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New York Times bestseller Now with a new Epilogue, containing letters of response from Palestinian readers. "A profound and original book, the work of a gifted thinker."--Daphne Merkin, The Wall Street Journal Attempting to break the agonizing impasse between Israelis and Palestinians, the Israeli commentator and award-winning author of Like Dreamers directly addresses his Palestinian neighbors in this taut and provocative book, empathizing with Palestinian suffering and longing for reconciliation as he explores how the conflict looks through Israeli eyes. I call you "neighbor" because I don’t know your name, or anything personal about you. Given our circumstances, "neighbor" might be too casual a word to describe our relationship. We are intruders into each other’s dream, violators of each other’s sense of home. We are incarnations of each other’s worst historical nightmares. Neighbors? Letters to My Palestinian Neighbor is one Israeli’s powerful attempt to reach beyond the wall that separates Israelis and Palestinians and into the hearts of "the enemy." In a series of letters, Yossi Klein Halevi explains what motivated him to leave his native New York in his twenties and move to Israel to participate in the drama of the renewal of a Jewish homeland, which he is committed to see succeed as a morally responsible, democratic state in the Middle East. This is the first attempt by an Israeli author to directly address his Palestinian neighbors and describe how the conflict appears through Israeli eyes. Halevi untangles the ideological and emotional knot that has defined the conflict for nearly a century. In lyrical, evocative language, he unravels the complex strands of faith, pride, anger and anguish he feels as a Jew living in Israel, using history and personal experience as his guide. Halevi’s letters speak not only to his Palestinian neighbor, but to all concerned global citizens, helping us understand the painful choices confronting Israelis and Palestinians that will ultimately help determine the fate of the region.
Presents selected correspondence from the French novelist, which details his life as a dutiful son and socialite, and reveals his signature ideas about life, art, and character, which appear as major themes in his masterpiece.
Brilliantly translated by Lydia Davis, here are Proust’s tormented, touching, and often very funny letters to his noisy neighbor. Marcel Proust’s genius for illuminating pain is on spectacular display in this recently discovered trove of his correspondence, Letters to His Neighbor. Already suffering from noise within his cork-lined walls, his poor soul was not ready for the fresh hell when his neighbor Dr. Williams married a widow with small children. Chiefly to Mrs. Williams, these ever-polite letters (often accompanied by flowers, compliments, books, even pheasants) are frequently hilarious—Proust couches his fury in a gracious tone. In Lydia Davis’s hands, the digressive brilliance of his sentences shines: “Don't speak of annoying neighbors, but of neighbors so charming (an association of words contradictory in principle since Montesquiou claims that most horrible of all are 1) neighbors 2) the smell of post offices) that they leave the constant tantalizing regret that one cannot take advantage of their neighborliness.” Proust makes fine distinctions among his auditory torments: “The valet de chambre makes noise and that doesn't matter. But later he knocks with little tiny raps. And that is worse.” Lydia Davis has written a generous translator’s note, tracing much of what we can know about Proust’s perpetually dark room; she details the furnishings as well as the life he lived there: burning his powders, talking with friends, hiring musicians, and, most of all, suffering. Letters to His Neighboris richly illustrated with facsimile letters and photographs—catnip for lovers of Proust. With an Introduction by Jean-Yves Tadié and a translator’s note by Lydia Davis.
An honest and poignant look into the deeply intimate yet platonic relationship between a gay English teacher and his young female protge-each seeking connection and acceptance - as reflected by the decade of letters they exchanged. It's Tuesdays with Morrie- if Morrie were young and gay and Mitch Albom were a woman. Every writer needs a room of his own, but for some people, at certain times and in certain circumstances, the best you can do is a closet. From the confines of his closet, John wrote letters that were read, cherished and then locked away for decades.
Mark’s dog Wolfie is part malamute, part German shepherd, and all heart. Mark can hardly imagine life without his big, loving canine companion. But in 1969, the Vietnam War is still raging, and when Mark learns that the army needs scout dogs, he decides to send Wolfie. As his dad says, a smart dog like Wolfie could save a lot of soldiers—soldiers like Mark’s brother, Danny. Besides, it seems like the patriotic thing to do. Inspired by real events, this is a heartbreaking story about sacrifice, loyalty, and the complex meanings of patriotism.
An inspiring and no-nonsense guide for aspiring artists of all stripes—from “the most exciting individual in American theater” (Newsweek). In vividly anecdotal letters to the young BZ, Anna Deavere Smith addresses the full spectrum of issues that all artists starting out will face: from questions of confidence, discipline, and self-esteem, to fame, failure, and fear, to staying healthy, presenting yourself effectively, building a diverse social and professional network, and using your art to promote social change. At once inspiring and no-nonsense, Letters to a Young Artist will challenge you, motivate you, and set you on a course to pursue your art without compromise.
In 1950, at the age of twenty-four, William Clark Styron, Jr., wrote to his mentor, Professor William Blackburn of Duke University. The young writer was struggling with his first novel, Lie Down in Darkness, and he was nervous about whether his “strain and toil” would amount to anything. “When I mature and broaden,” Styron told Blackburn, “I expect to use the language on as exalted and elevated a level as I can sustain. I believe that a writer should accommodate language to his own peculiar personality, and mine wants to use great words, evocative words, when the situation demands them.” In February 1952, Styron was awarded the Prix de Rome of the American Academy of Arts and Letters, which crowned him a literary star. In Europe, Styron met and married Rose Burgunder, and found himself immersed in a new generation of expatriate writers. His relationships with George Plimpton and Peter Matthiessen culminated in Styron introducing the debut issue of The Paris Review. Literary critic Alfred Kazin described him as one of the postwar “super-egotists” who helped transform American letters. His controversial The Confessions of Nat Turner won the 1968 Pulitzer Prize, while Sophie’s Choice was awarded the 1980 National Book Award, and Darkness Visible, Styron’s groundbreaking recounting of his ordeal with depression, was not only a literary triumph, but became a landmark in the field. Part and parcel of Styron’s literary ascendance were his friendships with Norman Mailer, James Baldwin, John and Jackie Kennedy, Arthur Miller, James Jones, Carlos Fuentes, Wallace Stegner, Robert Penn Warren, Philip Roth, C. Vann Woodward, and many of the other leading writers and intellectuals of the second half of the twentieth century. This incredible volume takes readers on an American journey from FDR to George W. Bush through the trenchant observations of one of the country’s greatest writers. Not only will readers take pleasure in William Styron’s correspondence with and commentary about the people and events that made the past century such a momentous and transformative time, they will also share the writer’s private meditations on the very art of writing. Advance praise for Selected Letters of William Styron “I first encountered Bill Styron when, at twenty, I read The Confessions of Nat Turner. Hillary and I became friends with Bill and Rose early in my presidency, but I continued to read him, fascinated by the man and his work, his triumphs and troubles, the brilliant lights and dark corners of his amazing mind. These letters, carefully and lovingly selected by Rose, offer real insight into both the great writer and the good man.”—President Bill Clinton “The Bill Styron revealed in these letters is altogether the Bill Styron who was a dear friend and esteemed colleague to me for close to fifty years. The humor, the generosity, the loyalty, the self-awareness, the commitment to literature, the openness, the candor about matters closest to him—all are on display in this superb selection of his correspondence. The directness in the artful sentences is such that I felt his beguiling presence all the while that I was enjoying one letter after another.”—Philip Roth “Bill Styron’s letters were never envisioned, far less composed, as part of the Styron oeuvre, yet that is what they turn out to be. Brilliant, passionate, eloquent, insightful, moving, dirty-minded, indignant, and hilarious, they accumulate power in the reading, becoming in themselves a work of literature.”—Peter Matthiessen
The year was 1938, and the newlyweds had come to Wupatki National Monument as full-time National Park Service caretakers for the ruin. Vivid and engaging, Courtney's letters home spill over with a sense of adventure: her friendships with local Navajo families, their sings and celebrations, and her good luck in being a part of it all.
A brilliantly observed memoir of an unprecedented and remarkable spiritual journey. While religion has fuelled the often violent conflict plaguing the Holy Land, Yossi Klein Halevi wondered whether it could be a source of unity as well. To find the answer, this religious Israeli Jew began a two–year exploration to discover a common language with his Christian and Muslim neighbours. He followed their holiday cycles, befriended Christian monastics and Islamic mystics, and joined them in prayer in monasteries and mosques in Israel, the West Bank, and Gaza. At the Entrance to the Garden of Eden traces that remarkable spiritual journey. Halevi candidly reveals how he fought to reconcile his own fears and anger as a Jew to relate to Christians and Muslims as fellow spiritual seekers. He chronicles the difficulty of overcoming multiple obstacles注eological, political, historical, and psychological注at separate believers of the three monotheistic faiths. And he introduces a diverse range of people attempting to reconcile the dichotomous heart of this sacred place柠struggle central to Israel, but which resonates for us all.