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Has proved to be the most sought after set of books on magic and alchemy ever published. Powerful work and considered so dangerous that for many years, rare copies could only be found in certain libraries, locked away from the general public and from those who would use (or misuse) its power. Original set first published in 1801. by author who spent many years of study before releasing them. Includes rare illustrations from original sources. Covers natural magic, amulets and charms, potions, precious stones, candles, alchemy, the philosophers stone, transmutation, the four elements, numbers, and the planets.
The story of John Chang, the first man to be documented performing pyrokinesis, telekinesis, levitation, telepathy, and other paranormal abilities. • The author, a mechanical engineer, provides scientific explanations of how these powers work. • For the first time, the discipline of Mo-Pai is introduced to the West. In 1988 the documentary Ring of Fire was released to great acclaim. The most startling sequence in the film is that of a Chinese-Javanese acupuncturist who demonstrates his full mastery of the phenomenon of chi, or bio-energy, by generating an electrical current within his body, which he uses first to heal the filmmaker of an eye infection and then to set a newspaper on fire with his hand. Ring of Fire caused thousands to seek out this individual, John Chang, in pursuit of instruction. Of the many Westerners who have approached him, John Chang has accepted five as apprentices. Kosta Danaos is the second of those five. In his years of study with John Chang, Danaos has witnessed and experienced pyrokinesis, telekinesis, levitation, telepathy, and much more exotic phenomena. He has spoken with spirits and learned the secrets of reincarnation. Most important, he has learned John Chang's story. John Chang is the direct heir to the lineage of the sixth-century b.c. sage Mo-Tzu, who was Confucius's greatest rival. His discipline, called the Mo-Pai, is little-known in the West and has never before been the subject of a book. Now, John Chang has decided to bridge the gap between East and West by allowing a book to be published revealing the story of his life, his teachings, and his powers. It will surely expedite what may well become the greatest revolution of the twenty-first century--the verification and study of bio-energy.
When the wise woman Magda Digby is suspected of murder, Owen Archer sets out to prove her innocence in this intricately plotted medieval mystery. May, 1375. Owen Archer returns from London to find York in chaos. While the citizens are living in terror of the pestilence which is spreading throughout the land, a new physician has arrived, whipping up fear and suspicion against traditional healers and midwives. With the backing of the new archbishop, he is especially hostile towards Magda Digby, the wise woman who has helped and healed the people of York for many years. At the same time, Magda is uneasy about the arrival of two long-lost kinsfolk. Though they say they are seeking her help, she senses a hidden agenda. Magda’s troubles deepen when she discovers a body in the river near her home – and finds herself under suspicion of murder. Days later, fire rips through a warehouse in the city. Amongst the charred debris lies the body of a man – not burned, but stabbed in the back. Could there be a connection to the corpse in the river? Determined to prove Magda’s innocence, Owen sets out to find answers – but the more he uncovers, the deeper the mystery becomes . . .
Damien was a simple man, cruising on the highway of life. A goddess of temptation lures him into a deal he scoffs at. Superstition is for the foolish. Small problem: she's real, her ritual works, and Damien is magically teleported into a strange new realm. Damien awakens in Nordan, a land of myth and magic. A realm where humans battle legendary creatures for the amusement of the gods. In a war between man and myth. Damien's powers set him above the rest, a lord of life and death - enemy of all. Stranded, but not alone, will he perish, or conquer his way home?
Dark Magus is a warts-and-all look at the real Miles Davis. As told by his son, this book strips away the public perception of Davis often concocted through other books written without such intimate access to the man and gets down to the realities of his personality and quirks. Despite being a jazz superstar for decades, Davis was reclusive and deeply distrustful of other people. Dark Magus details Davis's Jekyll-and-Hyde personality, including his prodigious drug use, his misogynistic attitude towards women, his self-centeredness and selfishness, his obsessive chasing of young women, his use of amphetamines during concerts, and his distressing tendency to use violence to get his way or exact revenge for slights real and imagined. Other fascinating details abound, including Davis's relationship with Charlie Parker, his obsession with sports (especially boxing), his likes and dislikes, his personal philosophies, and his often gruelling work with younger musicians.
This book is an exploration of the post-New Testament figure of Simon Magus spanning the patristic era, Middle Ages, and the early modern period as found in art, vernacular literatures, heresiologies, theological texts, hagiographies and homilies.
This book about receptions of Simon Magus uncovers further facets of one who was held to be the evil archetype of heretics. Ephraim Nissan and Alberto Ferreiro explore how Simon Magus has been represented in text, visual art, and music. Special attention is devoted to the late medieval Catalan painter Lluís Borrassà and the Italian librettist and musician Arrigo Boito. The tradition of Simon Magus’ demonic flight, ending in his crashing down, first appears in the patristic literature. The book situates that flight typologically across cultures. Fascinating observations emerge, as the discussion spans flight of the wicked in rabbinic texts, flight and death of King Lear’s father and a Soviet-era Buryat Buddhist monk, flight and doom of the fool in an early modern German broadsheet, and more. The book explains and moves beyond extant scholarly wisdom on how the polemic against Mani (the founder of Manichaeism) was tinged with hues of Simon Magus. The novelty of this book is that it shows that Simon Magus’ receptions teach us a great deal about the contexts in which this archetype was deployed.