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There are places where the past lingers, making shapes in the moonlight and blowing in the curtains even as the air goes suddenly still. K. Hari Kumar, bestselling author of spine-chilling horror fiction, brings you the terrifying tales of some of India's most haunted places -- including Bhangarh Fort, Malabar Hill's Tower of Silence and Jammu and Kashmir's notorious Khooni Nala.Whether you read them at night or in daylight, these stories will remain with you long after you've turned the last page.
'Gaurav Tiwari was a visionary and wanted to do what no one other than him had ever thought of. I have been a fan of his from the moment I got to know about him.' -Sunil Bohra Producer, Gangs of Wasseypur and Tanu Weds Manu Shocked by the mysterious death of Gaurav Tiwari at the age of thirty-two, acclaimed horror writer Abhirup Dhar contacted the team at Indian Paranormal Society (IPS), founded by the late paranormal investigator, to understand his life and work. This book is the result of the intense conversations that followed. As the IPS team related some of the most spine-chilling cases they had investigated, Abhirup learnt more about Gaurav. And the paranormal. From a parking lot haunted by the ghosts of young children, to Lambi Dehar, filled with the tortured souls of the thousands who had died there; from the unhappy spirits in Mukesh Mills to phantoms in the labyrinths of a court-Gaurav and the IPS team investigated the most haunted places in India. Knowledge cancels fear, Gaurav used to say. It was a motto he lived by and kept in mind as he carried out his investigations, uncovering mysteries of the dead and undead. This is a book for anyone interested in horror, the supernatural and the paranormal, capturing as it does both the incredible life of Gaurav Tiwari as well as his chilling encounters with unearthly beings.
A NEW YORK TIMES BESTSELLER From USA TODAY bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed). Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians is “a masterpiece. Intimate, devastating, brutal, terrifying, warm, and heartbreaking in the best way” (Paul Tremblay, author of A Head Full of Ghosts). This novel follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in violent, vengeful ways.
'If you live in the hills of India, it is only a matter of time before you meet a ghost...' Vintage storyteller Ruskin Bond has created some unforgettable characters in his novels and stories, but perhaps the most memorable and unusual among them are the ghosts and spirits he has encountered. These ghosts are not always horrific; they are mysterious and often benevolent, or lonely creatures looking for company among humans. Collected in these pages are new stories written specifically for this volume--including Captain Young's Ghost--and classics such as A Face in the Dark and The Haunted Bicycle. Here you will find the spirit of a captain from the British army who returns to the town he founded and rues the lack of Irish whisky; a little boy, long dead, who continues to guide passers-by on treacherous mountain routes; a heartbroken young girl of long ago who seduces young men with her song, and another who longs for a family and some friends. Set in the hills and foothills of North India--the perfect haunt for ghosts and spirits--this collection by the master storyteller will leave you spellbound.
“A fascinating and frightening book” (Los Angeles Times)—the bestselling true story about a house possessed by evil spirits, haunted by psychic phenomena almost too terrible to describe. In December 1975, the Lutz family moved into their new home on suburban Long Island. George and Kathleen Lutz knew that, one year earlier, Ronald DeFeo had murdered his parents, brothers, and sisters in the house, but the property—complete with boathouse and swimming pool—and the price had been too good to pass up. Twenty-eight days later, the entire Lutz family fled in terror. This is the spellbinding, shocking true story that gripped the nation about an American dream that turned into a nightmare beyond imagining—“this book will scare the hell out of you” (Kansas City Star).
A horrifying decapitated head. A CBI intern on an assignment finds mysterious 'Two Dots' from a cold case. Human DNA is extracted from a mosquito's stomach. "Why had Harold Shipman killed 250 women?" A question of criminal psychology enters the picture. Against the corrupt system, a CBI intern leaves no stone unturned to dig the rort of a cold-blooded serial killer. Several incredible, high-tech forensic investigations are stacked against a tech-savvy killer who knows his job inside-out. And, the sexual sadist killer releases another cipher with a rise of body count. Forensic advancement has brought out a digital face from DNA. Will she able to get the killer's DNA? How has he become a monster out of a man? Are these efforts enough to catch the killer? Or is there something special in the store? “The Murdrum is an outstanding journey. The incredible story and wonderful characters keep you hooked till the end. I strongly recommend this page-turner. I’m eagerly waiting for Murdrum 2.” —- Director Anees Bazmee "The best part of the Murdrum is an experience. Scientific, logical, gripping and gritty. The adrenalin rush hooks you till the end. I can only imagine Sohil writing such a suspenseful and mind-boggling forensic thriller.” —- Karan Vyas, Writer - SCAM 1992 Well etched characters. Twisty plot. Remarkable use of incredible medical science, but still, an easy read. Murdrum is an absolute page-turner. — Vishal Furia, Director - Criminal Justice Unputdownable. Engrossing and spine-chilling pace. The writing skills shout out loud of a pro-level finesse which makes the book a real page turner. A thrilling mysterious ride. — Rahul Bhole, Director - national award winner film Reva
India is one of the oldest nations in existence, full of magical and enchanting historical sites and mystifying stories that were laid in the foundation of Indian cities, regions and even buildings. Haunted India is an attempt to uncover these mysterious facts, and cultural heritage of India.
A new city. A new home. A new life. Things seem perfect ... for a while. A pregnant Anahita moves in to an apartment in Malabar Hill with her husband, eager to begin a new phase in her life. Unfortunately, nothing goes as expected and Anahita begins to witness things she cannot explain. It's not long before a presence makes itself known in their new home. Appearing after dark the strange apparition leaves Anahita terrified - but determined to find answers. Her search leads to Parizaad: a woman who was haunted by phenomena she believed to be linked to a tower of silence, or dakhma, that is deeply affected by environmental changes. As Anahita wades further into the mystery around the life and death of Parizaad, she uncovers a devastating secret - one that goes beyond nightmares and corpses. A spine-chilling psychological thriller, Dakhma brings horror to the heart of the big city. .
Although spectral Indians appear with startling frequency in US literary works, until now the implications of describing them as ghosts have not been thoroughly investigated. In the first years of nationhood, Philip Freneau and Sarah Wentworth Morton peopled their works with Indian phantoms, as did Charles Brocken Brown, Washington Irving, Samuel Woodworth, Lydia Maria Child, James Fenimore Cooper, William Apess, Nathaniel Hawthorne, and others who followed. During the late 19th and early 20th centuries, Native American ghosts figured prominently in speeches attributed to Chief Seattle, Black Elk, and Kicking Bear. Today, Stephen King and Leslie Marmon Silko plot best-selling novels around ghostly Indians and haunted Indian burial grounds. Rene L. Bergland argues that representing Indians as ghosts internalizes them as ghostly figures within the white imagination. Spectralization allows white Americans to construct a concept of American nationhood haunted by Native Americans, in which Indians become sharers in an idealized national imagination. However, the problems of spectralization are clear, since the discourse questions the very nationalism it constructs. Indians who are transformed into ghosts cannot be buried or evaded, and the specter of their forced disappearance haunts the American imagination. Indian ghosts personify national guilt and horror, as well as national pride and pleasure. Bergland tells the story of a terrifying and triumphant American aesthetic that repeatedly transforms horror into glory, national dishonor into national pride.