[PDF] Maarten Van Heemskerck And Dutch Humanism In The 16th Century eBook

Author : Arthur J. Di Furia
Publisher : BRILL
Page : 549 pages
File Size : 27,27 MB
Release : 2019-01-14
Category : Architecture
ISBN : 9004380825

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The first comprehensive analysis of the artist’s Roman ruin drawings. Three parts take us from Van Heemskerck’s training to his Roman stay and his post-Roman phase. A catalog presents Van Heemskerck’s drawings in up-to-date digital photographs.

Author : Larry Silver
Publisher : University of Pennsylvania Press
Page : 393 pages
File Size : 20,25 MB
Release : 2012-01-04
Category : Art
ISBN : 0812222113

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Larry Silver investigates the origins of new pictorial types and their media as a phenomenon of sixteenth-century Antwerp and interprets several pictorial genres as he charts their evolution and their role in the development and marketing of individual artistic styles.

Author : Anne T. Woollett
Publisher : Getty Publications
Page : 108 pages
File Size : 26,38 MB
Release : 2012
Category : Art
ISBN : 1606061127

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Looks at the efforts of the J Paul Getty Museum to preserve and expose a stunning 16th century triptych. This book documents the dramatic process of revealing the brilliance of a 16th-century masterpiece.

Author : Ingrid Ciulisová
Publisher :
Page : 222 pages
File Size : 14,37 MB
Release : 2006
Category : Art museums
ISBN :

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The purpose of this book is draw attention to little known or unknown Netherlandish paintings of the 16th century preserved in Slovak art collections. In the foreword the author gives an overview of the history of art collecting within present day Slovakia. The remarkable art collections of Prince Albert, Duke of Sachsen-Teschen, Count János Pálffy, Enea Grazioso Lanfranconi and Baron Raoul Kuffner, among others, are treated here in detail. The collection of 31 paintings is examined in the form of a scholaly catalogue. The author gives carefully formulated assessments about the provenance, iconography, attribution and the date of every work. Moreover, a useful survey of the opinions given in earlier publications, many of them inaccessible due to the language barrier, is included. The paintings by Colijn de Coter, Albrecht Bouts, Gillis Coignet and the fine paintings by Lucas, Marten, Frederik and Gillis Valckenborch for example, are comprehensively presented to the reader. Indubitably, art professionals will welcome the publication as a valuable reference handbook. The book will also be very useful to visitors to the Slovak galleries and museums.

Author : Sophie Raux
Publisher : BRILL
Page : 389 pages
File Size : 43,46 MB
Release : 2018-02-19
Category : Art
ISBN : 9004358811

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Lotteries, Art Markets, and Visual Culture examines lotteries as devices for distributing images and art objects, and constructing their value in the former Low Countries. Alongside the fairs and before specialist auction sales were established, they were an atypical but popular and large-scale form of the art trade. As part of a growing entrepreneurial sensibility based on speculation and a sense of risk, they lay behind many innovations. This study looks at their actors, networks and strategies. It considers the objects at stake, their value, and the forms of visual communication intended to boost an appetite for ownership. Ultimately, it contemplates how the lottery culture impacted notions of Fortune and Vanitas in the visual arts.

Author :
Publisher : BRILL
Page : 278 pages
File Size : 24,4 MB
Release : 2015-08-24
Category : Art
ISBN : 9004290117

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In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.