[PDF] Maori Stereotypes Governmental Policies And Maori Art In Museums Today A Case Study Of The Museum Of New Zealand Te Papa Tongarewa eBook

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Maori Stereotypes, Governmental Policies and Maori Art in Museums Today

Author : Rohana Crelinsten
Publisher :
Page : 0 pages
File Size : 16,22 MB
Release : 1999
Category : Art And State --new Zealand
ISBN :

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Maori art in New Zealand museums has a long history extending back to the first contacts made between Maori (New Zealand's Native peoples) and Europeans. The Europeans settled in New Zealand with a colonialist attitude, leading to the notion that the Maori people would soon be extinct. This promoted the vigorous collection of various samples of Maori material culture. Museums were then established to store these artefacts. Governmental policies dating back to the turn of the century, gradually influenced the ways in which museums dealt with these Maori holdings. The current situation in New Zealand, particularly at the Museum of New Zealand Te Papa Tongarewa is largely a reaction to the past. Maori people are demanding that they have more say in the treatment of their taonga (treasures). Slowly, through decades of debate and reworking of policies, new standards are developing for the ways in which New Zealand museums collect and exhibit Maori art. This on-going process is a result of the enhanced sense of empowerment of Maori people in New Zealand today. Art educators in museums and schools can look to museums such as Te Papa Tongarewa for inspiration and guidance.

Pacific Studies

Author :
Publisher :
Page : 614 pages
File Size : 27,80 MB
Release : 2003
Category : East Asia
ISBN :

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Museum Studies

Author : Bettina Messias Carbonell
Publisher : John Wiley & Sons
Page : 694 pages
File Size : 42,39 MB
Release : 2012-04-23
Category : Business & Economics
ISBN : 1405173815

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Updated to reflect the latest developments in twenty-first century museum scholarship, the new Second Edition of Museum Studies: An Anthology of Contexts presents a comprehensive collection of approaches to museums and their relation to history, culture and philosophy. Unique in its deep range of historical sources and by its inclusion of primary texts by museum makers Places current praxis and theory in its broader and deeper historical context with the collection of primary and secondary sources spanning more than 200 years Features the latest developments in museum scholarship concerning issues of inclusion and exclusion, repatriation, indigenous models of collection and display, museums in an age of globalization, visitor studies and interactive technologies Includes a new section on relationships, interactions, and responsibilities Offers an updated bibliography and list of resources devoted to museum studies that makes the volume an authoritative guide on the subject New entries by Victoria E. M. Cain, Neil G.W. Curtis, Catherine Ingraham, Gwyneira Isaac, Robert R. Janes, Sean Kingston, Barbara Kirshenblatt-Gimblett, Sharon J. Macdonald, Saloni Mathur, Gerald McMaster, Sidney Moko Mead, Donald Preziosi, Karen A. Rader, Richard Sandell, Roger I. Simon, Crain Soudien, Paul Tapsell, Stephen E. Weil, Paul Williams, and Andrea Witcomb

Museums and Maori

Author : Conal McCarthy
Publisher : Routledge
Page : 351 pages
File Size : 47,2 MB
Release : 2016-06-16
Category : Social Science
ISBN : 1315423871

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This groundbreaking book explores the revolution in New Zealand museums that is influencing the care and exhibition of indigenous objects worldwide. Drawing on practical examples and research in all kinds of institutions, Conal McCarthy explores the history of relations between museums and indigenous peoples, innovative exhibition practices, community engagement, and curation. He lifts the lid on current practice, showing how museum professionals deal with the indigenous objects in their care, engage with tribal communities, and meet the needs of visitors. The first critical study of its kind, Museums and Maori is an indispensible resource for professionals working with indigenous objects, indigenous communities and cultural centers, and for researchers and students in museology and indigenous studies programs.

Te Papa

Author : Conal McCarthy
Publisher : Te Papa Press
Page : 240 pages
File Size : 35,76 MB
Release : 2018-01-07
Category : Art
ISBN : 099510316X

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Published to mark 20 years since the landmark opening of Te Papa Tongarewa Museum of New Zealand in 1998, this illustrated book by well-known museum studies academic Conal McCarthy examines the vision behind the museum, how it has evolved in the last two decades, and the particular way Te Papa goes about the business of being a national museum in a nation with two treaty partners. McCarthy provides a warm and at times critical appraisal of its origins, development, innovations, and reception, including some of its key museological features which have drawn international attention, highlights of exhibitions, collections and programs over its first twenty years, and the issues that have sparked national and local debate.

Decolonizing Conservation

Author : Dean Sully
Publisher : Routledge
Page : 271 pages
File Size : 24,36 MB
Release : 2016-09-16
Category : Social Science
ISBN : 1315430592

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This book argues for an important shift in cultural heritage conservation, away from a focus on maintaining the physical fabric of material culture toward the impact that conservation work has on people’s lives. In doing so, it challenges the commodification of sacred objects and places by western conservation thought and attempts to decolonize conservation practice. To do so, the authors examine conservation activities at Maori marae—meeting houses—located in the US, Germany, and England and contrasts them with changes in marae conservation in New Zealand. A key case study is the Hinemihi meeting house, transported to England in the 1890s where it was treated as a curiosity by visitors to Clandon Park for over a century, and more recently as a focal point of cultural activity for UK Maori communities. Recent efforts to include various Maori stakeholder communities in the care of this sacred structure is a key example of community based conservation that can be replicated in heritage practice around the world.