[PDF] Japanese Artist In London eBook

Author : Yoshio Makino
Publisher : Wentworth Press
Page : 250 pages
File Size : 29,55 MB
Release : 2019-03-13
Category : Biography & Autobiography
ISBN : 9781010167266

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author : Yoshio Markino
Publisher : BRILL
Page : 236 pages
File Size : 47,5 MB
Release : 2011-12-23
Category : Art
ISBN : 9004220399

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The Japanese artist Yoshio Markino enjoyed a successful career in early twentieth century London as an artist and author. This book examines his uniquely Asian perspective on British society and culture at a time when Japan eagerly sought engagement with the West.

Author : Yoshio Markino
Publisher :
Page : 252 pages
File Size : 10,96 MB
Release : 2015-07-12
Category :
ISBN : 9781331201823

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Excerpt from A Japanese Artist in London This seems to me to be a book of unique interest. The irresistible humour and the force of Yoshio Markino's writing is well known to critics, for in reviewing his three large colour books, "The Colour of London," "The Colour of Paris," and "The Colour of Rome," most of them have given as much space to the single chapter contributed by the artist as they have to the entire letterpress of the book. Nor is this surprising, for Mr. Markino in his quaint English has sometimes an arrestiveness almost equal to Thomas Carlyle's. There is real style in it. He has evolved a grammar of his own which is strikingly effective. In his new volume, "A Japanese Artist in London," he has a subject eminently suited to exhibit the humour and pathos and forcefulness of his style. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author : Yayoi Kusama
Publisher : Tate Enterprises Ltd
Page : 178 pages
File Size : 20,54 MB
Release : 2021-09-01
Category : Biography & Autobiography
ISBN : 184976087X

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I am deeply terrified by the obsessions crawling over my body, whether they come from within me or from outside. I fluctuate between feelings of reality and unreality. I, myself, delight in my obsessions.'Yayoi Kusama is one of the most significant contemporary artists at work today. This engaging autobiography tells the story of her life and extraordinary career in her own words, revealing her as a fascinating figure and maverick artist who channels her obsessive neuroses into an art that transcends cultural barriers. Kusama describes the decade she spent in New York, first as a poverty stricken artist and later as the doyenne of an alternative counter-cultural scene. She provides a frank and touching account of her relationships with key art-world figures, including Georgia O'Keeffe, Donald Judd and the reclusive Joseph Cornell, with whom Kusama forged a close bond. In candid terms she describes her childhood and the first appearance of the obsessive visions that have haunted her throughout her life. Returning to Japan in the early 1970s, Kusama checked herself into a psychiatric hospital in Tokyo where she resides to the present day, emerging to dedicate herself with seemingly endless vigour to her art and her writing. This remarkable autobiography provides a powerful insight into a unique artistic mind, haunted by fears and phobias yet determined to maintain her position at the forefront of the artistic avant-garde. In addition to her artwork, Yayoi Kusama is the author of numerous volumes of poetry and fiction, including The Hustler's Grotto of Christopher Street, Manhattan Suicide Addict and Violet Obsession.

Author : Ayako Hotta-Lister
Publisher : Psychology Press
Page : 292 pages
File Size : 25,80 MB
Release : 1999
Category : Art, Japanese
ISBN : 9781873410882

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Faced with western contempt and suspicion, the Meiji Government staged this exhibition to advance Japanese agendas in political, economic and educational terms. The first major study principally concerned with the Japanese side of this story.

Author : Yoshio Markino
Publisher : Palala Press
Page : 248 pages
File Size : 29,59 MB
Release : 2015-09-02
Category :
ISBN : 9781341158414

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author : Julie Nelson Davis
Publisher : University of Hawaii Press
Page : 225 pages
File Size : 42,2 MB
Release : 2021-08-31
Category : Art
ISBN : 0824889339

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Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.