, that stand-up comedy is a collaborative act between the comedian and the audience. Although the form of talk on the stage resembles talk among friends and intimates in social settings, stand-up comedy remains a profession. As such, it requires performance outside of the comedian's own community to gain larger and larger audiences. How do comedians recreate that atmosphere of intimacy in a roomful of strangers? This book regards everything from microphones to clothing and LPs to Twitter as strategies for bridging the spatial, temporal, and sociocultural distances between the performer and the audience.

Author : R. Gerald Alvey
Publisher : Univ. Press of Mississippi
Page : 356 pages
File Size : 35,13 MB
Release : 1992
Category : History
ISBN : 9780878055449

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Kentucky Bluegrass Country by R. Gerald Alvey Horse breeding, the cultures of tobacco and bourbon, the forms of architecture, the codes of the hunt, the traditions of gambling and dueling, convivial celebrations, regional foodways-all of these are ingredients in the folklife of the Inner Bluegrass Region that is the focus of this fascinating book. R. Gerald Alvey (retired) was a professor of folklore and English at the University of Kentucky.

Author : Diane Williams
Publisher : Arcadia Publishing
Page : 171 pages
File Size : 43,25 MB
Release : 2014-03-04
Category : Photography
ISBN : 1625847386

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From the hills to the coast, the people of Mississippi have stories to tell. Most would never guess that Raleigh, Mississippi, once played host to the National Tobacco Spitting Contest. Over in Okolona, children are told of the man who lived--and died--deep down in a hole and scared passersby. From the gandy dancers who built the first train tracks in Mississippi to the eight-foot-tall man who lived in the woods of Columbia, read tales that range from common myth to a good bit of righteous gossip. Author and storyteller Diane Williams traveled across the Magnolia State to gather these local legends and has compiled them into an inquisitive, laugh-out-loud collection.

Author : Edward M. Croom
Publisher :
Page : 0 pages
File Size : 40,72 MB
Release : 2016
Category : Biography & Autobiography
ISBN : 9781496809018

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An extraordinary photographic documentary of the wild and cultivated plants and landscape of Faulkner's inspirational writing sanctuary

Author : Robert Baron
Publisher : Univ. Press of Mississippi
Page : 399 pages
File Size : 25,91 MB
Release : 2010-12-06
Category : Social Science
ISBN : 1604733160

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A landmark volume exploring the public presentation and application of folk culture in collaboration with communities, Public Folklore is available again with a new introduction discussing recent trends and scholarship. Editors Robert Baron and Nick Spitzer provide theoretical framing to contributions from leaders of major American folklife programs and preeminent folklore scholars, including Roger D. Abrahams, Robert Cantwell, Gerald L. Davis, Archie Green, Bess Lomax Hawes, Richard Kurin, Daniel Sheehy, and Barbara Kirshenblatt-Gimblett. Their essays present vivid accounts of public folklore practice in a wide range of settings—nineteenth-century world's fairs and minstrel shows, festivals, museums, international cultural exchange programs, concert stages, universities, and hospitals. Drawing from case studies, historical analyses, and their own experiences as advocates, field researchers, and presenters, the essayists recast the history of folklore in terms of public practice, while discussing standards for presentation to new audiences. They approach engagement with tradition bearers as requiring collaboration and dialogue. They critically examine who has the authority to represent folk culture, the ideologies informing these representations, and the effect upon folk artists of encountering revived and new audiences within and beyond their own communities. In discussions of the relationship between public practice and the academy, this volume also offers new models for integrating public folklore training within graduate studies.