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To be a Goth is to be unique, creative and misunderstood. However, in order to be considered truly 'gothic', it is necessary to conform to certain rules. This little guide will tell you all you need to know about the dark and mysterious Goth world: popular myths and stereotypes; how to spot, become or insult a Goth; Goth philosophy; and the mating ritual. Be afraid.
What Is Goth? is a humorous, self-deprecating look at Goth culture from the inside out. Imagine The Preppy Handbook colliding with Charles Addams. Then add a lot more melancholy and a lot more spooky. What Is Goth? dispels the false stereotypes and reinforces the true ones surrounding Goths and Goth culture. "To the mundane," Voltaire writes, "Goths are weird, black-clad freaks who are obsessed with death; they are sad all of the time. Take a closer look at the Goth scene, however, and you will find a rich tapestry of ideas and practices and a menagerie of colorful characters. Oh, dear. I said 'colorful.'" Yes, Goths are pale, wear black clothing, love black makeup (on men and women), mope, listen to real downer music, and perfect the art of living in a perpetual state of ennui and melancholy. But there's so much more to being Goth. Goths come from all walks of life. Many are teenagers who live with their parents; others are doctors, lawyers, musicians, and so on. Most Goths are highly literate and creative, but all real Goths have to dress the part. In other words, "Abandon all hope ye who enter a Goth club in khakis!" Eerily illustrated, What Is Goth? is the perfect book for any Goth, Goth wannabe, or "mundane" who is hopelessly confused by all the gloom.
Introduces the characteristics of the lifestyle and look known as "Goth," and explains that for many of its followers it is more of a stylistic choice while for others it is a way of life, and that most are sensitive and tolerant, not violent or satanist.
Since it first emerged from Britain’s punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth’s many dimensions—including its melancholy, androgyny, spirituality, and perversity—and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences. The volume’s editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an “undead” subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker’s Dracula to James O’Barr’s graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism. Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock
A hilariously nihilistic, “off-color” coloring book that encourages moodiness, moroseness, and misery over mindful meditation—perfect for the goth in us all. A coloring book for adults whose glasses are always half empty. Grab your favorite black pencil or crayon and take a break from the daily grind with the world’s most depressing coloring book. In a hilarious parody of the adult coloring book trend, The Coloring Book for Goths will have you laughing from the darkest depths of your soul–if you're capable of such a thing.
From the Helen Kay Chapbook Award-Winning poet Cassondra Windwalker, an unsuspecting librarian falls head-over-heels for a married man, but when she finds herself caught up in a whirlwind romance, she discovers her new husband's past wives have all met early deaths—and some aren't ready to let go yet. Obsession never dies. When librarian Sigrun falls head-over-heels for the sophisticated and very married Edgar Leyward, she never expects to find herself in his bed—or his heart. Nevertheless, when his enigmatic wife Octavia dies from a sudden illness, Sigrun finds herself caught up in a whirlwind romance worthy of the most lurid novels on her bookshelves. Sigrun soon discovers Octavia wasn't Edgar's first lost love, or even his second. Three women Edgar has loved met early deaths. As she delves into her beloved's past through a trove of discovered letters, the edges of Sigrun identity begin to disappear, fading into the women of the past. Sigrun tells herself it's impossible for any dark magic to be at play—that the dead can't possibly inhabit the bodies of the living—but something shadowy stalks the halls of the Leyward house and the lines between the love of the present and the obsessions of the past become increasingly blurred—and bloody. Mixing lyrical prose with simmering terror, Hold My Place is a modern gothic horror worthy of Shirley Jackson's nightmares and Daphne DuMaurier's dangerous lovers. "Hold My Place is a dark, sensuous tale about obliterating love, and Windwalker's superb prose fairly drips with beauty. You simply must read this haunting book." —Mercedes M. Yardley, Bram Stoker Award-winning author of Little Dead Red "Sinister undertones steadily build into a genuine sense of doom...as thought-provoking as it is harrowing." —Publishers Weekly "With ethereal prose [Hold My Place]'s departure from genre tropes will make it a favorite with gothic-horror and dark-romance readers." —Booklist "A satisfying blend of romance and ghost story.... Hold My Place is anything but ordinary or predictable, despite its firm roots in the horror world." —Midwest Book Review "Brimming with muted eroticism, Hold My Place is a dark romance novel punctuated by longing, lingering spirits and love without end." —Foreword Reviews
Before they were friends, he had already noticed her. He wanted her hands - those beautiful, enchanting hands - to himself. And he hoped that the local madman who had been "collecting" the hands of anything that moved - babies, children, men, women, animals - would get them for him...until the day she asked him to teach her how to smile. -- VIZ Media
Try me . . . test me . . . taste me . . . Joanne Harris’s Chocolat trilogy has tantalized readers with its sensuous descriptions of chocolate since it was first published. Now, to celebrate the much-loved story of Vianne Rocher’s deliciously decadent chocolaterie, Joanne Harris and Fran Warde have created the ultimate book of chocolate lore and recipes from around the world, bringing a touch of magic to your kitchen.
This book is a visual foray into Japan’s popular and influential Gothic-Lolita and Gothic Punk subculture. It showcases a creative lifestyle synthesized from a remix of Victoriana, the macabre, anime, and theatricality, drawing on the early punks of the ’70s and ’80s and the club kids of the ’90s. Japanese Goth blends disparate elements of global pop culture into something fun, stylish, and unique—part Marilyn Manson, part Hello Kitty. It attracts established figures from Tokyo’s trendsetting fashion, art, and design scenes, and has inspired the next generation of designers, tastemakers, and fashionistas. Featured here are key designers, artists, and personalities including Mana & Gackt, Kokusyoku Sumire, Ayako-S, Koitsukihime, Gloomy Bear, and many others.