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John Hearne: Architect of the 1937 Constitution of Ireland is the first-ever biography of the ‘architect in chief and draftsman’ of the constitution. In the six-year period that it took to draft the constitution, John Hearne was involved at every stage alongside Éamon de Valera; his attitudes and concerns – especially with the protection of human rights in a period which saw the rise of dictatorships throughout Europe – governed the make-up of the fundamental law. This law still stands today and reverberates through every call for referendum or repeal. John Hearne is the biography of a man, later Irish Ambassador to Canada and the United States, who masterminded Irish policy, nationally and internationally, for decades; his essential role in the making of the constitution will result in a greater understanding and re-evaluation of one of its most defining and controversial documents.
'Missing Roald Dahl? Need a book where bad kids are just bad and they get their comeuppance? This is the book for you.' - Read and Reviewed Absurdly enjoyable dark adventure about a boy's mission to stop his evil sisters terrorising the town Indigo McCloud's sister Peaches is every adult's favourite child: pretty, golden-haired, polite and charming. But the children of Blunt know better: Peaches and her three sisters are a gang of bullies who will stop at nothing to get their way. This is the story of Indigo's battle to stop his sisters. Leaping across the rooftops of Blunt, he tries to keep one step ahead of their wicked schemes -but he has to tangle with 437 hungry geese, an avalanche of toilets, curry farts, bungling policemen, vicious eels, a pig in a witch's hat, a three legged spider with a toilet brush and a dangerous villain in odd socks ...
Social and racial inequalities abound in this 1960s Jamaican novel about a middle class lawyer who works closely with the working class and radical nationalist movement. In the midst of a riot, Mark Lattimer is targeted-and mortally wounded-by a poor islander because of his white-collar appearance. Cut off from medical attention in the middle of the insurgence, he is left to contemplate his life, including his childhood as a member of the privileged white elite, his time spent in London and as part of the RAF, his marriage and affairs, and the moment when he committed himself to the causes of the poor. As the end nears, Mark ruminates on the meaning of life and death, the politics of politics, and the significance of action in an absurd world.
This edited collection challenges a long sacrosanct paradigm. Since the establishment of Caribbean literary studies, scholars have exalted an elite cohort of émigré novelists based in postwar London, a group often referred to as “the Windrush writers” in tribute to the SS Empire Windrush, whose 1948 voyage from Jamaica inaugurated large-scale Caribbean migration to London. In critical accounts this group is typically reduced to the canonical troika of V. S. Naipaul, George Lamming, and Sam Selvon, effectively treating these three authors as the tradition's founding fathers. These “founders” have been properly celebrated for producing a complex, anticolonial, nationalist literature. However, their canonization has obscured the great diversity of postwar Caribbean writers, producing an enduring but narrow definition of West Indian literature. Beyond Windrush stands out as the first book to reexamine and redefine the writing of this crucial era. Its fourteen original essays make clear that in the 1950s there was already a wide spectrum of West Indian men and women—Afro-Caribbean, Indo-Caribbean, and white-creole—who were writing, publishing, and even painting. Many lived in the Caribbean and North America, rather than London. Moreover, these writers addressed subjects overlooked in the more conventionally conceived canon, including topics such as queer sexuality and the environment. This collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (Ismith Khan, Elma Napier, and John Hearne); and commonly ignored genres (memoir, short stories, and journalism).
Waterford Crystal is the first ever fully illustrated history of Ireland's most iconic cut-glass manufacturer, its name synonymous with high-end glassmaking throughout the world. Former Waterford glass cutter and local historian John Hearne explores how the art of glassmaking first arrived in Waterford at the turn of the sixteenth century. Hearne reveals how Waterford Crystal developed as a brand under the guidance of skilled artisans and shrewd business leaders with an eye for ingenuity. Waterford developed a global reputation for quality glass and crystalware that was rocked and buoyed by events that span centuries, including the American Revolutionary war, the World Fair in London, World War Two and the attacks of 9/11. A testament to innovations in design and brilliant marketing strategy, Waterford Crystal also examines the brand's failures - dubious accountancy practices that led to a long and bitter strike in 1990; the avarice and self-aggrandisement that ultimately led to the company's demise in 2009. Preserving the memory and legacy of Waterford Crystal for future generations of glassmaking, Hearne pays tribute to some of the finest artisans Ireland has ever produced, whose passionate devotion prefigured inspired works of art - turning basic ingredients, sand and ash, into objects of aesthetic beauty.
From The Horse That, Trotting The horse that, trotting with open heart Against the wind, achieves bend and flow Will live forever. So far, so good, But they never do, until too late, Bend properly and time spreads from The momentary hesitations Of their spines, circles their tossing necks, Falls from their teeth like rejected oats, Litters the ground like penitence. This is where we come in, where the drop Of time congeals the air and someone Speaks to the discouraged grass . . . Tricks of the Light explores the often fraught relationships between domestic animals and humans through mythological figurations, vibrant thought, and late-modern lyrics that seem to test their own boundaries. Vicki Hearne (1946–2001), best known and celebrated today as a writer of strikingly original poetry and prose, was a capable dog and horse trainer, and sometimes controversial animal advocate. This definitive collection of Hearne’s poetry spans the entirety of her illustrious career, from her first book, Nervous Horses (1980), to never-before-published poems composed on her deathbed. But no matter the source, each of her meditative, metaphysical lyrics possesses that rare combination of philosophical speculation, practical knowledge of animals, and an unusually elegant style unlike that of any other poet writing today. Before her untimely death, Hearne entrusted the manuscript to distinguished poet, scholar, and long-time friend John Hollander, whose introduction provides both critical and personal insight into the poet’s magnum opus. Tricks of the Light—acute, vibrant, and deeply informed—is a sensuous reckoning of the connection between humans and the natural world. Praise for The Parts of Light “Hearne . . . strives to capture exactly what she knows she can't—the intense immediacy of animal consciousness, a consciousness free of the moral vagaries and intellectual preoccupations that pockmark human experience. Her style, smooth in some places, choppy in others, reflects both the wholeness of animal presence and the jarring, fragmentary nature of human reason and reflection. Hearne's poems demand participation, refuse passive enjoyment; she dares the reader to stay in the saddle.”—Publishers Weekly