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Will You Marry Me? Bold widow Johanna Yoder stuns Roland Byler when she asks him to be her husband. To Johanna, it seems very sensible that they marry. She has two children, he has a son. Why shouldn't their families become one? But the widower has never forgotten his long-ago love for her, until his foolish mistake split them apart.
Faith, Love, Hope and Popular Romance Fiction explores romance novels from a theological perspective and suggests a new definition of the romance novel to complement other definitions which focus on structural elements: "modern popular romances are novels whose authors have assumed pastoral roles, offering hope to their readers through works which propagate faith in the goodness and durability of love." Part one outlines how romance authors offer hope and pastoral care to their readers through works which propagate faith in the goodness and durability of love. Part two explores aspects of faith, hope, love and pastoral care in more detail: words and power; the different "faith" traditions in the precursors to the modern romance; what it means to hope for a "prince" as saviour; damnation as the absence of love, and metaphorical devils and hells; false or damaging forms of love and how to discern them.
A beautifully rendered graphic novel adaptation of Lauren Tarshis's bestselling I Survived the Nazi Invasion, 1944, with text adapted by Georgia Ball and art by Álvaro Sarraseca. It's been years since the Nazis invaded Max Rosen's home country of Poland. All the Jewish people, including Max's fam-ily, have been forced to live in a ghetto. At least Max and his sister, Zena, had Papa with them . . . until two months ago, when the Nazis took him away. Now Max and Zena are on their own. One day, with barely enough food to survive, the siblings make a dar-ing escape from Nazi soldiers into the nearby forest. They are found by Jewish resistance fighters, who take them to a safe camp. But soon, grenades are falling all around them. Can Max and Zena survive the fallout of the Nazi invasion? With art by Álvaro Sarraseca and text adapted by Georgia Ball, Lauren Tarshis's New York Times bestselling I Survived series takes on vivid new life in this explosive graphic novel edition. Includes nonfiction back matter with historical photos and facts about World War II and the Holocaust. Perfect for readers who prefer the graphic novel format, or for existing fans of the I Survived chapter book series, I Survived graphic novels combine historical facts with high-action storytelling that's sure to keep any reader turning the pages.
This historical novel is the story of the Dunlap family, one of the most influential families in mid-19th century America, and their struggles to maintain their power and prestige amidst the social and political upheavals of the time. Set against the backdrop of the Civil War, this book is a gripping tale of love, betrayal, and redemption, and a fascinating glimpse into a bygone era. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.