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Named a Top Ten Book of the Year by Time, the bestselling debut story collection by the extraordinarily talented Miranda July, award-winning filmmaker, artist, and author of All Fours. In No One Belongs Here More Than You, Miranda July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly—they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals her characters’ idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice.
Filmmaker. Author. Performer. Shopkeeper. Miranda July--the most impressive cross-disciplinary artist of her generation--is brought into focus in this career-spanning retrospective. Regardless of the medium, July's daring, urgent, and idiosyncratic voice finds unexpectedly accessible forms that reflect the poignancy and strangeness of the human plight. In film, fiction, performance, public art, commerce, and even a smartphone app, July deftly explores themes of inclusivity, desire, fear, and fantasy. This chronological survey spans the artist's entire career to date, including her early plays and fanzines, participatory works, and personal projects which illuminate the multidimensionality and timeliness of her work. Miranda July is brought to life in an introductory interview with Julia Bryan-Wilson and candid recollections by friends, collaborators, curators, assistants, and audience members: Carrie Brownstein, David Byrne, Spike Jonze, Sheila Heti, Hans Ulrich Obrist, and July herself. This revealing, insightful commentary provides an intimate perspective on the artist's ever-evolving process. July may be impossible to categorize, but the enduring importance of her work and her status as an essential cultural icon is irrefutable.
From the acclaimed filmmaker, artist, and bestselling author of No One Belongs Here More Than You, a spectacular debut novel that is so heartbreaking, so dirty, so tender, so funny--so Miranda July--that readers will be blown away. Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense nonprofit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter, Clee, can move into her house for a little while, Cheryl's eccentrically ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual obsession and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic, and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.
In the summer of 2009, Miranda July was struggling to finish writing the screenplay for her much-anticipated second film. During her increasingly long lunch breaks, she began to obsessively read the "PennySaver," the iconic classifieds booklet that reached everywhere and seemed to come from nowhere. Who was the person selling the "Large leather Jacket, $10"? It seemed important to find out--or at least it was a great distraction from the screenplay. Accompanied by photographer Brigitte Sire, July crisscrossed Los Angeles to meet a random selection of "PennySaver" sellers, glimpsing thirteen surprisingly moving and profoundly specific realities, along the way shaping her film, and herself, in unexpected ways. Elegantly blending narrative, interviews, and photographs with July's off-kilter honesty and deadpan humor, this is a story of procrastination and inspiration, isolation and connection, and grabbing hold of the invisible world.
'Saunders is an astoundingly tuned voice - graceful, dark, authentic and funny - telling just the kind of stories we need to get us through these times' Thomas Pynchon In PASTORALIA elements of contemporary life are twisted, merged and amplified into a slightly skewed version of modern America. A couple live and work in a caveman theme-park, where speaking is an instantly punishable offence. A born loser attends a self-help seminar where he is encouraged to rid himself of all the people who are 'crapping in your oatmeal'. And a male exotic dancer and his family are terrorised by their decomposing aunt who visits them with a solemn message from beyond the grave. With an uncanny combination of deadpan naturalism and uproarious humour, George Saunders creates a world that is both indelibly original and yet hauntingly familiar ...
Presents a collection of art and personal stories taken from the authors' Web site in which participants respond to a variety of artistic assignments, including "Take a flash photo under your bed," "Write your life story in less than a day," and "Make an encouraging banner."
Ten years on from The Woman Who Walked into Doors, Booker Prize-winning author, Roddy Doyle, returns to one of his greatest characters, Paula Spencer. Paula Spencer is turning forty-eight, and hasn’t had a drink for four months and five days. Her youngest children, Jack and Leanne, are still living with her. They're grand kids, but she worries about Leanne. Paula still works as a cleaner, but all the others doing the job seem to come from Eastern Europe. You can get a cappuccino in the café and the checkout girls are all Nigerian. Ireland is certainly changing, but then so too is Paula – dry, and determined to put her family back together again. ‘A phenomenally rewarding read... Could not be bettered in its depiction of the minutiae of the life of a recovering alcoholic: relentless, trivial, terrified’ Observer
A New York Times Critic's Top Pick of the Year This essential, enlightening, truly delightful collection shows one of our greatest writers parsing the political, artistic, and media landscape of the past three decades. These sixty-six essays and reviews, culled from the pages of The New York Review of Books, The New York Times, Harper’s, The Atlantic, and The New Yorker, among others, find Lorrie Moore turning her discerning eye on everything from Philip Roth to Margaret Atwood, from race in America to the shocking state of the GOP, from celebrity culture to the wilds of television, from Stephen Sondheim to Barack Obama. See What Can Be Done is a perfect blend of craft, brains, and a knowing, singular take on life, liberty, and the pursuit of (some kind of) happiness.
NATIONAL BESTSELLER • A NEW YORK TIMES BOOK OF THE YEAR • From the bestselling author of A Gate at the Stairs: A collection of twelve stories that’s “one of our funniest, most telling anatomies of human love and vulnerability" (The New York Times Book Review). A volume by one of the most exciting writers at work today, the acclaimed author of Who Will Run the Frog Hospital? and Self-Help. Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language. From the opening story, "Willing"—about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being—Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world—no flower or stone—as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is. In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties. In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Häagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.