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Richard O. Davies takes the reader through two hundred years of American history as reflected in the small Ohio farming village of Camden. Davies describes the development of the relatively self-sufficient community that emerged from the Ohio land rush of the early nineteenth century, a community that reached its apex during the 1920s and then entered into a period of slow decline caused by forces beyond its control. He details the roles of land speculation, the railroad era, the impact of the automobile, the emergence of a tightly knit community, and finally the post-World War II loss of business and population to the nearby cities of Dayton, Hamilton, and Cincinnati.
Richard O. Davies takes the reader through two hundred years of American history as reflected in the small Ohio farming village of Camden. Davies describes the development of the relatively self-sufficient community that emerged from the Ohio land rush of the early nineteenth century, a community that reached its apex during the 1920s and then entered into a period of slow decline caused by forces beyond its control. He details the roles of land speculation, the railroad era, the impact of the automobile, the emergence of a tightly knit community, and finally the post-World War II loss of business and population to the nearby cities of Dayton, Hamilton, and Cincinnati.
Experience music history with this memoir by one of the last of the genuine old school Blues and R&B legends, the Grammy-winning dynamic showman Bobby Rush. This memoir charts the extraordinary rise to fame of living blues legend, Bobby Rush. Born Emmett Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. As a teenager, Rush acquired his first real guitar and started playing in juke joints in Little Rock, Arkansas, donning a fake mustache to trick club owners into thinking he was old enough to gain entry. He led his first band in Arkansas between Little Rock and Pine Bluff in the 1950s. It was there he first had Elmore James play in his band. Rush later relocated to Chicago to pursue his musical career and started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed and Little Walter. Rush eventually began leading his own band in the 1960s, crafting his own distinct style of funky blues, and recording a succession of singles for various labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album which went on to be listed in the Top 10 blues albums of the 1970s by Rolling Stone and a handful of regional jukebox favorites including "Sue" and "I Ain't Studdin' Ya." And Rush's career shows no signs of slowing down now. The man once beloved for performing in local jukejoints is now headlining major music/blues festivals, clubs, and theaters across the U.S. and as far as Japan and Australia. At age eighty-six, he is still on the road for over 200 days a year. His lifelong hectic tour schedule has earned him the affectionate title "King of the Chitlin' Circuit," from Rolling Stone. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and his ribald sense of humor. He was featured in Martin Scorcese's The Blues docuseries on PBS, a documentary film called Take Me to the River, performed with Dan Aykroyd on The Tonight Show Starring Jimmy Fallon, and most recently had a cameo in the Golden Globe nominated Netflix film, Dolemite Is My Name, starring Eddie Murphy. He was recently given the highest Blues Music Award honor of B.B. King Entertainer of the Year. His songs have also been featured in TV shows and films including HBO's Ballers and major motion pictures like Black Snake Moan, starring Samuel L. Jackson. Considered by many to be the greatest bluesman currently performing, this book will give readers unparalleled access into the man, the myth, the legend: Bobby Rush.
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
In Crossing Traditions: American Popular Music in Local and Global Contexts, a wide range of scholarly contributions on the local and global significance of American popular music examines the connections between selected American blues, rock and roll, and hip-hop music and their equivalents from Senegal, Nigeria, England, India, and Mexico. Contributors show how American popular music promotes local and global awareness of such key issues as economic inequality and social marginalization while inspiring cross-cultural and interethnic influences among regional and transnational communities. Specifically, Crossing Traditions highlights the impact of American popular music on the spread of sounds, rhythms, styles, and ideas about freedom, justice, love, and sexuality among local and global communities, all of which share the same desires, hopes, and concerns despite geographic differences. Contributors look at the local contexts of Chicago blues, early rock and roll, white Christian rap, and Frank Zappa alongside the global influence of Mahalia Jackson on Senegalese blues, the transatlantic character of the British Invasion’s relationship to African American rock, and the impact of Latin house music, global hip-hop, and Bhangra in cross-cultural settings. Essays also draw on a broad range of disciplines in their analyses: American studies, popular culture studies, transnational studies, history, musicology, ethnic studies, literature and media studies, and critical theory. Crossing Traditions will appeal to a wide range of readers, including college and university professors, undergraduate and graduate students, and music scholars in general.
An updated version of the author's discovery of the real person behind the mythology Bob Dylan created includes an interview with the author, previously unpublished photographs, and a new preface by the author. Original.
Author : Wayne A. Wiegand Publisher : University of Iowa Press Page : 261 pages File Size : 48,17 MB Release : 2011-10-02 Category : History ISBN : 1609380673
The author studies four small-town libraries in the Midwest from the late nineteenth century through the federal Library Service Act of 1956, and shows that these institutions served a much different purpose than is often perceived. Rather than acting as neutral institutions that are vital to democracy, these libraries were actually mediating community literary values and providing a public space for the construction of social harmony. The libraries, and the librarians who ran them, were often just as susceptible to the political and social pressures of their time as any other public institution. By analyzing the collections of all four libraries and revealing what was being read and why certain acquisitions were passed over, the atuhor challenges both traditional perceptions and professional rhetoric about the role of libraries in our small-town communities. While the American public library has become essential to its local community, it is for reasons significantly different than those articulated by the "library faith."
Author : Richard O. Davies Publisher : Minnesota Historical Society Press Page : 450 pages File Size : 17,21 MB Release : 2003 Category : American literature ISBN : 9780873514514
2004 Minnesota Book Award Winner The Midwestern small town has long held an iconic place in American culture--from the imaginings of Sinclair Lewis's Main Street and Sherwood Anderson's Winesburg, Ohio to Garrison Keillor's Lake Wobegon. But the reality is much more complex, as the small town has been a study in transition from its very inception. In A Place Called Home, editors Richard O. Davies, Joseph A. Amato, and David R. Pichaske offer the first comprehensive examination of the Midwestern small town and its evolving nature from the 1800s to the present. This rich collection, gleaned from the best writings of historians, novelists, social scientists, poets, and journalists, features not only such well-known authors as Sherwood Anderson, Carol Bly, Willa Cather, Hamlin Garland, Langston Hughes, Garrison Keillor, William Kloefkorn, Sinclair Lewis, Susan Allen Toth, and Mark Twain but also many lesser known and exceptionally talented writers. Five chronological sections trace the founding, growth, and decline of the Midwestern town, and introductory comments illuminate its ever-changing face. The result is a wide-ranging collection of writings on the community at the heart of America.