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Many have speculated about the meaning of John Lennon's Lucy in the Sky with Diamonds. Psychologist Tim Kasser applies innovative methods to the song's lyrics and music, weaving his findings together with the musician's past to provide an integrative perspective on the place of Lucy in Lennon's life.
Since John Lennon composed Lucy in the Sky with Diamonds in early 1967, fans and music critics alike have argued over the meaning of the song. Is it about drugs? Is it just a lyrical response to a drawing given Lennon by his 4-year-old son Julian? Is there some deeper meaning? Professor Tim Kasser goes beyond speculative explanations by applying innovative psychological methods to the song's lyrics and music. He deeply analyzes the song's linguistic structure, its basic theme, and the way its words and music had been used by Lennon in earlier songs. As the findings accumulate, Kasser weaves them together with the facts of Lennon's life and established psychological theories to provide an integrative (and sometimes surprising) perspective on the psychological processes that led Lennon to write Lucy in the Sky with Diamonds. Kasser goes on to follow the unfolding of these personal dynamics in later Lennon songs like I am the Walrus, Yer Blues, and Working Class Hero. No other book has so closely examined this period of Lennon's life with such a sophisticated psychological approach. Kasser's methods and perspective point to the usefulness of scientific psychology for understanding why a particular person does a particular thing at a particular time, at the same time that they shed new light on this fascinating and controversial man.
Many have speculated about the meaning of John Lennon's 'Lucy in the Sky with Diamonds'. Psychologist Tim Kasser applies innovative methods to the song's lyrics and music, weaving his findings together with the musician's past to provide an integrative perspective on the place of Lucy in Lennon's life.
A lifetime of letters, collected for the first time, from the legendary musician and songwriter. John Lennon was one of the greatest songwriters the world has ever known, creator of "Help!", "Come Together", "Lucy in the Sky with Diamonds", "Strawberry Fields Forever", "Imagine", and dozens more. But it was in his correspondences that he let his personality and poetry flow unguarded. Now, gathered for the first time in book form, are his letters to family, friends, strangers, and lovers from every point in his life. Funny, informative, wise, poetic, and sometimes heartbreaking, his letters illuminate a never-before-seen intimate side of the private genius. This groundbreaking collection of almost 300 letters and postcards has been edited and annotated by Hunter Davies, whose authorized biography The Beatles (1968) was published to great acclaim. With unparalleled knowledge of Lennon and his contemporaries, Davies reads between the lines of the artist's words, contextualizing them in Lennon's life and using them to reveal the man himself.
"Jonn Lennon's life in the years between 1970 and his tragically young death in 1980 were eventful and fascinating. He moved from stardom in the world's biggest pop group, to global peace campaigner and figurehead for radical causes. He left England for a new life in the USA with Yoko Ono. There was a bizarre interlude of 18 months - his famous 'lost weekend' - when John ran off with Yoko's secretary May Pang and descended into alcoholism. Reunited with Yoko, he abandoned publi life and retired to his New York apartment to raise their son and live the life of a recluse. In 1980 he re-emerged with a new album, but the plan to resume his career was cruelly curtailed on that fateful night outside the Dakota Building. This book recounts John's life after The Beatles in a fascinating and revealing track-by-track analysis of the stories behind each song that he wrote."--Back cover.
Beginning the night of February 9, 1964, John Cherry was a Beatle fan. The group provided the best of music until their breakup in 1970. As solo artists, each Beatle continued to provide excellent music. Cherry makes the case that Paul McCartney was the most successful Beatle and the most successful solo artist from the group. The comparison is appropriately made to John Lennon's work, both as a Beatle and solo artist. The book is largely an in-depth examination of McCartney and Lennon music based on their fan's preferences. It also compares their individual talents and presents the opinions of those that worked with them or closely followed their music.
An account of the late Beatle's last days discusses Lennon's relationship with Yoko Ono, Yoko's heroin use and extramarital affairs, Lennon's virtual self-imprisonment in the Dakota, his battles with Yoko, and more. Reprint.
The last major interview with John Lennon and Yoko Ono, conducted by New York Times bestselling author David Sheff, featuring a new introduction that reflects on the fortieth anniversary of Lennon's death. Originally published in Playboy in 1981 just after John Lennon's assassination, All We Are Saying is a rich, vivid, complete interview with Lennon and Yoko Ono, covering art, creativity, the music business, childhood beginnings, privacy, how the Beatles broke up, how Lennon and McCartney collaborated (or didn't) on songs, parenthood, money, feminism, religion, and insecurity. Of course, at the heart of the conversation is the deep romantic and spiritual bond between Lennon and Ono. Sheff's insightful questions set the tone for Lennon's responses and his presence sets the scene, as he goes through the kitchen door of Lennon and Yoko's apartment in the Dakota and observes moments at Lennon's famous white piano and the rock star's work at the stove, making them grilled cheese sandwiches. Sheff's new introduction looks at his forty-year-old interview afresh, and examines how what he learned from Lennon has resonated with him as a man and a parent. This is a knockout interview: unguarded, wide-ranging, alternately frisky and intense.
Chronicles the Beatles' use of instruments from 1956 through 1970, including photographs and discussion about Paul's 1963 Hofner 500/1 violin bass, John's Rickenbacker 325 12-string, and George's Gibson Les Paul.