[PDF] Looking Up Harryette Mullen eBook

Author : Barbara Henning
Publisher : Belladonna*
Page : 0 pages
File Size : 38,37 MB
Release : 2011
Category : American poetry
ISBN : 9780982338759

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Literary Nonfiction. Poetry History & Criticism. African American Studies. Introduction by Juliana Spahr. Six years after Harryette Mullen and Barbara Henning first met at the legendary Nuyorican Poets Café, Henning proposed she do a postcard-format interview of Mullen that would allow for a "very small postcard space in which to respond...[t]he idea of cards flying through the mail & overlapping." Thus began what is now LOOKING UP HARRYETTE MULLEN, unique collaborative conversations that offer a candid look at the influences, politics, and poetics that inform Mullen's poetry. The conversation expands even further in the second set of spoken interviews that include concerns as far-ranging as the Heaven's Gate cult, Oulipian constraints such as S + 7 and lipograms, syllabic rhymes, and Aimé Césaire. In stunning detail, Mullen and Henning discuss the origins of each poem in Mullen's highly acclaimed collection Sleeping with the Dictionary. For poets and readers of poetry interested in witnessing how a brilliant, singular writer embarks on the journey of generating work to scholars researching the inception of Mullen's poems, this book informs by way of technique and vitality.

Author : Harryette Mullen
Publisher : Univ of California Press
Page : 99 pages
File Size : 21,7 MB
Release : 2002-02-22
Category : Poetry
ISBN : 0520927834

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Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of word games (acrostic, anagram, homophone, parody, pun), as well as its reflections on the politics of language and dialect, Mullen's work is serious play. A number of the poems are inspired or influenced by a technique of the international literary avant-garde group Oulipo, a dictionary game called S+7 or N+7. This method of textual transformation--which is used to compose nonsensical travesties reminiscent of Lewis Carroll's "Jabberwocky"--also creates a kind of automatic poetic discourse. Mullen's parodies reconceive the African American's relation to the English language and Anglophone writing, through textual reproduction, recombining the genetic structure of texts from the Shakespearean sonnet and the fairy tale to airline safety instructions and unsolicited mail. The poet admits to being "licked all over by the English tongue," and the title of this book may remind readers that an intimate partner who also gives language lessons is called, euphemistically, a "pillow dictionary."

Author : Harryette Romell Mullen
Publisher : Tender Buttons Books
Page : 78 pages
File Size : 35,19 MB
Release : 1991
Category : Poetry
ISBN :

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Prose poems inspired by Stein's Tender Buttons and informed by current feminist and semiotic theories.

Author : Harryette Mullen
Publisher : Graywolf Press
Page : 0 pages
File Size : 14,32 MB
Release : 2013-11-05
Category : Poetry
ISBN : 9781555976569

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"Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic." —Susan Stewart, citation for the Academy of American Poets Fellowship Urban tumbleweed, some people call it, discarded plastic bag we see in every city blown down the street with vagrant wind. —from Urban Tumbleweed Urban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, "What is natural about being human? What to make of a city dweller taking a ‘nature walk' in a public park while listening to a podcast with ear-bud headphones?"

Author : Aldon Lynn Nielsen
Publisher : University of Alabama Press
Page : 330 pages
File Size : 22,58 MB
Release : 2006-02-05
Category : Literary Criticism
ISBN : 0817352791

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Showcases brilliant and experimental work in African American poetry. Just prior to the Second World War, and even more explosively in the 1950s and 1960s, a far-reaching revolution in aesthetics and prosody by black poets ensued, some working independently and others in organized groups. Little of this new work was reflected in the anthologies and syllabi of college English courses of the period. Even during the 1970s, when African American literature began to receive substantial critical attention, the work of many experimental black poets continued to be neglected. Every Goodbye Ain’t Gone presents the groundbreaking work of many of these poets who carried on the innovative legacies of Melvin Tolson, Gwendolyn Brooks, and Robert Hayden. Whereas poetry by such key figures such as Amiri Baraka, Tolson, Jayne Cortez, Clarence Major, and June Jordan is represented, this anthology also elevates into view the work of less studied poets such as Russell Atkins, Jodi Braxton, David Henderson, Bob Kaufman, Stephen Jonas, and Elouise Loftin. Many of the poems collected in the volume are currently unavailable and some will appear in print here for the first time. Coeditors Aldon Lynn Nielsen and Lauri Ramey provide a critical introduction that situates the poems historically and highlights the ways such poetry has been obscured from view by recent critical and academic practices. The result is a record of experimentation, instigation, and innovation that links contemporary African American poetry to its black modernist roots and extends the terms of modern poetics into the future.

Author : Harryette Mullen
Publisher : University of Alabama Press
Page : 292 pages
File Size : 29,74 MB
Release : 2012-08-06
Category : Biography & Autobiography
ISBN : 0817357130

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The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen’s own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women’s voices, and the future of poetry. Together, these essays and interviews highlight the impulses and influences that drive Mullen’s work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power.

Author : Harryette Romell Mullen
Publisher :
Page : 56 pages
File Size : 29,6 MB
Release : 1992
Category : Poetry
ISBN :

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The prose poems of Mullen offer an antidote to the stultifying sameness of officious representations of our multiplicity. A race through the supermarket with Mullen will leave you rolling in the aisle. --A.L. Nielsen, Multicultural Review.

Author : Fran Ross
Publisher : New Directions Publishing
Page : 156 pages
File Size : 38,42 MB
Release : 2015-07-07
Category : Fiction
ISBN : 081122323X

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A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other.

Author : Harryette Mullen
Publisher :
Page : 198 pages
File Size : 34,42 MB
Release : 2006-10-31
Category : Literary Criticism
ISBN :

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Brings together three collections of poetry by African-American author Harryette Mullen, which explore such themes as identity, mass culture, and globalization.

Author : Malin Pereira
Publisher : University of Georgia Press
Page : 287 pages
File Size : 47,77 MB
Release : 2010-12-01
Category : Literary Criticism
ISBN : 082033734X

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Malin Pereira's collection of eight interviews with leading contemporary African American poets offers an in-depth look at the cultural and aesthetic perspectives of the post-Black Arts Movement generation. This volume includes unpublished interviews Pereira conducted with Wanda Coleman, Yusef Komunyakaa, Thylias Moss, Harryette Mullen, Cornelius Eady, and Elizabeth Alexander, as well as conversations with Rita Dove and Cyrus Cassells previously in print. Largely published since 1980, each of these poets has at least four books. Their influence on new generations of poets has been wide-reaching. The work of this group, says Pereira, is a departure from the previous generation's proscriptive manifestos in favor of more inclusive voices, perspectives, and techniques. Although these poets reject a rigid adherence to a specific black aesthetic, their work just as effectively probes racism, stereotyping, and racial politics. Unlike Amiri Baraka's claim in "Home" that he becomes blacker and blacker, positioning race as a defining essence, these poets imagine a plurality of ideas about the relationship between blackness and black poetry. They question the idea of an established literary canon defining black literature. For these poets, Pereira says, the idea of "home" is found both in black poetry circles and in the wider transnational community of literature. A Sarah Mills Hodge Foundation Publication.