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Author : Donna M. Goldstein Publisher : Univ of California Press Page : 400 pages File Size : 44,13 MB Release : 2013-09-29 Category : History ISBN : 0520276043
Drawing on the author's experience in Brazil, this text provides a portrait of everyday life among the women of the favelas - a portrait that challenges much of what we think we know about the 'culture of poverty'. It helps us understand the nature of joking and laughter in the shantytown.
"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
Author : Donna M. Goldstein Publisher : Univ of California Press Page : 401 pages File Size : 40,78 MB Release : 2013-09-20 Category : Social Science ISBN : 0520955412
Donna M. Goldstein presents a hard-hitting critique of urban poverty and violence and challenges much of what we think we know about the "culture of poverty" in this compelling read. Drawing on more than a decade of experience in Brazil, Goldstein provides an intimate portrait of everyday life among the women of the favelas, or urban shantytowns in Rio de Janeiro, who cope with unbearable suffering, violence and social abandonment. The book offers a clear-eyed view of socially conditioned misery while focusing on the creative responses—absurdist and black humor—that people generate amid daily conditions of humiliation, anger, and despair. Goldstein helps us to understand that such joking and laughter is part of an emotional aesthetic that defines the sense of frustration and anomie endemic to the political and economic desperation among residents of the shantytown.
Peter Kay's unerring gift for observing the absurdities and eccentricities of family life has earned himself a widespread, everyman appeal. These vivid observations coupled with a kind of nostalgia that never fails to grab his audience's shared understanding, have earned him comparisons with Alan Bennett and Ronnie Barker. In his award winning TV series' he creates worlds populated by degenerate, bitter, useless, endearing and always recognisable characters which have attracted a huge and loyal following. In many ways he's an old fashioned kind of comedian and the scope and enormity of his fanbase reflects this. He doesn't tell jokes about politics or sex, but rather rejoices in the far funnier areas of life: elderly relatives and answering machines, dads dancing badly at weddings, garlic bread and cheesecake, your mum's HRT... His autobiography is full of this kind of humour and nostalgia, beginning with Kay's first ever driving lesson, taking him back through his Bolton childhood, the numerous jobs he held after school and leading up until the time he passed his driving test and found fame.
This classic of anthropological literature is a dramatic, revealing account of an anthropologist’s first year in the field with a remote African tribe. Simply as a work of ethnographic interest, Return to Laughter provides deep insights into the culture of West Africa—me subtle web of its tribal life and the power of the institution of witchcraft. However, the author’s fictional approach gives the book its lasting appeal. She focuses on the human dimension of anthropology, recounting her personal triumphs and failures and documenting the profound changes she undergoes. As a result, her story becomes at once highly personal and universally recognizable. She has vividly brought to life the classic narrative of an outsider caught up and deeply involved in an utterly alien culture. “The first introspective account ever published of what it’s like to be a field worker among a primitive people.”—Margaret Mead
“A timely story about what matters most deeply: our quest for love and acceptance….Jyotsna Sreenivasan’s writing speaks straight to the heart.” —Kim Barnes, author of In the Kingdom of Men And Laughter Fell from the Sky, the enthralling first novel from Jyotsna Sreenivasan, is a stirring contemporary love story about two young Indian-Americans trying to find love and their place in the world, while dealing with the confines and pressures of their culture and their families. A remarkable literary journey that carries the reader from the American heartland to the Pacific Northwest and into the teeming heart of India, And Laughter Fell from the Sky is a magnificent debut by a fresh and exciting new voice, immediately placing Sreenivasan alongside Jhumpa Lahiri, popular author of The Namesake, as an expert chronicler of the Indian-American cultural experience.
In this volume, theologian Kuschel traces a fascinating story of laughter: from Sarah in the Hebrew Bible through Homer, Plato, Aristotle, Mozart, Kafka, and Umberto Eco in The Name of the Rose. Kuschel discusses the foundations of Christian laughter in the New Testament and, in contrast, the Christian condemnation of laughter among the church fathers and in the monastic tradition.
“An important reminder of simple everyday practices to improve how we all work together, which will lead to greater team and individual happiness and performance. Great results will follow.”—Jack Dorsey, CEO of Twitter and Square “With just 30 changes, you can transform your work experience from bland and boring (or worse) to fulfilling, fun, and even joyful.”—Daniel Pink, author of When and Drive The vice president of Twitter Europe and host of the top business podcast Eat Sleep Work Repeat offers thirty smart, research-based hacks for bringing joy and fun back into our burned out, uninspired work lives. How does a lunch break spark a burst of productivity? Can a team’s performance be improved simply by moving the location of the coffee maker? Why are meetings so often a waste of time, and how can a walking meeting actually get decisions made? As an executive with decades of management experience at top Silicon Valley companies including YouTube, Google, and Twitter, Bruce Daisley has given a lot of thought to what makes a workforce productive and what factors can improve the workplace to benefit a company’s employees, customers, and bottom line. In his debut book, he shares what he’s discovered, offering practical, often counterintuitive, insights and solutions for reinvigorating work to give us more meaning, productivity, and joy at the office. A Gallup survey of global workers revealed shocking news: only 13% of employees are engaged in their jobs. This means that burn out and unhappiness at work are a reality for the vast majority of workers. Managers—and employees themselves—can make work better. Eat Sleep Work Repeat shows them how, offering more than two dozen research-backed, user-friendly strategies, including: Go to Lunch (it makes you less tired over the weekend) Suggest a Tea Break (it increases team cohesiveness and productivity) Conduct a Pre-Mortem (foreseeing possible issues can prevent problems and creates a spirit of curiosity and inquisitiveness) “Let’s start enjoying our jobs again,” Daisley insists. “It’s time to rediscover the joy of work.”
This book is a text version of Vanessa Place's live performance I've got this really great joke about rape, in which the artist recites rape jokes for 45 minutes to a seated audience in a gallery or from a small stage. It is art performance, not stand-up comedy. Many of the jokes were found on various English-language websites dedicated to offensive jokes; inspired by the form, the artist has improved some of the jokes, and written some herself. Place decided to work with rape jokes several years ago after various stand-up comics were rebuked for making rape jokes on and off-stage; the gist of the criticism being that "rape jokes aren't funny," and that a rape joke is tantamount to rape itself. But Place's work shows that rape jokes aren't rape and considers why rape jokes are very funny to very many people, and persistently so. As Place's audiences have demonstrated, those categorically opposed to the rape joke tend to find themselves straining not to laugh, just as those usually thrilled by such raw language find themselves gagging on something hard to swallow. What then proves interesting is the activation of art: the when, why, and how of such charged words being funny, being revolting, becoming sound, fashioning suspense. To experience this language that hangs thick in the air; to see where, in each of us, the joke sticks.