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Auction catalogues can reveal a lot about a person: their life, their loves and their style. Antique jewellery dealer Sarah Jane Adams became an international model and overnight Instagram sensation in her sixties. She tells her story through a lifetime's collection of rare pieces and worthless objects, as well as personal photographs and effects from her 'estate'. Told with wit, pathos and charm. Life In A Box illustrates the deeply personal connection that we have with our belongings: they are laden with rich meaning and adventure and, above all, redolent of our stories.
His fans have spoken, but despite their requests, Peter Davison has gone ahead and written his autobiography anyway. It wasn’t the book they tried to stop – it was more like the book they didn’t want him to start. An aspiring singer-songwriter, once dubbed Woking’s answer to Bob Dylan (by his mum, who once heard a Bob Dylan song), Peter actually penned a hit for Dave Clark but soon swapped a life on the pub circuit to tread the boards. From colonial roots – his dad was Guyanese and his mother was born in India – the family settled in Surrey where Peter’s academic achievements were unspectacular – he even managed to fail CSE woodwork, eliciting a lament from his astonished teacher (‘All you have to do is recognise wood!’). Despite this, Peter has secured his place in science fiction history, becoming the fifth Doctor Who, although he nearly turned down the role. The Time Lord connection continued with the marriage of his daughter Georgia to Dr Who number ten, David Tennant. The artist formerly known as Peter Malcolm Gordon Moffett has starred in a number of television series including Love for Lydia, A Very Peculiar Practice, At Home with the Braithwaites and The Last Detective and became a national treasure for having his arm up a cow in his role as Tristan Farnon in All Creatures Great and Small. He was also in a Michael Winner movie... He made his first stage appearance with an amateur dramatic company, but The Byfleet Players’ loss was the West End’s gain as he now has a number of musicals to his name, including Legally Blonde, Chicago and Spamalot. Most recently he starred in the box office record-breaking Gypsy where he rubbed shoulders backstage with Dames Meryl Streep, Maggie Smith and Judi Dench – all asking him for directions to Imelda Staunton’s dressing room. One thing is for sure: of all the British screen and stage actors of the last fifty years, Peter Davison is certainly one of them and, within these pages, intrepid readers will at last have the dubious honour of sharing in his life and times – as he despairs over whether there truly ever can be life outside the box.
How much would you sacrifice to hide a secret? Andee Camp inherits a box of family history after tragedy strikes along with a challenge to write a novel based on her ancestors.
Have you ever wondered what happens to a cardboard box when you no longer need it? This lovely bedtime story helps children understand how and why we should recycle our cardboard.
For more than 25 years, author Megan O’Hara worked as an hourly associate at Walmart in fifteen stores across five states. In Life within a Big Box, she shares her story, revealing the challenges, laughter, tears, fun, and hard work that went into every year. In chronoloigcal order, O’Hara describes her work experiences. This memoir follows her career from one store to another, through her progressive and sometimes regressive steps toward her final goal. Offering a behind-the-scenes look at how the stores work, she discusses: well-managed and ill-managed stores; how to do the job; shift changes and schedules; a CEO visit; fraternizing with hourly associates; unfair coaching with integrity at stake; discrimination, unions, and Walmart; corporate rules; Black Friday, Christmas, and other holidays; theft; associate camaraderie and favoritism; and hourly wage problems. Life within a Big Box gives an insider’s perspective of Walmart and explores what it’s like to work for the largest retailer and private employer in the world.
A compelling revision of the history of experimental writing from Pound and Stein to Language poetry, disclosing its uses and its limits. In this bold new study of twentieth-century American writing and poetics, Natalia Cecire argues that experimental writing should be understood as a historical phenomenon before it is understood as a set of formal phenomena. This seems counterintuitive because, at its most basic level, experimental writing can be thought of as writing which breaks from established forms. Touching on figures who are not typically considered experimental, such as Stephen Crane, Jacob Riis, Busby Berkeley, Ursula K. Le Guin, and Gottlob Frege, Experimental offers a fresh look at authors who are often treated as constituting a center or an origin point of an experimental literary tradition in the United States, including Gertrude Stein, Ezra Pound, William Carlos Williams, and Marianne Moore. In responding to a crisis of legitimization in the production of knowledge, this tradition borrows and transforms the language of the sciences. Drawing upon terminology from the history of science, Cecire invokes the epistemic virtue, which tethers ethical values to the production of knowledge in order to organize diverse turn-of-the-century knowledge practices feeding into "experimental writing." Using these epistemic virtues as a structuring concept for the book's argument, Cecire demonstrates that experimental writing as we now understand it does not do experiments (as in follow a method) but rather performs epistemic virtues. Experimental texts embody the epistemic virtues of flash, objectivity, precision, and contact, associated respectively with population sciences, neuroanatomy, natural history and toolmaking, and anthropology. Yet which virtues take precedence may vary widely, as may the literary forms through which they manifest. Bringing it up to the 1980s, Cecire reveals the American experimental literary tradition as a concerted and largely successful rewriting of twentieth-century literary history. She shows how the Language poets, a group of primarily white experimental writers, restored to the canon what they saw as modernism's true legacy, whose stakes were simultaneously political and epistemological: it produced a poet who was an intellectual and a text that was experimental.
A noted clinical psychologist offers step-by-step exercises to help readers free themselves from limiting thoughts and embrace a future filled with new possibilities.