[PDF] Man Ray African Art And The Modernist Lens eBook

Author : Wendy Grossman
Publisher :
Page : 204 pages
File Size : 44,8 MB
Release : 2009
Category : Art
ISBN :

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"Exhibition dates: The Phillips Collection, Oct. 10, 2009-Jan. 10, 2010; University of New Mexico Art Museum, Feb. 6-May 30, 2010; University of Virginia Museum of Art, Aug. 7-Oct. 10, 2010; University of British Columbia, Museum of Anthropology Oct. 29, 2010-Jan. 23, 2011." --T.p. verso.

Author : Bénédicte Savoy
Publisher : Walter de Gruyter GmbH & Co KG
Page : 324 pages
File Size : 18,87 MB
Release : 2018-12-03
Category : Art
ISBN : 3110544032

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As more parts of the world outside Europe became accessible =– and in the wake of social and technological developments in the 18th century – a growing number of exotic artefacts entered European markets. The markets for such objects thrived, while a collecting culture and museums emerged. This book provides insights into the methods and places of exchange, networks, prices, expertise, and valuation concepts, as well as the transfer and transport of these artefacts over 300 years and across four continents. The contributions are from international experts, including Ting Chang, Nélia Dias, Noëmie Etienne, Jonathan Fine, Philip Jones, Sylvester Okwunodu Ogbechie, Léa Saint-Raymond, and Masako Yamamoto.

Author :
Publisher : BRILL
Page : 992 pages
File Size : 37,35 MB
Release : 2019-02-04
Category : Art
ISBN : 900438829X

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A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first work to consider all the arts and to discuss the role of the avant-garde not only in aesthetic terms but in its cultural and political context.

Author : Andreas Marks
Publisher : International Arts & Artists
Page : 0 pages
File Size : 17,4 MB
Release : 2014-05-06
Category : Antiques & Collectibles
ISBN : 9780988349704

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Deadly weaponry and artistic ingenuity are celebrated in Lethal Beauty, a collection that explores the evolution of the warrior aesthetic unique to samurai history and artistry. In Lethal Beauty, Dr. Andreas Marks showcases a comprehensive range of 63 exceptional works by 30 master craftsmen. The exhibition which this book draws from features full suits of armor, helmets, warrior hats, face masks, long and short swords, daggers, matchlock rifles, and more. The range of blades spans from the 13th to the 20th centuries and highlights technical refinement and exquisite craftsmanship. The samurai are universally renowned warriors. Tales of their heroics have enchanted listeners since the 12th century, and perhaps more than any other warrior class in history, they continue to fascinate people of all backgrounds, cultures, and ages. Lethal Beauty provides a fascinating look at the striking duality of weaponry and artistic innovation that are an integral part of the samurai.

Author : Terri Weissman
Publisher : Univ of California Press
Page : 258 pages
File Size : 22,83 MB
Release : 2011-01-10
Category : Art
ISBN : 0520266757

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The Realisms of Berenice Abbott provides the first in-depth consideration of the work of photographer Berenice Abbott. Though best known for her 1930s documentary images of New York City, this book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.

Author : Rosalind E. Krauss
Publisher : MIT Press
Page : 153 pages
File Size : 36,14 MB
Release : 2024-02-06
Category : Art
ISBN : 0262551233

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A personal journey leads a celebrated critic to discover “knights of the medium,” contemporary artists who battle the aesthetic meaninglessness of the post-medium condition. In Under Blue Cup, Rosalind Krauss explores the relation of aesthetic mediums to memory—her own memory having been severely tested by a ruptured aneurysm that temporarily washed away much of her short-term memory. (The title, Under Blue Cup, comes from the legend on a flash card she used as a mnemonic tool during cognitive therapy.) Krauss emphasizes the medium as a form of remembering; contemporary artists in what she terms the “post-medium” condition reject that scaffolding. Krauss explains the historical emergence of the post-medium condition and describes alternatives to its aesthetic meaninglessness, examining works by “knights of the medium”—contemporary artists who extend the life of the specific medium. These artists—including Ed Ruscha, William Kentridge, Sophie Calle, Harun Farocki, Christian Marclay, and James Coleman—reinstate the recursive rules of a modernist medium by inventing what Krauss terms new technical supports, battling the aesthetic meaninglessness of the post-medium condition. The “technical support” is an underlying ground for aesthetic practice that supports the work of art as canvas supported oil paint. The technical support for Ruscha's fascination with gas stations and parking lots is the automobile; for Kentridge, the animated film; for Calle, photojournalism; for Coleman, a modification of PowerPoint; for Marclay, synchronous sound. Their work, Krauss argues, recuperates more than a century of modernist practice. The work of the post-medium condition—conceptual art, installation, and relational aesthetics—advances the idea that the “white cube” of the museum or gallery wall is over. Krauss argues that the technical support extends the life of the white cube, restoring autonomy and specificity to the work of art.

Author : Rosalind E. Krauss
Publisher : MIT Press
Page : 324 pages
File Size : 44,9 MB
Release : 1986-07-09
Category : Design
ISBN : 9780262610469

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Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.

Author : John Tagg
Publisher : U of Minnesota Press
Page : 260 pages
File Size : 47,71 MB
Release : 1993
Category : Photography
ISBN : 9780816624058

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Photographs are used as documents, evidence, and records every day in courtrooms, hospitals, and police work, on passports, permits, and licenses. But how did such usages come to be established and accepted, and when? What kinds of photographs were seen seen as purely instrumental and able to function in this way? What sorts of agencies and institutions had the power to give them this status? And more generally, what conception of photographic representation did this involve, and what were its consequences?