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Set in a dark fantastic past of myth and magic, Klaus tells the story of how Santa Claus really came to be. Where did he begin? What was he like when he was young? And what happens when he faces his greatest challenge? Drawing on Santa Claus' wilder roots in Viking lore and Siberian shamanism, taking in the creepier side of Christmas, and characters like the sinister Krampus, Klaus is Santa Claus: Year One.
A stunning book exploring the art of Sergio Pablos' animated Christmas original, Klaus. When Jesper (Jason Schwartzman) distinguishes himself as the postal academy's worst student, he is stationed on a frozen island above the Arctic Circle, where the feuding locals hardly exchange words let alone letters. Jesper is about to give up when he finds an ally in local teacher Alva (Rashida Jones), and discovers Klaus (Oscar® winner J.K. Simmons), a mysterious carpenter who lives alone in a cabin full of handmade toys. These unlikely friendships return laughter to Smeerensburg, forging a new legacy of generous neighbors, magical lore and stockings hung by the chimney with care. An animated holiday comedy directed by Despicable Me co-creator Sergio Pablos, KLAUS co-stars Joan Cusack, Will Sasso and Norm Macdonald. Klaus: The Art of the Movie is a stunning coffee table hardback exploring the art of Sergio Pablos' hand-drawn animated original Christmas film. Showcasing the full animation process, including an innovative new lighting and shadowing technique, this book features concept art, pitch documents, character turnarounds, key art, final artwork, exclusive sketches, and interviews with the team behind this heartwarming film.
Luminary author Grant Morrison (All-Star Superman, Happy!) and Eisner Award-winning illustrator Dan Mora (Go Go Power Rangers) bring their lauded reinvention of Santa Claus fully into the 21st century with two modern tales of Klaus saving Christmas from sinister threats that span dimensions. Collects Klaus and the Witch of Winter and Klaus and the Crisis in Xmasville.
Lion shifter Klaus is Mary's right-hand man and definitely not looking for a mate. Too bad, because he's met his match in dragon shifter Ainsley. Ainsley's got a huge problem. And she can't share it with the rest of the clan. The Scottish clan is headed back to Scotland. They've got a lion shifter with them and they're in the dark when it comes to Ainsley's secret. Can Klaus help Ainsley? Or will his presence only make things worse?
The smash-hit from superstars Grant Morrison (Green Lantern, Happy!) and Dan Mora (Once & Future) returns with this special collection of holiday-themed stories. Klaus must help an absentee dad-turned-snowman make amends before melting away for good. And probably before he's defeated by a pantheon of Norse Gods and their minions. All in a day's work for Santa Claus. And then see Klaus in the role of father himself, as he takes in Joe Christmas as an infant, and guides him through all of life's wild adventures in a holiday calendar-inspired comic, presented in the widescreen tradition of Grant Morrison 's 2001 New X-Men Annual. Collects Klaus and the Crying Snowman #1 and Klaus and the Life & Times of Joe Christmas #1.
Chrystal is both delighted and confused when she finds herself the winner of a competition she never entered. First prize: a long weekend away, all expenses paid, to the beautiful town of Hamelin West Germany. She decides to accept the prize, no questions asked, she has a sneaking suspicion she knows who's behind it all. Getting lost in a strange country and spending the night in a shack with a total stranger, isn't something she bargained for. Klaus Stromberg, arrogant and maddeningly handsome, is a man of mystery, Chrystal can't decide if he's genuine or an accomplished liar.
With more than 130 films and a career spanning four decades, Klaus Kinski (1926-1991) was one of the most controversial actors of his generation. Known for his wild tantrums on set and his legendary collaborations with auteur Werner Herzog--Aguirre, the Wrath of God (1972), Nosferatu the Vampyre (1979)--Kinski's intense performances made him the darling of European arthouse and exploitation/horror cinema. A genius in front of the camera, he was capable of lighting up the most risible films. Yet behind his public persona lurked a depraved man who took his art to the darkest extremes. This first ever collection of essays focusing on Kinski examines his work in exploitation and art house films and spaghetti westerns, along with his performances in such cult classics as Doctor Zhivago (1965), Crawlspace (1986), Venus in Furs (1965), The Great Silence (1968), Android (1982) and his only directorial credit, Paganini (1989). More than 50 reviews of Kinski's films are included, along with exclusive interviews with filmmakers and actors who worked with him.
Two shocking exposés of Nazi cruelty and international collusion from “one of the finest investigative journalists” (The Washington Times). Nazi Gold: The Full Story of the Fifty-Year Swiss-Nazi Conspiracy to Steal Billions from Europe’s Jews and Holocaust Survivors This riveting exposé reveals the shocking truth about how the Swiss banking industry knowingly collaborated with the Third Reich during the darkest era in modern history. With the knowledge and acquiescence of the Swiss government, hundreds of millions of dollars stolen from Jewish Holocaust victims were systematically hidden away in Swiss bank accounts. For the next half century, Swiss authorities engaged in a covert campaign of lies, subterfuge, and corruption to hide the wealth from its rightful owners—concentration camp survivors and the families of the slain—while freely dispensing the illegally obtained funds to fugitive Nazis. Nazi Gold is an explosive account of state-endorsed crimes and atrocities; of former victims fighting courageously for their due in the face of prejudice, hatred, and indifference; and of the dedicated US Treasury agents who worked tirelessly for decades to right an unconscionable wrong. “Compelling [and] carefully researched.” —The Washington Times Klaus Barbie: The Butcher of Lyons In 1942, SS Gestapo chief Nikolaus “Klaus” Barbie was dispatched to Nazi-occupied France after leaving his bloodstained mark on the Netherlands. In Lyons, Barbie was entrusted with “cleansing” the region of Jews, French Resistance fighters, and Communists, an assignment he undertook with sadistic cruelty. Thousands died on Barbie’s orders. Following the D-Day invasion, Barbie fled, slaughtering all his prisoners. But the war’s conclusion was not the end of the “Butcher of Lyons.” With the dawning of the Cold War, Barbie went on to find a new employer: the US intelligence services. He escaped to South America, where he lived a free man until extradited to France to finally stand trial for war crimes in 1983. “[A] taut, richly backgrounded story.” —Kirkus Reviews
This next installment of the Pen & Ink series collects Klaus issues #1-2, featuring Dan Mora's detailed inks alongside new commentary and creative insights from Mora and writer Grant Morrison.
The relationship between the composer Johannes Brahms and the poet Klaus Groth was a very special one, and one that deserves greater recognition. Peter Russell has made careful selections from the 89 letters between the two that illuminate the personalities, lives and works of both men. Alongside the letters, Russell provides a substantial commentary that includes analyses of Brahms's music and critical assessment of Groth's poems.