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The Hopi Indians have had Kachinas in their religion for probably more than 1000 years. The Kachinas are a prominent part of the religion and daily life of the Hopi. The Kachinas depicted in this book were painted by Neil David, Sr., a Hopi-Tewa from First Mesa. The paintings show both the front and the back of each Kachina, i.e.the entire costume of the Kachina. The descriptions are by various Hopi who discuss the differences in the Kachinas as they appear on each of the three mesas where the Hopi make their home.
The Hopi Indian's rich culture and exciting religious ceremonies continue to thrive. However, outsiders have limited opportunity to witness the exciting Katsina dances and ceremonies of the Hopi, save through the well-known and much prized kachina dolls the Katsina spiritually inform. Presenting work from a select set of recognizable Hopi artists, this book relates the detailed history and culture of the Hopis in tandem with their creative efforts to showcase that framework: from remarkable paintings to the kachina sculptures and dolls that manifest as physical representations of the Katsinam, the Hopis' spiritual beings. These pieces complement the Pecina's studious and informative narrative of chronological vignettes and text based on a careful selection of events in Hopi history, oral teachings of great cultural significance, and legends of the Katsinam. Hopi Kachinas presents a clear and meticulous portrait of the Hopis beliefs, history, legends, their Katsina celebrations, and the personas of the Katsinam. This book illuminates the stage of study for scholars, and is vital for students of the Hopi culture.
Contemporary Kachina dolls are beautifully illustrated with over 150 color photos. The lives of the carvers who make them are explored in depth. Twenty-five of today's important Kachina carvers have been interviewed for a first-hand glimpse into their work.
In 1975 The Heard Museum published a catalogue of the Barry Goldwater collection of Hopi kachina dolls. The catalog is no longer in print, but the Museum's collection is hereby made accessible in print once again. Beautiful color photographs of 200 kachina dolls are combined with sensitive commentary by a Hopi author. Annotation copyright by Book News, Inc., Portland, OR
The Hopi Indians have had Kachinas in their religion for over one thousand years. Over the years many works have been published about the Kachinas. Most of these have discussed them from the white man's interpretation of what the Hopi have told him. This book gives readers the perspective of the Hopis. The seventy-nine Kachinas depicted in this book were painted by Neil David, Sr., a Hopi-Tewa from First Mesa, in the village of Hano, Arizona. The paintings show both the front and back of each Kachina; that is the entire costume of the Kachina. The descriptions of the Kachinas have come from the mouths of various Hopi. They discuss differences in the Kachinas as they appear on each of the three Southwest mesas where the Hopi make their home. The Kachinas which appear in this book are, in general, rare and unusual Kachinas and will enlighten those who wish to learn about and appreciate theKachinas, Spirit Beings of the Hopi.
An informative and accessible pictorial history of the Hopi Indians illustrated with pen and ink drawings by Hopi/Tewa artist Neil David, Sr. David, who has been called the Hopis' Norman Rockwell, is noted for meticulous detail in his works and speaking his mind through the antics of the Koshare clown. Inspired by David's illustration, the authors tell the story behind these images, which capture some of the most important events and milestones in Hopi history from the Pueblo Rebellion against the Spaniards to living and coping with government edicts and intruders from the dominant American society during the late 19th through the 21st centuries. Each image is accompanied by a historical essay that further explores topics that have influenced the Hopi culture, shaped the Hopi society, and impacted David's life in the Hopi world. Historians, ethnologists, anthropologists, and art lovers will all appreciate the social, political, and cultural insights presented through Hopi eyes.
The traditional Hopi world, as reflected in Hopi oral literature, is infused with magic?a seamless tapestry of everyday life and the supernatural. That magic and wonder are vividly depicted in this marvelous collection of authentic folktales. For the Hopis, the spoken or sung word can have a magical effect on others. Witchcraft?the wielding of magic for selfish purposes by a powaqa, or sorcerer?has long been a powerful, malevolent force. Sorcerers are said to have the ability to change into animals such as a crow, a coyote, a bat, or a skeleton fly, and hold their meetings in a two-tiered kiva to the northeast of Hopi territory. Shamanism, the more benevolent but equally powerful use of magic for healing, was once commonplace but is no longer practiced among the Hopis. Shamans, or povosyaqam, often used animal familiars and quartz crystals to help them to see, diagnose, and cure illnesses. Spun through these tales are supernatural beings, otherworldly landscapes, magical devices and medicines, and shamans and witches. One story tells about a man who follows his wife one night and discovers that she is a witch, while another relates how a jealous woman uses the guise of an owl to make a rival woman's baby sick. Other tales include the account of a boy who is killed by kachinas and then resurrected as a medicine man and the story of a huge rattlesnake, a giant bear, and a mountain lion that forever guard the entrance to Maski, the Land of the Dead.
To the Hopi, kachinas are the spirit essence of everything in the real world. In this highly readable and informative book you'll find a comprehensive guide to Hopi kachina dolls, including buying tips.
Author : Michael F. Brown Publisher : Harvard University Press Page : 338 pages File Size : 35,17 MB Release : 2009-07-01 Category : Political Science ISBN : 9780674028883
"Documents the efforts of indigenous peoples to redefine heritage as a protected resource. Michael Brown takes readers into settings where native peoples defend what they consider to be their cultural property ... By focusing on the complexity of actual cases, Brown casts light on indigenous grievances in diverse fields ... He finds both genuine injustice and, among advocates for native peoples, a troubling tendency to mimic the privatizing logic of major corporations"--Jacket.