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This book examines magic's generally maleficent effect on humans from ancient Egypt through the Middle Ages, including tales from classical mythology, Jewish, Christian, and Muslim cultures. It shows that certain magical motifs lived on from age to age, but that it took until the Italian Renaissance for magic tales to become fairy tales.
This text explores, in both historical and critical contexts, the evolution of folk tales and fairy tales, their influence on popular beliefs, the politics behind them and their incorporation in mass media culture today. It focuses particularly on socio-historical forces which have changed the function of fairy tales since the 1700s.
Myths, legends, and magic are woven together in a collection of enthralling Irish fairy tales from the New York Times bestselling author of the Secrets of the Immortal Nicholas Flamel series. A haunting midnight dance that steals children away... An eerie fairy island that appears once every seven years... A magical silver horse that emerges from the depths of a dark lake... Venture into the Otherworld with eleven timeless, enchanting Irish fairy tales that uncover the haunting, hidden world of the Sidhe--the fairy-folk. A master of Irish mythology, bestselling author Michael Scott has crafted stories guaranteed to enthrall young readers who love magic, legends, and lore. And don't miss the companion collection of Irish folktales, Legends & Lore!
Contemporary Fairy-Tale Magic studies the impact of fairy tales on contemporary cultures from an interdisciplinary perspective, with special emphasis on how literature and film are retelling classic fairy tales for modern audiences.
Find the secret and hidden elements of magic in the fairy tales of England, France, Russia, and the Baltic. Did you know that Jack and the Beanstalk has themes that relate to the Bible and to the Epic of Gilgamesh? No, really Faery Tale Magic examines the relationship between fairy tale archetypes and the practice of magic. Each tale is discussed, and an element of the tale is used to illustrate a magical principle. Explore how fairy tales thinly veil magical propositions like polarity, the world tree, the journey to the underworld, day of the week magic, crosses and magic, and much more. Discover the correspondence between the world's best folk traditions and all manner of topics--everything from tarot to runes to magic charms to spells and herbalism.
Myth, magic, and monsters—the stuff of childhood dreams (or nightmares) and adult fantasies. Delve into these classic fairy tales retold with a queer twist and surrender to the world of seductive spells and dark temptations.
This book examines the fairies, demons, and nature spirits haunting the margins of Christendom from late-antique Egypt to early modern Scotland to contemporary Amazonia. Contributions from anthropologists, folklorists, historians and religionists explore Christian strategies of encompassment and marginalization, and the ‘small gods’ undisciplined tendency to evade such efforts at exorcism. Lurking in forest or fairy-mound, chuckling in dark corners of the home or of the demoniac’s body, the small gods both define and disturb the borders of a religion that is endlessly syncretistic and in endless, active denial of its own syncretism. The book will be of interest to students of folklore, indigenous Christianity, the history of science, and comparative religion.
In these 14 magical stories from around the world, you can read about the princess who climbs out of a lemon, the king who wants only to touch the moon, and the three golden apples which can bring a princess back to life.
Reality, Magic, and Other Lies: Fairy-Tale Film Truths explores connections and discontinuities between lies and truths in fairy-tale films to directly address the current politics of fairy tale and reality. Since the Enlightenment, notions of magic and wonder have been relegated to the realm of the fanciful, with science and reality understood as objective and true. But the skepticism associated with postmodern thought and critiques from diverse perspectives--including but not limited to anti-racist, decolonial, disability, and feminist theorizing--renders this binary distinction questionable. Further, the precise content of magic and science has shifted through history and across location. Pauline Greenhill offers the idea that fairy tales, particularly through the medium of film, often address those distinctions by making magic real and reality magical. Reality, Magic, and Other Lies consists of an introduction, two sections, and a conclusion, with the first section, "Studio, Director, and Writer Oeuvres," addressing how fairy-tale films engage with and challenge scientific or factual approaches to truth and reality, drawing on films from the stop-motion animation company LAIKA, the independent filmmaker Tarsem, and the storyteller and writer Fred Pellerin. The second section, "Themes and Issues from Three Fairy Tales," shows fairy-tale film magic exploring real-life issues and experiences using the stories of "Hansel and Gretel," "The Juniper Tree," and "Cinderella." The concluding section, "Moving Forward?" suggests that the key to facing the reality of contemporary issues is to invest in fairy tales as a guide, rather than a means of escape, by gathering your community and never forgetting to believe. Reality, Magic, and Other Lies--which will be of interest to film and fairy-tale scholars and students--considers the ways in which fairy tales in their mediated forms deconstruct the world and offer alternative views for peaceful, appropriate, just, and intersectionally multifaceted encounters with humans, non-human animals, and the rest of the environment.