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Three sophisticated women with demanding careers also live on the fast-track of sex and romance, hungering for a man to love. At the end of the day they get together in places full of single women whose daytime successes are of no comfort when they go home to empty houses. who rescue themselves".--Booklist.
Author : James Farrer Publisher : University of Chicago Press Page : 275 pages File Size : 27,94 MB Release : 2015-08-03 Category : Social Science ISBN : 022626291X
The pulsing beat of its nightlife has long drawn travelers to the streets of Shanghai, where the night scene is a crucial component of the city’s image as a global metropolis. In Shanghai Nightscapes, sociologist James Farrer and historian Andrew David Field examine the cosmopolitan nightlife culture that first arose in Shanghai in the 1920s and that has been experiencing a revival since the 1980s. Drawing on over twenty years of fieldwork and hundreds of interviews, the authors spotlight a largely hidden world of nighttime pleasures—the dancing, drinking, and socializing going on in dance clubs and bars that have flourished in Shanghai over the last century. The book begins by examining the history of the jazz-age dance scenes that arose in the ballrooms and nightclubs of Shanghai’s foreign settlements. During its heyday in the 1930s, Shanghai was known worldwide for its jazz cabarets that fused Chinese and Western cultures. The 1990s have seen the proliferation of a drinking, music, and sexual culture collectively constructed to create new contact zones between the local and tourist populations. Today’s Shanghai night scenes are simultaneously spaces of inequality and friction, where men and women from many different walks of life compete for status and attention, and spaces of sociability, in which intercultural communities are formed. Shanghai Nightscapes highlights the continuities in the city’s nightlife across a turbulent century, as well as the importance of the multicultural agents of nightlife in shaping cosmopolitan urban culture in China’s greatest global city. To listen to an audio diary of a night out in Shanghai with Farrer and Field, click here: http://n.pr/1VsIKAw.
No Sleepis a visual history of the halcyon days of New York City club life as told through flyer art. Spanning the late 80s through the late 90s, when nightlife buzz travelled via flyers and word of mouth,No Sleepfeatures a collection of artwork from the personal archives of NYC DJs, promoters, club kids, nightlife impresarios, and the artists themselves. Club flyers, by design, were ephemeral objects distributed on street corners, outside of nightclubs and concert halls, in barbershops and retail shops, and were not intended to be preserved for posterity. Through the 90s, they became both increasingly prevalent and more sophisticated as printing technology evolved. Overnight, however, with the advent of the internet, theflyer essentially disappeared, despite it being common at one time for promoters to print thousands of flyers for any given event. Recently, these flyers have become sought-after collector's items.
"Poignant memoir of a not-so-typical New York Jewish family’s experiences in the midcentury Hollywood demimonde ... Equal parts emotional tissue-party and shrewd cultural history." - Kirkus Reviews In 1958, young Sheila Weller was living a charmed life with her family in Beverly Hills. Her father was a brilliant brain surgeon. Her mother was a movie-magazine writer whose brother owned Hollywood's most dazzling nightclub, Ciro's. Then her world exploded after she witnessed her uncle's brutal attempt to kill her father. In Dancing at Ciro's, Weller has written a deeply felt memoir of her family's life contrasted with those most glamorous days of Hollywood's forties and fifties. While vividly describing Lana Turner's, Frank Sinatra's, and Sammy Davis Jr.'s evenings--and breakdowns--at Ciro's, Weller casts a keen eye on her own family's turmoil and loss.
Dancing out of Line transports readers back to the 1840s, when the craze for social and stage dancing forced Victorians into a complex relationship with the moving body in its most voluble, volatile form. By partnering cultural discourses with representations of the dance and the dancer in novels such as Jane Eyre, Bleak House, and Daniel Deronda, Molly Engelhardt makes explicit many of the ironies underlying Victorian practices that up to this time have gone unnoticed in critical circles. She analyzes the role of the illustrious dance master, who created and disseminated the manners and moves expected of fashionable society, despite his position as a social outsider of nebulous origins. She describes how the daughters of the social elite were expected to “come out” to society in the ballroom, the most potent space in the cultural imagination for licentious behavior and temptation. These incongruities generated new, progressive ideas about the body, subjectivity, sexuality, and health. Engelhardt challenges our assumptions about Victorian sensibilities and attitudes toward the sexual/social roles of men and women by bringing together historical voices from various fields to demonstrate the versatility of the dance, not only as a social practice but also as a forum for Victorians to engage in debate about the body and its pleasures and pathologies.
Breathtaking landscapes, unrivaled trekking, and the creative spirit of Reykjavík: experience it all with Moon Iceland. Inside you'll find: Strategic, flexible itineraries, from a three-day tour of the best of Reykjavík to a nine-day road trip on the famed Ring Road, designed for outdoor adventurers, culture and history buffs, wildlife lovers, and more Unique experiences and can't-miss highlights: Drive past quaint towns and enormous fjords, hike through Iceland's majestic national parks, and bask in the shimmering glow of the northern lights. Stroll Reykjavík's busy streets, listen to up-and-coming bands at uniquely themed venues, and kick back with a handcrafted Icelandic beer at a local hangout The top outdoor activities: Search for seals, whales, and porpoises off the Icelandic coast or spot arctic wildlife like puffins and reindeer onshore. Trek across a mighty glacier, hike the rim of a remote volcano, and relax in the milky blue waters of the Blue Lagoon. Explore crystalline ice caves and mineral-rich lava tubes or catch a rainbow appearing over a thundering waterfall Full-color photos and detailed maps throughout Honest advice from local author Jenna Gottlieb on where to eat, where to stay, and when to go, including insight on traveling during the winter Handy tools including an Icelandic phrasebook and critical background information on the landscape, culture, history, and environment Find your adventure with Moon Iceland. Country-hopping in Scandinavia? Check out Moon Norway. Heading on to continental Europe? Try Moon Barcelona & Madrid or Moon Rome, Florence & Venice.
The two-time New York Times bestselling author, OG Vanderpump Rules star, and host of the successful chart-topping podcast Stassi is back and better than ever with a candid guide to rethinking the girlboss life, taking the pressure off, and lessons she’s learned since becoming a mom of two. Before she wrote Off with My Head, a book about hitting what felt like rock bottom, Stassi Schroeder was writing an entirely different story: a basic bitch’s guide on how to be—wait for it—a “girlboss.” But then 2020 came along and after a global pandemic, losing her job, becoming pregnant and having her first child, and getting married, suddenly being a girlboss wasn’t the vibe. Instead of giving up, Stassi grew up and learned from her mistakes (you know, just standard evolution). After two and a half years in limbo, Stassi was ready to launch her career again. She’d come a long way from that temperamental Season One Stassi. She’d gained a new perspective on what she wants out of business, her career, and life: to carve a path for herself, on her terms. The thing is, all of this pressure to “have it all” while girlbossing it up…it’s exhausting, and Stassi isn’t sure it’s the ticket to happiness that we all thought it was. That’s truly what this book is about: the desire for joy. It’s about accepting the fact that you may not be the “perfect” parent/partner/friend/human at all times, and that’s okay. Instead of letting mom guilt or work guilt get her down, Stassi is trying to learn and to encourage us all to take the pressure off, give ourselves grace, and lean into the things that bring happiness. And if you need a little sauvignon blanc or Aperol spritz to get you through the tough days…so be it.
Author : Peter C. Baldwin Publisher : University of Chicago Press Page : 293 pages File Size : 47,82 MB Release : 2011-12-15 Category : History ISBN : 0226036030
Before skyscrapers and streetlights glowed at all hours, American cities fell into inky blackness with each setting of the sun. But over the course of the nineteenth and early twentieth century, new technologies began to light up streets, sidewalks, buildings, and public spaces. Peter C. Baldwin’s evocative book depicts the changing experience of the urban night over this period, visiting a host of actors—scavengers, newsboys, and mashers alike—in the nocturnal city. Baldwin examines work, crime, transportation, and leisure as he moves through the gaslight era, exploring the spread of modern police forces and the emergence of late-night entertainment, to the era of electricity, when social campaigns sought to remove women and children from public areas at night. While many people celebrated the transition from darkness to light as the arrival of twenty-four hours of daytime, Baldwin shows that certain social patterns remained, including the danger of street crime and the skewed gender profile of night work. Sweeping us from concert halls and brothels to streetcars and industrial forges, In the Watches of the Night is an illuminating study of a vital era in American urban history.
From the mid-1920s, the dance hall occupied a pivotal place in the culture of working- and lower-middle-class communities in Britain - a place rivalled only by the cinema and eventually to eclipse even that institution in popularity. Going to the Palais examines the history of this vital social and cultural institution, exploring the dances, dancers, and dance venues that were at the heart of one of twentieth-century Britain's most significant leisure activities. Going to the Palais has several key focuses. First, it explores the expansion of the dance hall industry and the development of a 'mass audience' for dancing between 1918 and 1960. Second, the impact of these changes on individuals and communities is examined, with a particular concentration on working and lower-middle-class communities, and on young men and women. Third, the cultural impact of dancing and dance halls is explored. A key aspect of this debate is an examination of how Britain's dance culture held up against various standardizing processes (commercialization, Americanization, etc.) over the period, and whether we can see the emergence of a 'national' dance culture. Finally, the volume offers an assessment of wider reactions to dance halls and dancing in the period. Going to the Palais is concerned with the complex relationship between discourses of class, culture, gender, and national identity and how they overlap - how cultural change, itself a response to broader political, social, and economic developments, was helping to change notions of class, gender, and national identity.