[PDF] Important Japanese Tea Ceramics Including eBook

Author : Morgan Pitelka
Publisher : University of Hawaii Press
Page : 269 pages
File Size : 13,24 MB
Release : 2005-10-31
Category : Art
ISBN : 0824862740

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Handmade Culture is the first comprehensive and cohesive study in any language to examine Raku, one of Japan’s most famous arts and a pottery technique practiced around the world. More than a history of ceramics, this innovative work considers four centuries of cultural invention and reinvention during times of both political stasis and socioeconomic upheaval. It combines scholarly erudition with an accessible story through its lively and lucid prose and its generous illustrations. The author’s own experiences as the son of a professional potter and a historian inform his unique interdisciplinary approach, manifested particularly in his sensitivity to both technical ceramic issues and theoretical historical concerns. Handmade Culture makes ample use of archaeological evidence, heirloom ceramics, tea diaries, letters, woodblock prints, and gazetteers and other publications to narrate the compelling history of Raku, a fresh approach that sheds light not only on an important traditional art from Japan, but on the study of cultural history itself.

Author : Alice North
Publisher : The Monacelli Press, LLC
Page : 353 pages
File Size : 21,74 MB
Release : 2022-06-14
Category : Art
ISBN : 1580935923

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The first book to tell the stories of some of the most revered living Japanese ceramists of the century, tracing the evolution of modern and contemporary craft and art in Japan, and the artists’ considerable influence, which far transcends national borders. Listening to Clay: Conversations with Contemporary Japanese Ceramic Artists is the first book to present conversations with some of the most important living Japanese ceramic artists. Tracing the evolution of modern and contemporary craft and art in Japan, this groundbreaking volume highlights sixteen individuals whose unparalleled skill and creative brilliance have lent them an influence that far transcends national borders. Despite forging illustrious careers and earning international recognition for their work, these sixteen artists have been little known in terms of their personal stories. Ranging in age from sixty-three to ninety-three, they embody the diverse experiences of several generations who have been active and successful from the late 1940s to the present day, a period of massive change. Now, sharing their stories for the first time in Listening to Clay, they not only describe their distinctive processes, inspirations, and relationships with clay, but together trace a seismic cultural shift through a field in which centuries-old but exclusionary potting traditions opened to new practitioners and kinds of practices. Listening to Clay includes conversations with artists born into pottery-making families, as well as with some of the first women admitted to the ceramics department of Tokyo University of the Arts, telling a larger story about ingenuity and trailblazing that has shaped contemporary art in Japan and around the world. Each artist is represented by an entry including a brief introduction, a portrait, selected examples of their work, and an intimate interview conducted by the authors over several in-person visits from 2004 to 2019. At the core of each story is the artist’s personal relationship to clay, often described as a collaboration with the material rather than an imposing of intention. The oldest artist interviewed, Hayashi Yasuo, enlisted in the army during WWII at age fifteen and trained as a kamikaze pilot. He was born into a family that had fired ceramics in cooperative kilns for generations, but he rejected traditional modes and went on to be the first artist in Japan to make truly abstract ceramic sculpture. In the late 1960s, another artist, Mishima Kimiyo, developed a technique of silkscreening on clay and began making ceramic newspapers to comment on the proliferation of the media. She became fascinated with trash, recreating it out of clay, and worked in relative obscurity for decades until she had a major exhibition in Tokyo in 2015. Featuring a preface by curator, writer, and historian Glenn Adamson, and a foreword by Monika Bincsik, the Associate Curator for Japanese Decorative Arts at The Metropolitan Museum of Art, Listening to Clay has been a project more than fifteen years in the making for authors Alice and Halsey North, respected and knowledgeable collectors and patrons of contemporary Japanese ceramics, and Louise Allison Cort, Curator Emerita of Ceramics, National Museum of Asian Art, Smithsonian Institution. The book also includes conversations with five important dealers of contemporary Japanese ceramics who have played and are playing a critical role in introducing the work of these artists to the world, several detailed appendices, and a glossary of terms, relevant people, and relationships. Listening to Clay is a long-overdue and insightful book that, for the first time, spotlights some of Japan’s most celebrated contemporary ceramic artists through personal, idiosyncratic accounts of their day-to-day lives, giving special access to their creative process and artistic development.

Author : Bobbie Kalman
Publisher : Crabtree Publishing Company
Page : 36 pages
File Size : 47,77 MB
Release : 2009
Category : Juvenile Nonfiction
ISBN : 9780778792987

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This book discusses the religious beliefs, traditional arts, customs, fine arts, and festivals of Japan.

Author : Bill Geisinger
Publisher : Bill Geisinger
Page : 90 pages
File Size : 14,97 MB
Release : 2010-05
Category : Art, Japanese
ISBN : 0975435132

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From 2005 through 2007, the author studied nine families from the original 1968 documentary film "Potters of Japan" by Richard and Marj Peeler. The Kondo, Shimaoka, Ichino, Kaneshige, Mori, Katō, Fujiwara, Waraku and Takahashi family names are synonymous with Japanese pottery. Each produces ceramic work that is respected and admired by thousands of Japanese and individuals throughout the world. This book is a review of each family since the original film and essentially a study of contemporary Japanese Ceramics from 1968 to the present. There are as many similarities as differences among this group of potters. Tradition is pivotal here; family name, prestige, artistic and technical secrets are passed from generation to generation with each family developing their own expression and unique qualities. Today, studio pottery in Japan has grown and there are many more people working and expanding the traditions of the original six old kilns (rokkouyo) and this book is an introduction to studio pottery in Japan today.