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This landmark work explores how our attitudes toward nature are mirrored in and influenced by poetry. Showing us a resurgent vision of harmony between nature and humanity in the work of some of our most widely read poets, Imagining the Earth reveals the power of poetry to identify, interpret, and celebrate a wide range of issues related to nature and our place in it.
While concepts of Earth have a rich tradition, more recent examples show a distinct quality: though ideas of wholeness might still be related to mythical, religious, or utopian visions of the past, "Earth" itself has become available as a whole. This raises several questions: How are the notions of one Earth or our planet imagined and distributed? What is the role of cultural imagination and practices of signification in the imagination of "the Earth"? Which theoretical models can be used or need to be developed to describe processes of imagining planet Earth? This collection invites a wide range of perspectives from different fields of the humanities to explore the means of imagining Earth.
Thomas Berry had a gentle yet mesmerizing and luminescent presence that was evident to anyone who spent time with him. His intellectual scope and erudite manner were compelling, and the breadth, depth, clarity, and elegance of his vision was breathtaking. Berry was an intellectual giant and cultural visionary of extraordinary stature. Thomas Berry’s vast knowledge of history, religions, and cultural histories is a unique blend revealing a genuine, original thinker. The ecological crisis, in all its manifestations, came to dominate Berry’s concerns. He perceived that the greatest need was to offer the possibility of a viable future for an Earth community. Many know of his proposal for a functional cosmology, the need for a new story, and a vital Earth sensitive spirituality. Few know of his rich and varied intellectual journey. The Intellectual Journey of Thomas Berry: Imagining the Earth Community is about the roots and insights hidden within his ecological, spiritual proposal. These essays, written by experts on Thomas Berry’s work, probe into, and reveal distinct themes that permeate his work, in gratitude for his contribution to the Earth.
Beliefs in mysterious underworlds are as old as humanity. But the idea that the earth has a hollow interior was first proposed as a scientific theory in 1691 by Sir Edmond Halley (of comet fame), who suggested that there might be life down there as well. Hollow Earth traces the surprising, marvelous, and just plain weird permutations his ideas have taken over the centuries. From science fiction to utopian societies and even religions, Hollow Earth travels through centuries and cultures, exploring how each era's relationship to the idea of a hollow earth mirrored its hopes, fears, and values. Illustrated with everything from seventeenth-century maps to 1950s pulp art to movie posters and more, Hollow Earth is for anyone interested in the history of strange ideas that just won't go away.
Water, air, sunlight, plants . . . we need these elements to live in this world. But does the world need us? And what would happen to the world if humans were gone? This is the premise of a thought-provoking picture book from John Coy. His insightful text explores how nature would reclaim the planet, accompanied by Natalie Capannelli's gorgeous watercolor illustrations. Back matter gives further context and discusses what kids (and all of us) can do to truly help our planet.
Reliable and detailed information about the Earth’s subsurface is of crucial importance throughout the geosciences. Quantitative integration of all available geophysical and geological data helps to make Earth models more robust and reliable. The aim of this book is to summarize and synthesize the growing literature on combining various types of geophysical and other geoscientific data. The approaches that have been developed to date encompass joint inversion, cooperative inversion, and statistical post-inversion analysis methods, each with different benefits and assumptions. Starting with the foundations of inverse theory, this book systematically describes the mathematical and theoretical aspects of how to best integrate different geophysical datasets with geological prior understanding and other complimentary data. This foundational basis is followed by chapters that demonstrate the diverse range of applications for which integrated methods have been used to date. These range from imaging the hydrogeological properties of the near-surface to natural resource exploration and probing the composition of the lithosphere and the deep Earth. Each chapter is written by leading experts in the field, which makes this book the definitive reference on integrated imaging of the Earth. Highlights of this volume include: Complete coverage of the theoretical foundations of integrated imaging approaches from inverse theory to different coupling methods and quantitative evaluation of the resulting models Comprehensive overview of current applications of integrated imaging including hydrological investigations, natural resource exploration, and imaging the deep Earth Detailed case studies of integrated approaches providing valuable guidance for both experienced users and researchers new to joint inversion. This volume will be a valuable resource for graduate students, academics, industry practitioners, and researchers who are interested in using or developing integrated imaging approaches.
A book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at BuzzFeed, Interview, and more. Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.
At the turn of the nineteenth century, geology—and its claims that the earth had a long and colorful prehuman history—was widely dismissedasdangerous nonsense. But just fifty years later, it was the most celebrated of Victorian sciences. Ralph O’Connor tracks the astonishing growth of geology’s prestige in Britain, exploring how a new geohistory far more alluring than the standard six days of Creation was assembled and sold to the wider Bible-reading public. Shrewd science-writers, O’Connor shows, marketed spectacular visions of past worlds, piquing the public imagination with glimpses of man-eating mammoths, talking dinosaurs, and sea-dragons spawned by Satan himself. These authors—including men of science, women, clergymen, biblical literalists, hack writers, blackmailers, and prophets—borrowed freely from the Bible, modern poetry, and the urban entertainment industry, creating new forms of literature in order to transport their readers into a vanished and alien past. In exploring the use of poetry and spectacle in the promotion of popular science, O’Connor proves that geology’s success owed much to the literary techniques of its authors. An innovative blend of the history of science, literary criticism, book history, and visual culture, The Earth on Show rethinks the relationship between science and literature in the nineteenth century.
Mars in the human imagination from the invention of the telescope to the present For centuries, the planet Mars has captivated astronomers and inspired writers of all genres. Whether imagined as the symbol of the bloody god of war, the cradle of an alien species, or a possible new home for human civilization, our closest planetary neighbor has played a central role in how we think about ourselves in the universe. From Galileo to Kim Stanley Robinson, Robert Crossley traces the history of our fascination with the red planet as it has evolved in literature both fictional and scientific. Crossley focuses specifically on the interplay between scientific discovery and literary invention, exploring how writers throughout the ages have tried to assimilate or resist new planetary knowledge. Covering texts from the 1600s to the present, from the obscure to the classic, Crossley shows how writing about Mars has reflected the desires and social controversies of each era. This astute and elegant study is perfect for science fiction fans and readers of popular science.