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Pottery has a long history in India. Over the centuries it has been used for domestic ware, votive pieces and for architecture. Each area of the country is known for its different styles, decorations and ways of making. In this book, the author, not only looks at Indian pottery but also at the communities who make it, their organization, history and philosophy.
This definitive book tells the visual history of tile decoration in the Indian subcontinent, through vibrant photography and thorough research. Historic India, which now encompasses the modern nations of India, Pakistan and Bangladesh, is celebrated for the richness of its architectural and decorative arts, but less well known for glazed tiles. Arthur Millner opens up this hitherto neglected subject with a richly illustrated narrative of the development of tiles across the South Asian Subcontinent. Millner traces the craft’s roots in Muslim Persia, Afghanistan and Central Asia, showing how imported glazing techniques combined with an ancient local tradition of clay craftsmanship. He explores the production, designs and influences in Indian tiles from antiquity to the colonial period, tracing the historical evolution through a series of key eras, including the Delhi Sultanate and the Mughal Empire in Northern India as well as the independent sultanates in the Deccan, Bengal, Central India and the Indus region. Although glazed tiles are generally associated with Islam, they also briefly flourished in both Hindu strongholds, such as Gwalior and Orchha, and in Christian Portuguese-ruled Goa. More than four hundred photographs, many of little-known sites, are drawn from the author’s years of travel as well as from colleagues, the archives of the Victoria and Albert Museum, auction houses and other celebrated institutions. These images capture both the architectural context and the visual appeal of the vibrant colors and intricate designs, and provide a visual compendium of the different styles and techniques. Taken together they offer a unique chronicle of an important and environmentally threatened aspect of the region’s cultural, artistic and religious evolution over centuries—one that will appeal to both the specialist and general reader including anyone with an interest in Indian history and architecture, as well as those interested in Islamic art and ceramics.
Author : Thomas J. Blumer Publisher : University of Alabama Press Page : 248 pages File Size : 32,27 MB Release : 2004 Category : Art ISBN : 0817350616
Traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present When Europeans encountered them, the Catawba Indians were living along the river and throughout the valley that carries their name near the present North Carolina-South Carolina border. Archaeologists later collected and identified categories of pottery types belonging to the historic Catawba and extrapolated an association with their protohistoric and prehistoric predecessors. In this volume, Thomas Blumer traces the construction techniques of those documented ceramics to the lineage of their probable present-day master potters or, in other words, he traces the Catawba pottery traditions. By mining data from archives and the oral traditions of contemporary potters, Blumer reconstructs sales circuits regularly traveled by Catawba peddlers and thereby illuminates unresolved questions regarding trade routes in the protohistoric period. In addition, the author details particular techniques of the representative potters—factors such as clay selection, tool use, decoration, and firing techniques—which influence their styles.
This book covers the area of advanced ceramic composites broadly, providing important introductory chapters to fundamentals, processing, and applications of advanced ceramic composites. Within each section, specific topics covered highlight the state of the art research within one of the above sections. The organization of the book is designed to provide easy understanding by students as well as professionals interested in advanced ceramic composites. The various sections discuss fundamentals of nature and characteristics of ceramics, processing of ceramics, processing and properties of toughened ceramics, high temperature ceramics, nanoceramics and nanoceramic composites, and bioceramics and biocomposites.
Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.
This Is An Unusual Exploration Into India S Timeless Civilization By An Enthropologist Who Has Devoted Six Years To Extensive Survey Of The Peasant Potters Of More Than Half Of India. The Author Of This Book , Writes Professor N.K. Bose , Has Applied Some Methods In The Study Of Indian Culture Which&. Have Not Been Used By Any Other Student Of Cultural Anthropology In This Country. His Method Of Correlation Of Material Culture With The Total Cultural System Marks A Departure From The Conventional Studies Of Cultural Processes. He Has Suggested New Methods Of Reconstructing History, And His Data On Contemporary Pottery Making Afford A Reassessment Of Indian Archaeological Materials.The Author S Extensive Experience With Inter-Disciplinary Inquiry Yields Insight. From A Detailed Analysis Of The Ethnographic Data On Pottery Making, He Makes Some Significant Observations: There Is Continuity In Potter-Craft Tradition In India, Traceable From The Pre-Historic Times. The Survival Of The Ethnic Groups Of Potters, Well Within Their Respective Technological Zones Of Pre-Historic Pottery Making, Makes The Aryanization Of India Doubtful. Different Regions Of India Have Evolved Their Own Indigenous Cultures Providing Extreme Diversity To The Material Base Of Indian Society-Their Unity Lies In The Basic Philosophy Of Life, In The Higher Forms Of Culture. To An Average Indian, The Diversity Of Cultures-Food, Dress, Language, Worship-Does Not Really Matter, So Long As He Believes That Every Way Of Life Has Its Own Contribution To Humanity, And That Before The Inexorable Law Of Nature, Every Being Has An Equal Right To Survive Through The Full Course Of Its Cosmic Life. This Idealization Of Diversity Has Helped India Develop A Tradition Of Tolerance, Which Is The Soul Of Her Civilization.Apart From Its Contribution To Anthropology, The Book Will Be Of Particular Interest To Historians Of Culture And Philosophers Of Social History
Primarily a women's art, American Indian pottery reflects a heritage of powerful social, religious, and aesthetic values. Even now, modern American Indian women use the clay, paint, and fire of pottery making to express themselves, creating designs that range from dutifully traditional to strikingly original. This book - written in conjunction with one of the most important exhibitions of American Indian pottery ever mounted - provides an in-depth look at a unique North American art form.
Author : Ramiro Matos Mendieta Publisher : National Museum of American Indian Page : 100 pages File Size : 49,89 MB Release : 2005 Category : Art ISBN :
This book features Native ceramics representing the cultures of the Andes, Mexico, the American Southwest, and the Eastern U.S. dating from 4,000 years ago to the present. These ceramics serve as narratives that record the potter's world. --Amazon.
A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art