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Author : William Behrend
Publisher : London ; Toronto : J.M. Dent ; New York : E.P. Dutton
Page : 256 pages
File Size : 20,30 MB
Release : 1927
Category : Composers
ISBN :
Author : Ludwig van Beethoven
Publisher : Alfred Music
Page : 248 pages
File Size : 41,27 MB
Release :
Category : Music
ISBN : 9781457411052
Beethoven wrote 32 sonatas for piano. Volume 1, edited by Stewart Gordon, includes the first 8 sonatas (Op. 2, Nos. 1-3; Op. 7; Op. 10, Nos. 1-3; and Op. 13 ["Pathétique"]), written between 1795 and 1799. Since these autographs no longer exist, this edition is based on the first editions, published by various Viennese engravers. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempo; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions.
Author : Jan Marisse Huizing
Publisher : Yale University Press
Page : 335 pages
File Size : 49,53 MB
Release : 2021
Category : Music
ISBN : 0300251602
A comprehensive and immersive survey of thirty-five Beethoven piano sonatas Beethoven's piano sonatas are among the iconic cornerstones of the classical music repertoire. Jan Marisse Huizing offers an in-depth study of the sonatas using available autographs, first editions, recordings, and nearly three hundred musical examples. Digging into the historical background and historical performance practice, the book provides illuminating detail on Beethoven's pianism as well as his characteristics of notation, form and content, "types of touch," articulation, beaming, pedal indications, character, rubato, meter, metric constructions, tempo, and metronome marks. Packed with anecdotes, quotations, and considerable new information, the book will inspire all involved with these masterworks, playing a fortepiano or modern Grand, giving the sense of the composer sitting beside them as he translates his inspiration and ideas into his notation.
Author : Ludwig van Beethoven
Publisher :
Page : 256 pages
File Size : 33,37 MB
Release : 1991
Category : Sonatas (Piano)
ISBN :
Published within the Signature Series, this series of performing editions of standard keyboard works includes informative introductions and performance notes.
Author : William Behrend
Publisher :
Page : 256 pages
File Size : 50,6 MB
Release : 1978
Category : Music
ISBN :
Author : Stewart Gordon
Publisher : Oxford University Press
Page : 289 pages
File Size : 37,87 MB
Release : 2017
Category : Music
ISBN : 0190629185
In Beethoven's 32 Piano Sonatas, renowned performer and pedagogue Stewart Gordon addresses textual issues, Beethoven's pianos, performance practices, composer's indications, and the composer's development, pointing to patterns of structure, sonority, keyboard technique, and emotional meaning. In addition, each sonata appears in a helpful outline-chart format for easy-access reference.
Author : Ludwig van Beethoven
Publisher : Warner Bros. Publications
Page : 0 pages
File Size : 47,59 MB
Release : 1985-03
Category : Piano music
ISBN : 9780769254869
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.
Author : Ludwig van Beethoven
Publisher : Alfred Music
Page : 195 pages
File Size : 49,32 MB
Release : 2005-09-19
Category : Music
ISBN : 1457421178
Beethoven wrote 32 sonatas for piano. Volume 2, edited by Stewart Gordon, includes Sonatas 9--15 (Op. 14, Nos. 1--2; Op. 22; Op. 26; Op. 27, Nos. 1--2; and Op. 28), written between 1798 and 1801 and published shortly after they were written. Of the sonatas in this volume, autographs exist for Op. 26; Op. 27, No. 2 (the first and final pages are missing); and Op. 28. This edition is based on the existing autographs and the first editions, published by various Viennese engravers. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempo; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions.
Author : Ludwig van Beethoven
Publisher : Alfred Music
Page : 536 pages
File Size : 39,14 MB
Release : 2006-03-23
Category : Music
ISBN : 9781457424465
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.
Author : Barry Cooper
Publisher : Routledge
Page : 419 pages
File Size : 48,76 MB
Release : 2017-04-05
Category : Music
ISBN : 1317037081
Beethoven’s piano sonatas are a cornerstone of the piano repertoire and favourites of both the concert hall and recording studio. The sonatas have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published. With source materials such as sketches and correspondence increasingly available, the time is ripe for a close study of the history of these works. Barry Cooper, who in 2007 produced a new edition of all 35 sonatas, including three that are often overlooked, examines each sonata in turn, addressing questions such as: Why were they written? Why did they turn out as they did? How did they come into being and how did they reach their final form? Drawing on the composer’s sketches, autograph scores and early printed editions, as well as contextual material such as correspondence, Cooper explores the links between the notes and symbols found in the musical texts of the sonatas, and the environment that brought them about. The result is a biography not of the composer, but of the works themselves.