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This text examines Byron's "lordship" - his singularity as a literary success and as one of the great British aristocratic poets. Drawing on contemporary literary, political and social theory, this study of Byron also re-examines the romanticism of Coleridge, Wordsworth, Scott, Hazlitt and Shelley.
"Elledge carefully examines the historical and biographical contexts to Byron's Harrow performances, showing their relevance to Byron's physical and psychic landscapes at the time - his connections to his mother and half-sister, his headmasters and tutors, his Harrow intimates and rivals, his lameness, his London theatrical spectatorship. Byron's performances in the characters of King Latinus from the Aeneid, Zanga the Moor from Edward Young's The Revenge, and King Lear provide an opportunity to examine his early experiments with self-presentation: as Elledge argues, these performances are "auditions or trials of performative and autotherapeutic strategies, subsequently refined and polished in the mature verse." Throughout, Elledge reads the boy for the sake of reading the poet; he shows how young Byron's introduction to theatricality at Harrow School prepared him to make a confident and spectacular debut on Europe's cultural stage."--BOOK JACKET.
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Excerpt from The Works of Lord Byron, Including the Suppressed Poems: Also a Sketch of His Life But that noble tree will never more bear fruit or blossom! It has been cut down in its strength, and the past is all that remains to us of Byron. That voice is silent for ever, which, bursting so frequently on our car, was often heard with rapturous admiration, sometimes with regret. But always with the deepest ih terest. - t the impression of his works still remains vivid and strong. The charm which cannot pass away is there, - life breathing in dead words - the stern granclettr - the intense power and energy - the fresh beauty, the nu dimmed lustre - the immortal bloom. And ver dure, and fragrance of life. All those still are there. But it was not in these alone, it was in that continual impersonation of himself in his writings. By which he was for ever kept brightly before the eyes of men. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.