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In Yiddish, khurbn is the word for 'total destruction, ' the word for what the English-speaking world calls the Jewish 'Holocaust' of World War II. This is the author's precisely personal, horrifying, tender, and structurally astute masterpiece, it is the great middle-length poem of our times.
A collection of poetry which contains the title poem, a celebration of poets and friends, and four other sections--Improvisations, Twentieth Century Unlimited, An Oracle for Delfi, and 14 Stations.
The key book by the internationally celebrated poet with the only Polish ghetto-hassidic-cowboy and Indian American comic voice (Robert Duncan) in history.
Jerome Rothenberg's Poland /1931, a continuing series of ancestral poems, has been appearing in installments over the course of five years, published in limited edition by various small presses.
Author : Norman Finkelstein Publisher : State University of New York Press Page : 208 pages File Size : 36,99 MB Release : 2012-02-01 Category : Literary Criticism ISBN : 0791490548
Not One of Them in Place is the first book to examine the ways in which Jewish belief, thought, and culture have been shaped and articulated in modern American poetry. Based on the idea that recent American poetry has gravitated between two traditions—romantic and symbolist on the one hand, modernist and objectivist on the other—Norman Finkelstein provides a theoretical framework for reading the Jewish-American canon, as well as close readings of well known and less established poets, including Allen Ginsberg, Charles Reznikoff, Louis Zukofsky, Harvey Shapiro, Armand Schwerner, Hugh Seidman, and Michael Heller. Not One of Them in Place presents this poetry in a clear and nuanced style, paying equal attention to its historical and its aesthetic dimensions.
Vienna Blood & Other Poems is in some ways the most synthesizing of Jerome Rothenberg's recent collections, pulling together work from the 1970s that stands apart from Poland/1931 (1974) and A Seneca Journal (1978) yet at the same time continuing the enactment of past and present begun in those books. But where before he chose to restrict his exploration to ancestral Jewish and Amerindian poetries, Rothenberg now takes us on a series of broader journeys through the collapsed landscape of what he calls the 'new wilderness," evoked as place, as structure, as mind. Written both to be read quietly on the printed page and aloud in performance, the poems in Vienna Blood, though experimental and language-centered, are nevertheless the work of a poet who, by his own admission, is "crazy for content, make no mistake about it." As if to underscore this point, he has appended brief comments to most of the major sections of the book, in order, as he says, "to give it some context in the way of 'oral tradition' usually reserved for poetry readings, etc., a little of which I now commit to writing."
"I look for new forms and possibilities," writes Jerome Rothenberg in Poems for the Game of Silence, "but also for ways of presenting in my own language the oldest possibilities of poetry going back to the primitive and archaic cultures that have been opening up to us over the last hundred years." It is this combined sense of mystery and authenticity, in words and new structures that approach archetypal chant, that informs his poetry. First published in 1971, this volume brings together a selection of Rothenberg's early groundbreaking work: a wide range of experimental forms, both written and oral, set beside renderings of Native American, Australian, and other primitive songs, as well as the ancestral poems exploring his own origins that look forward to his later poetry.
Begins a series presenting collections of survey articles pivoting around the notion of computation. The inaugural topics include generalized rational approximation subject to linear constraints, matrix exponential approximations in the numerical solution of differential equations, unbounded fan-in circuits, and fixpoint semantics for a Petri net model of definite clause logic programs. Each article is self-contained and all assume a high sophistication in mathematics. Future volumes may focus on a special subfield such as computational graph theory, approximation, or computability. Annotation copyright by Book News, Inc., Portland, OR
Review: "This encyclopedia offers an authoritative and comprehensive survey of the important writers and works that form the literature about the Holocaust and its consequences. The collection is alphabetically arranged and consists of high-quality biocritical essays on 309 writers who are first-, second-, and third-generation survivors or important thinkers and spokespersons on the Holocaust. An essential literary reference work, this publication is an important addition to the genre and a solid value for public and academic libraries."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004
A Paradise of Poets is Jerome Rothenberg's tenth book of poetry to be published by New Directions, beginning with his Poland/1931(1974). In considering the title of his newest collection, he says: "Writing poetry for me has always included an involvement with the life of poetry--& through that life an intensification, when it happened, of my involvement with the other life around me. In an earlier poem I spoke of this creating a paradise of poets ... I do not of course believe that such a paradise exists in any supernatural or mystical sense, but I have sometimes felt it come to life among my fellow poets and, even more, in writing--in the body of the poem." In Rothenberg's hands, the body of the poem is an extraordinarily malleable object. Collage, translation, even visual improvisation serve to open up his latest book to the presence of poets and artists he has known and to others, past and present, who he feels have somehow touched him, among them Nakahara Chuya, Jackson Mac Low, Pablo Picasso, Leonardo da Vinci, Federico Garcia Lorca, Kurt Schwitters, and Vitezslav Nezval. Kenneth Rexroth once commented: "Jerome Rothenberg is one of our truly great American poets who has returned U.S. poetry to the mainstream of international modern literature. No one has dug deeper into the roots of poetry." With A Paradise of Poets, it is clear that this evaluation is as fresh today as it was twenty-five years ago.