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What makes a family? That's what twelve-year-old Nicky Dillon wonders after she and her widowed father discover a wailing abandoned baby in the snow-filled woods near their New Hampshire home. Through the days that follow, the Dillons and an unexpected visitor who soon turns up at their door-a young woman evidently haunted by her own terrible choices-face a thicket of decisions, each seeming to carry equal possibilities of heartbreak and redemption. Writing with all the emotional resonance that has drawn millions of readers around the world to her fiction, Anita Shreve unfolds in Light on Snow a tender and surprising novel about love and its consequences.
A Time Best Book of the Year · An Entertainment Weekly Best Book of the Year · A People Best Book of the Year · Winner of the CWA Silver Dagger Award · A Finalist for the Edgar Award for Best Mystery Novel First published in 1992, Peter Høeg's Smilla's Sense of Snow instantly became an international sensation. When caustic Smilla Jaspersen discovers that her neighbor--a neglected six-year-old boy, and possibly her only friend--has died in a tragic accident, a peculiar intuition tells her it was murder. Unpredictable to the last page, Smilla's Sense of Snow is one of the most beautifully written and original crime stories of our time, a new classic.
From The New York Times bestselling author of Prayers for Sale comes the moving and powerful story of a small town after a devastating avalanche, and the life changing effects it has on the people who live there Whiter Than Snow opens in 1920, on a spring afternoon in Swandyke, a small town near Colorado's Tenmile Range. Just moments after four o'clock, a large split of snow separates from Jubilee Mountain high above the tiny hamlet and hurtles down the rocky slope, enveloping everything in its path including nine young children who are walking home from school. But only four children survive. Whiter Than Snow takes you into the lives of each of these families: There's Lucy and Dolly Patch—two sisters, long estranged by a shocking betrayal. Joe Cobb, Swandyke's only black resident, whose love for his daughter Jane forces him to flee Alabama. There's Grace Foote, who hides secrets and scandal that belies her genteel façade. And Minder Evans, a civil war veteran who considers his cowardice his greatest sin. Finally, there's Essie Snowball, born Esther Schnable to conservative Jewish parents, but who now works as a prostitute and hides her child's parentage from all the world. Ultimately, each story serves as an allegory to the greater theme of the novel by echoing that fate, chance, and perhaps even divine providence, are all woven into the fabric of everyday life. And it's through each character's defining moment in his or her past that the reader understands how each child has become its parent's purpose for living. In the end, it's a novel of forgiveness, redemption, survival, faith and family.
A story of vicious revenge and hard repentance Annette and Lucien are enemies. After Annette gets Lucien into trouble at school, he decides to get back at her by threatening the most precious thing in the world to her: her little brother Dani. But tragedy strikes. Annette is so filled with rage that she sets out to alienate and humiliate Lucien at every turn. As Lucien seeks to repent and restore, light floods both of their dark hearts and Christ proves that He makes all things new.
When the first flakes fell from the grey sky, the postman and the farmer and the policeman and his wife scurried about doing all the practical things grownups do when a snowstorm comes. But the children laughed and danced, and caught the lacy snowflakes on their tongues. All the wonder and delight a child feels in a snowfall is caught in the pages of this book -- the frost ferns on the window sill, the snow man in the yard and the mystery and magic of a new white world. Roger Duvoisin’s pictures in soft blue half-tones with brilliant splashes of yellow and red emphasize the gaiety and humor as well as the poetic quality of the text.—Print Ed.
“A perfectly paced and tautly plotted thriller…and an incredibly accomplished debut” (Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train and Into the Water), about a beloved high schooler found murdered in her sleepy Colorado suburb and the secret lives of three people connected to her. How can you love someone who’s done something horribly, horribly wrong? When a beloved high schooler named Lucinda Hayes is found murdered, no one in her community is untouched—not the boy who loved her too much; not the girl who wanted her perfect life; not the officer assigned to investigate her murder. In the aftermath of the tragedy, these three indelible characters—Cameron, Jade, and Russ—must each confront their darkest secrets in an effort to find solace, the truth, or both. In crystalline prose, Danya Kukafka offers a brilliant exploration of identity and of the razor-sharp line between love and obsession, between watching and seeing, between truth and memory. “A sensational debut—great characters, mysteries within mysteries, and page-turning pace. Highly recommended” (Lee Child, #1 New York Times bestselling author of the Jack Reacher novels). Hailed as “Gillian Flynn of 2017” (Yahoo! Style), compulsively readable and powerfully moving, Girl in Snow is “engagingly told… its endearing characters’ struggles linger in memory after this affecting work is done” (The Wall Street Journal).
The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong, and the daughter’s own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken? Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them. 'So calm and clear and deep, I wished it would flow on forever.' — Helen Garner 'Rarely have I been so moved, reading a book: I love the quiet beauty of Cold Enough for Snow and how, within its calm simplicity, Jessica Au camouflages incredible power.' — Edouard Louis 'Au’s prose is elegant and measured. In descriptions of bracing clarity she evokes ‘shaking delicate impressions’ of worlds within worlds that are symbolic of the parts of ourselves we keep hidden and those we choose to lay bare. Put simply, this novel is an intricate and multi-layered work of art — a complex and profound meditation on identity, familial bonds and our inability to fully understand ourselves, those we love and the world around us.' — Jacqui Davies, Books+Publishing
From the author of the prizewinning and bestselling The Colony of Unrequited Dreams comes an epic family mystery with a powerful, surprise ending, and featuring the return of the ever-fascinating, always memorable Sheilagh Fielding. In the chill hush that precedes the first storm of the winter of 1936, 14-year-old Ned Vatcher comes home from school to find the house locked, the family car missing, and his parents gone without a trace. From that point on, his life is driven by the need to find out what happened to the Vanished Vatchers. His father, Edgar, born to a poor family of fishermen, had risen to become the right-hand man to the colony's prime minister, then suffered an unexpected fall from grace. Were he and his wife murdered? Was it suicide? Had they run away? If so, why had they left their only child behind? Ned soon finds himself enmeshed in another family, that of his missing father and the poverty from which the man somehow escaped. His grandparents, Nan and Reg, his Uncle Cyril and others, are themselves haunted by the inexplicable disappearance of a third Vatcher, a young man who was lost at sea on a calm and sunny day years earlier. As Ned becomes Newfoundland's first media mogul and builds an empire to insulate him from loss, two other people loom large in his life: a Jesuit priest named Father Duggan, and Sheilagh Fielding, a boozy giantess who, while wandering the city streets at night, composes satiric columns that scandalize the rich and powerful. In Ned, Fielding sees a surrogate for her two lost children, while Ned believes the enigmatic Fielding to be his soulmate. The novel builds to a spectacular resolution of the mystery of all the Vanished Vatchers, with these larger-than-life, mythic characters embroiled in events that leave us contemplating not only their tragedies and triumphs, but the forces that compel us all to act in ways that surprise and sometimes terrify us.