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Pope Brock grew up ignorant of the dramatic circumstances surrounding his great-grandfather's death. INDIANA GOTHIC is the extraordinary result of his investigations into his family's hidden history. The true story of a passionate love-affair which sparked a tragedy, INDIANA GOTHIC encompasses murder, adultery, sibling rivalry and a sensational trial. Set at the turn of the century in a poor, pious mid-western farming community, it is the story of two sisters, one of whom falls in love with the other's husband. Erotic, dramatic, and wonderfully atmospheric, this is 'a gripping true story that reads like fiction' (The Scotsman).
The lines between fiction and nonfiction have become increasingly blurred, but in journalist Pope Brock's first book, about murder and adultery in his family, everything is true. Journalist Pope Brock grew up ignorant of his family's most closely guarded secret. It was only when his great-aunt was dying that he learned the true circumstances surrounding the death of his great-grandfather Ham Dillon. An aspiring young Indiana politician, Dillon was shot to death in 1908 by his own brother-in-law, Link Hale--a man half-crazed with anger and grief over the fact that his wife, Allie, had just borne Ham a child. To add another twist, Allie Hale was more than just Ham Dillon's lover; she was also his wife's only sister. Fascinated by this revelation, Pope Brock began his research. In Indiana Gothic, he tells the story of Ham Dillon with the sweep and power of a novel, re-creating the era in such vivid detail that we have the sensation of time travel. Readers first meet the young Ham Dillon--handsome, charismatic, ambitious--as he courts Maggie Thompson, the daughter of a well-to-do farmer. But after their marriage in 1898, Ham comes into the orbit of Maggie's sister, Allie, who is locked in a joyless marriage to the depressive Link Hale. Passion soon takes over, and tragedy ensues--culminating in the drama of Link's murder trial, which made headlines for its controversial use of the insanity plea. Atmospheric and gripping, Indiana Gothic is a bold saga of an American past that is both forever lost and strangely, startlingly familiar.
Part of the Indiana Historical Society's commemoration of the nineteenth state's bicentennial, Indiana's 200: The People Who Shaped the Hoosier State recognizes the people who made enduring contributions to Indiana in its 200-year history. Written by historians, scholars, biographers, and independent researchers, the biographical essays in this book will enhance the public's knowledge and appreciation of those who made a difference in the lives of Hoosiers, the country, and even the world. Subjects profiled in the book include individuals from all fields of endeavor: law, politics, art, music, entertainment, literature, sports, education, business/industry, religion, science/invention/technology, as well as "the notorious."
The Gothic Vision examines a broad range of tales of horror, terror, the uncanny and the supernatural, spanning the late-eighteenth century to the present, and of related theoretical approaches to the realm of dark writing. It argues that such narratives are objects for historical analysis, due to their implication in specific ideologies, while also focusing on the recurrence over time of themes of physical and psychological disintegration, spectrality and monstrosity. This is an excellent overview of a genre that is increasingly studied in literature, film, and cultural studies courses.
Welcome to Heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling. Frank Bill's Southern Indiana is haunted by a deep, abiding sense of place, and his people are men and women pressed to the brink - and beyond. They are survivors, and in Frank Bill's hands, their stories bristle with noir energy.
Indianapolis Monthly is the Circle City’s essential chronicle and guide, an indispensable authority on what’s new and what’s news. Through coverage of politics, crime, dining, style, business, sports, and arts and entertainment, each issue offers compelling narrative stories and lively, urbane coverage of Indy’s cultural landscape.
As a planned community, Indianapolis boasted finished frame and brick buildings from its beginning. Architects and builders drew on Federal, Greek Revival, Italianate, French Second Empire, Gothic, Romanesque, and Italian Renaissance styles for commercial, industrial, public, and religious buildings and for residences. In Architecture in Indianapolis: 1820–1900, preservationist and architectural historian Dr. James Glass explores the rich variety of architecture that appeared during the city's first 80 years, to 1900. Glass explains how economic forces shaped building cycles, such as the Canal Era, the advent of railroads, the natural gas boom, and repeated recessions and recoveries. He describes 243 buildings that illustrate the styles that architects and builders incorporated into the designs that they devised in each era between 1820 and 1900. This book also documents the loss of distinctive 19th century architecture that has occurred in Indianapolis. It includes 373 photographs and drawings that depict the buildings described and locator maps that show where concentrations of buildings were constructed. Architecture in Indianapolis: 1820–1900 provides the first history of 19th-century architecture in the city and will serve as an indispensable reference for decades to come.