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Each ring is illustrated with one or more black and white photograph, with 500 superb colour photos of the most important pieces. Major trends in ring design are outlined, and explanations and anecdotes are given on many of the individual rings. Supplementary images provide additional visual reference for the historical context. This deluxe book introduces the finest, most exhaustive private collection of finger rings in the world: the Hashimoto Collection. Organised chronologically by culture, it begins with the Ancient Mediterranean World, and progresses
In this magnificent collection of the most spectacular jewels of the twentieth century, fine jewelry historian Vivienne Becker selects the quintessential bijoux that represent the milestones of jewelry design of the last one hundred years. From Art Nouveau to the brink of the new millennium, Becker’s selections range from the Wiener Werkstätte and Tiffany Studios, Egyptian-inspired Art Deco masterpieces by Cartier and midcentury designs by Verdura for Chanel, exquisite creations by DeBeers, Van Cleef & Arpels, and Graff, to modern designs from a new generation of innovative artists. A new addition to Assouline’s Ultimate Collection, this beautiful volume is a must-have for fine jewelry collectors and lovers of precious objects. Sparkling with stunning photography, this hand-bound luxury limited edition features hand-tipped images and is presented in a linen clamshell case.
During the nineteenth century in Rome, three generations of the Castellani family created what they called “Italian archaeological jewelry,” which was inspired by the precious Etruscan, Roman, Greek, and Byzantine antiquities being excavated at the time. The Castellani jewelry consisted of finely wrought gold that was often combined with delicate and colorful mosaics, carved gemstones, or enamel. This magnificent book is the first to display and discuss the jewelry and the family behind it. International scholars discuss the life and work of the Castellani, revealing the wide-ranging aspects of the family’s artistic and cultural activities. They describe the making and marketing of the jewelry, the survey collection of all periods of Italian jewelry on display in the Castellani’s palatial store, and the Castellani’s activities in the trade of antiquities, as they sponsored excavations, and restored, dealt, and exhibited antiques. They also recount the family’s involvement in the cultural and political life of their city and country.
This stunning book focuses on four centuries of magnificent jewelry that resulted from the cultural exchange between India and Europe. From the dawn of the Mughal Empire through the end of the British Raj, exquisite pieces of jewelry from or inspired by India traveled between Europe and Asia. This book features more than 150 objects, including jewel-encrusted jades, famous gemstones, enameled gold, and other precious works of art that range in date from the 17th century to the 1930s, along with exquisite contemporary examples by JAR and Baghat that draw from earlier motifs. Between the 16th and 19th centuries, Indian jewelry and works of art developed Persian and Muslim influences brought over by the Mughal Empire while European styles and craftsmanship traveled to India via the British Raj. As illustrated in this elegant book, 20th-century influences flowed in the opposite direction when Indian jewelry inspired European designers to make pieces in the Indian style. East Meets West also showcases the significant role that gender played, as Indian men adorned themselves with treasures worn exclusively by women in Europe. With fascinating essays and beautiful photographs, this book illustrates the cultural and artistic conversations that resulted in some of the most gorgeous jewelry ever created. Copublished by the Fine Arts Museums of San Francisco and DelMonico Books
“A dynamic group biography studded with design history and high-society dash . . . [This] elegantly wrought narrative bears the Cartier hallmark.”—The Economist The “astounding” (André Leon Talley) story of the family behind the Cartier empire and the three brothers who turned their grandfather’s humble Parisian jewelry store into a global luxury icon—as told by a great-granddaughter with exclusive access to long-lost family archives “Ms. Cartier Brickell has done her grandfather proud.”—The Wall Street Journal The Cartiers is the revealing tale of a jewelry dynasty—four generations, from revolutionary France to the 1970s. At its heart are the three Cartier brothers whose motto was “Never copy, only create” and who made their family firm internationally famous in the early days of the twentieth century, thanks to their unique and complementary talents: Louis, the visionary designer who created the first men’s wristwatch to help an aviator friend tell the time without taking his hands off the controls of his flying machine; Pierre, the master dealmaker who bought the New York headquarters on Fifth Avenue for a double-stranded natural pearl necklace; and Jacques, the globe-trotting gemstone expert whose travels to India gave Cartier access to the world’s best rubies, emeralds, and sapphires, inspiring the celebrated Tutti Frutti jewelry. Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family’s history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more. The Cartiers also offers a behind-the-scenes look at the firm’s most iconic jewelry—the notoriously cursed Hope Diamond, the Romanov emeralds, the classic panther pieces—and the long line of stars from the worlds of fashion, film, and royalty who wore them, from Indian maharajas and Russian grand duchesses to Wallis Simpson, Coco Chanel, and Elizabeth Taylor. Published in the two-hundredth anniversary year of the birth of the dynasty’s founder, Louis-François Cartier, this book is a magnificent, definitive, epic social history shown through the deeply personal lens of one legendary family.
In 1898, Raymond C.Yard began his career in the jewelry business as a door boy at Marcus & Co. It was during this period that the newly affluent American industrial families began to patronize American jewelers like Tiffany & Co.Yard was encouraged by John D. Rockefeller, Jr, to open his own company; Rockefeller recommended the Yard firm to his family and connections, and shortly Yard was creating jewels for the Woolworth, Flagier, DuPont, Harriman and Vanderbilt families. The creations of the Yard company were always characterized by the highest-quality gems, intricate settings, timeless style and a sly sense of whimsy.