[PDF] Languages And The First World War Representation And Memory eBook

Author : Christophe Declercq
Publisher : Springer
Page : 262 pages
File Size : 37,77 MB
Release : 2016-05-19
Category : Language Arts & Disciplines
ISBN : 1137550368

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With several terms from the First World War still present in modern speech, Languages and the First World War presents over 30 essays by international academics investigating the linguistic aspects of the 1914-18 conflict. The first of the two volumes covers language change and documentation during the period of the war, while the second examines the representation and the memory of the war. Communicating in a Transnational War examines languages at the front, including the subject of interpretation, translation and parallels between languages; communication with the home front; propaganda and language manipulation; and recording language during the war. Representation and Memory examines historiographical issues; the nature of representing the war in letters and diaries; the documentation of language change; the language of representing the war in reportage and literature; and the language of remembering the war. Covered in the process are slang, censorship, soldiers' phrasebooks, code-switching, borrowing terms, the problems facing multilingual armies, and gendered language.

Author : Julian Walker
Publisher : Springer
Page : 286 pages
File Size : 40,82 MB
Release : 2016-05-24
Category : Language Arts & Disciplines
ISBN : 1137550309

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This book examines language change and documentation during the First World War. With contributions from international academics, the chapters cover all aspects of communicating in a transnational war including languages at the front; interpretation, translation and parallels between languages; communication with the home front; propaganda and language manipulation; and recording language during the war. This book will appeal to a wide readership, including linguists and historians and is complemented by the sister volume Languages and the First World War: Representation and Memory which examines issues around the representation and memory of the war such as portrayals in letters and diaries, documentation of language change, and the language of remembering the war.

Author : Peter Leese
Publisher : University of Toronto Press
Page : 423 pages
File Size : 25,28 MB
Release : 2021-03-01
Category : Social Science
ISBN : 148753941X

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This volume traces the distinct cultural languages in which individual and collective forms of trauma are expressed in diverse variations, including oral and written narratives, literature, comic strips, photography, theatre, and cinematic images. The central argument is that traumatic memories are frequently beyond the sphere of medical, legal, or state intervention. To address these different, often intertwined modes of language, the contributors provide a variety of disciplinary approaches to foster innovative debates and provoke new insights. Prevailing definitions of trauma can best be understood according to the cultural and historical conditions within which they exist. Languages of Trauma explores what this means in practice by scrutinizing varied historical moments from the First World War onwards and particular cultural contexts from across Europe, the United States, Asia, and Africa – striving to help decolonize the traditional Western-centred history of trauma, dissolving it into multifaceted transnational histories of trauma cultures.

Author : Jay Winter
Publisher : Cambridge University Press
Page : 317 pages
File Size : 21,63 MB
Release : 2017-07-06
Category : History
ISBN : 1108293476

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What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated images of war, in turn, circulate through language to constitute our 'cultural memory' of war. This is a major contribution to our understanding of the diverse ways in which men and women have wrestled with the intractable task of conveying what twentieth-century wars meant to them and mean to us.

Author : De-Valera NYM Botchway
Publisher : Cambridge Scholars Publishing
Page : 273 pages
File Size : 18,54 MB
Release : 2018-10-26
Category : History
ISBN : 1527520420

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The First World War was a widespread conflagration in world history, which, despite its European origins, had enormous effects throughout the world. Fettered to European politics and diplomacy through colonialism, Africa could not claim a position of neutrality, meaning that it mobilised human and natural resources to support the imperial war effort. Fighting both within and outside Africa, colonised Africans who were compelled or coaxed by the colonial regimes of the warring European countries fought Europeans and Africans too. The soldiers fought with great dedication and contributed significantly to successes attained by the belligerent European colonialists. Similarly, African non-combatants, like carriers, brought zeal and enthusiasm to difficult wartime tasks. The impact of the war on Africa was immense with far-reaching consequences in specific colonies, and touched the lives of all Africans under colonial rule. Although the continent’s connections to the war were immense and diverse, these experiences are not widely known among scholars and the general public. This is because, over the years, most studies and commemorative events of the war have centred on the European theatre of the war and its outcomes. This book brings together interesting essays written by scholars of African history, society, and military about African experiences of the war. It complements and problematises some key themes on Africa and the First World War, and offers a stimulating historiographical excursion, providing possibilities for reconsidering normative conclusions on the war. The volume will be of interest to general readers, as well as students and researchers in different areas of scholarship, including African history, war studies, postcolonial studies, cultural studies, labour history, and the history of memory, among others.

Author : J. M. Winter
Publisher : Yale University Press
Page : 350 pages
File Size : 41,25 MB
Release : 2006-01-01
Category : History
ISBN : 0300127529

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This is a masterful volume on remembrance and war in the twentieth century. Jay Winter locates the fascination with the subject of memory within a long-term trajectory that focuses on the Great War. Images, languages, and practices that appeared during and after the two world wars focused on the need to acknowledge the victims of war and shaped the ways in which future conflicts were imagined and remembered. At the core of the "memory boom" is an array of collective meditations on war and the victims of war, Winter says. The book begins by tracing the origins of contemporary interest in memory, then describes practices of remembrance that have linked history and memory, particularly in the first half of the twentieth century. The author also considers "theaters of memory"-film, television, museums, and war crimes trials in which the past is seen through public representations of memories. The book concludes with reflections on the significance of these practices for the cultural history of the twentieth century as a whole.

Author : Martin Löschnigg
Publisher : Walter de Gruyter GmbH & Co KG
Page : 528 pages
File Size : 38,64 MB
Release : 2014-10-14
Category : History
ISBN : 311039152X

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The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960s until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) ‘national’ memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its ‘remembrance’ in historical, socio-political, gender-oriented, and post-colonial contexts.

Author : Julian Walker
Publisher : Bloomsbury Publishing
Page : 417 pages
File Size : 26,25 MB
Release : 2017-12-28
Category : Language Arts & Disciplines
ISBN : 1350012742

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"An illustrated analytical study, Words and the First World War considers the situation at home, at war, and under categories such as race, gender and class to give a many-sided picture of language used during the conflict." The Spectator First World War expert Julian Walker looks at how the conflict shaped English and its relationship with other languages. He considers language in relation to mediation and authenticity, as well as the limitations and potential of different kinds of verbal communication. Walker also examines: - How language changed, and why changed language was used in communications - Language used at the Front and how the 'language of the war' was commercially exploited on the Home Front - The relationship between language, soldiers and class - The idea of the 'indescribability' of the war and the linguistic codes used to convey the experience 'Languages of the front' became linguistic souvenirs of the war, abandoned by soldiers but taken up by academics, memoir writers and commentators, leaving an indelible mark on the words we use even today.

Author : Karen Petrone
Publisher : Indiana University Press
Page : 406 pages
File Size : 22,17 MB
Release : 2011-07-14
Category : History
ISBN : 0253001447

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Karen Petrone shatters the notion that World War I was a forgotten war in the Soviet Union. Although never officially commemorated, the Great War was the subject of a lively discourse about religion, heroism, violence, and patriotism during the interwar period. Using memoirs, literature, films, military histories, and archival materials, Petrone reconstructs Soviet ideas regarding the motivations for fighting, the justification for killing, the nature of the enemy, and the qualities of a hero. She reveals how some of these ideas undermined Soviet notions of military honor and patriotism while others reinforced them. As the political culture changed and war with Germany loomed during the Stalinist 1930s, internationalist voices were silenced and a nationalist view of Russian military heroism and patriotism prevailed.

Author : Michael Hammond
Publisher : SUNY Press
Page : 322 pages
File Size : 41,95 MB
Release : 2019-12-01
Category : History
ISBN : 1438476973

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Assesses how America’s film industry remembered World War I during the interwar period. This is the definitive account of how America’s film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war’s memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade, Grand Hotel, Hell’s Angels, The Black Cat, and Wings. Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry. “Hammond’s intelligent and insightful account of the formation of cinematic treatments of the Great War in America constitutes a major addition to the critical literature on film. It acts as a prism through which to see refracted multiple themes central to the social and cultural history of the interwar years.” — Jay Winter, author of War beyond Words: Languages of Memory from the Great War to the Present