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JAZZ: THE FIRST 100 YEARS explores the development of jazz from its nineteenth-century roots in blues and ragtime, through swing and bebop, to fusion and contemporary jazz styles. Unique in its up-to-date coverage, the 3rd edition devotes a full third of its length to performers of the 1960s to the present day. The book’s flexible organization and clear, vibrant presentation appeal to both music majors and general students. Biographies and social history put music in context. Extensive, accessible listening guides tie the history of jazz music directly to the CD selections, giving newcomers and aficionados alike a true feel for the ever-changing sound of jazz. Non-majors will find the new Introduction to Jazz Basics a useful preview tool on jazz fundamentals. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Appealing to music majors and nonmajors alike, JAZZ: THE FIRST 100 YEARS, NON-MEDIA EDITION, 3e delivers a thorough introduction to jazz as it explores the development of jazz from its nineteenth-century roots in blues and ragtime, through swing and bebop, to fusion and contemporary jazz styles. Completely up to date, the text devotes a full third of its coverage to performers from the 1960s to the present day. It also includes expansive coverage of women in jazz. Biographies, social history, and timelines at the beginning of chapters put music into context--giving students a true feel for the ever-changing sound of jazz. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Vanity Fair 100 Years showcases a century of personality and power, art and commerce, crisis and culture—both highbrow and low—in this collection of images that graced the pages of magazine, and some published for the very first time. From its inception in 1913, through the Jazz Age and the Depression, to its reincarnation in the boom-boom Reagan years, to the image-saturated Information Age, Vanity Fair has presented the modern era as it has unfolded, using wit, imagination, peerless literary narrative, and bold, groundbreaking imagery from the greatest photographers, artists, and illustrators of the day. Edited by Vanity Fair editor Graydon Carter, this sumptuous book takes a decade-by-decade look at the world as seen by the magazine, stopping to describe the incomparable editor Frank Crowninshield and the birth of the Jazz Age Vanity Fair, the magazine’s controversial rebirth in 1983, and the history of the glamorous Vanity Fair Oscar Party. “The book is a stunning artifact that begets staring, less for the words and publishing industry than as an exercise in visual storytelling reflected through the prism of society and celebrity. The best photographers, the best designers, the best illustrators all came together over Vanity Fair’s contents, and the book unfolds in page after page of stunningly rendered images, some iconic and some that never even ran.” —New York Times Book Review
It's been called America's classical music. The infinite art. The heart and soul of all popular music. But whatever the label, jazz has played an immense cultural role worldwide, opening up vast vistas of musical creativity, generating unforgettable performances, and giving us such iconic artists as Miles Davis, Louis Armstrong, and Duke Ellington. Jazz: The First Century marks the passage of the music's first hundred years by bringing together text and art in a rich, illustrated chronicle that opens up the vibrant world of jazz to everyone. Jazz: The First Century is edited by John Edward Hasse, Curator of American Music at the Smithsonian Institution, leading a writing team of today's finest and most widely respected jazz authorities. Their compelling essays are complemented by an engrossing and sophisticated design packed with more than 300 images, including vintage photographs, sheet music covers, rare album jackets, posters, and more. From the beginning, jazz offered a new kind of musical expression perfectly suited to the innovation and rapid pace of life in the twentieth century. Jazz: The First Century vividly illuminates the circumstances of the music's birth, examines the contributions of its most consequential musicians, and brings to life its many pleasures, from the emotionalism of early blues and the infectious syncopation of ragtime to the exhilaration of 1930s big-band swing and the awesome musical flights of bebop-from the understated sophistication of cool jazz and the boundless expressiveness of free improvisation to the electrifying power of fusion and the potent grooves of jazz-rap and hip-hop. In addition, seventy concise sidebars focus on important songs, key landmarks and personalities, and conventions of jazz performance and composition. They also examine the confluence of jazz with radio and television and with such art forms as film, painting, literature, poetry, classical music, and dance. Here also are hundreds of recommended recordings-selections based on opinions gathered in an international survey of historians, educators, critics, musicians, and broadcasters. For newcomers and aficionados alike, Jazz: The First Century offers a wealth of enlightening information. It's an essential and comprehensive overview of the music Tony Bennett calls "Amrica's greatest contribution to the world...a celebration of life itself."
In this major update of the acclaimed and award-winning jazz history, Alyn Shipton challenges many of the assumptions that surround the birth and growth of jazz music. Shipton also re-evaluates the transition from swing to be-bop, asking just how political this supposed modern jazz revolution actually was. He makes the case for jazz as a truly international music from its earliest days, charting significant developments outside the USA from the 1920s onwards. All the great names in jazz history are here, from Louis Armstrong to Miles Davis and from Sidney Bechet to Charlie Parker and John Coltrane. But unlike those historians who call a halt with the death of Coltrane in 1967, Shipton continues the story with the major trends in jazz over the last 40 years: free jazz, jazz rock, world music influences, and the re-emergence of the popular jazz singer. This new edition brings the book completely up-to-date, including such names as John Medeski, Diana Krall, Django Bates, and Matthias Ruegg. There are also impor¬tant new sections on Latin Jazz and the repertory movement.
Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century. The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spread of the first jazz ensembles in Cuba, the big bands of the thirties, and the inception of “Latin jazz.” He explores the evolution of Bebop, Feeling, and Mambo in the forties, leading to the explosion of Cubop or Afro-Cuban jazz and the innovations of the legendary musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and Chano Pozo. The work concludes with a new generation of Cuban jazz artists, including the Grammy award-winning musicians and composers Chucho Valdés and Paquito D’Rivera.
"Exuberant music, powerful narration, and image-filled poetry combine to create this extraordinary recording, winner of ALA's first Odyssey Award for excellence in audiobook production." The Horn Book
One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come.