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This book comprehensively examines architecture, urban planning, and civic perception in three modern cities as they transform into national capitals through an entangled, transnational process that involves an imaginative geography based on embellished memories of classical Athens. Schinkel’s classicist architecture in Berlin, especially the principle of tectonics at its core, came to be adopted effectively at faraway cities in East Asia, merging with the notion of national polity as Imperial Japan sought to reinvent Tokyo and mutating into an inevitable reflection of modern civilization upon reaching colonial Seoul, all of which give reason to ruminate over the phantasmagoria of modernity.
This book comprehensively examines architecture, urban planning, and civic perception in three modern cities as they transform into national capitals through an entangled, transnational process that involves an imaginative geography based on embellished memories of classical Athens. Schinkel's classicist architecture in Berlin, especially the principle of tectonics at its core, came to be adopted effectively at faraway cities in East Asia, merging with the notion of national polity as Imperial Japan sought to reinvent Tokyo and mutating into an inevitable reflection of modern civilization upon reaching colonial Seoul, all of which give reason to ruminate over the phantasmagoria of modernity.
Author : R. G. A. Buxton Publisher : Cambridge University Press Page : 272 pages File Size : 18,53 MB Release : 1994-06-16 Category : History ISBN : 9780521338653
This is a study of Greek mythology in relation to its original contexts. Part one deals with the contexts in which myths were narrated: the home, public festivals, the lesche. Part two, the heart of the book, examines the relation between the realities of Greek life and the fantasies of mythology: the landscape, the family and religion are taken as case-studies. Part three focuses on the function of myth-telling, both as seen by the Greeks themselves and as perceived by later observers. The author sees his role as that of a cultural historian trying to recover the contexts and horizons of expectation which simultaneously make possible and limit meaning. He seeks to demonstrate how the seemingly endless variations of Greek mythology are a product of a particular community, situated in a particular landscape, and with these particular institutions.
Author : Alan H. Sommerstein Publisher : Walter de Gruyter GmbH & Co KG Page : 474 pages File Size : 24,56 MB Release : 2014-09-04 Category : History ISBN : 3110227363
The oath was an institution of fundamental importance across a wide range of social interactions throughout the ancient Greek world, making a crucial contribution to social stability and harmony; yet there has been no comprehensive, dedicated scholarly study of the subject for over a century. This volume of a two-volume study explores the nature of oaths as Greeks perceived it, the ways in which they were used (and sometimes abused) in Greek life and literature, and their inherent binding power.
Every Athenian alliance, every declaration of war, and every peace treaty was instituted by a decision of the assembly, where citizens voted after listening to speeches that presented varied and often opposing arguments about the best course of action. The fifteen preserved assembly speeches of the mid-fourth century BC thus provide an unparalleled body of evidence for the way that Athenians thought and felt about interstate relations: to understand this body of oratory is to understand how the Athenians of that period made decisions about war and peace. This book provides a comprehensive treatment of this subject. It deploys insights from a range of fields, from anthropology to international relations theory, in order not only to describe Athenian thinking, but also to explain it. Athenian thinking turns out to have been complex, sophisticated, and surprisingly familiar both in its virtues and its flaws.
Over the centuries, many artists have been captivated by the unique light and landscape of Greece; from early cartographers to the impressionistic responses of the late nineteenth century, the Greek scene has continued to exert its fascination. This very personal anthology of depictions of Greece explores the changing attitude of travelers to Greece from medieval to modern times. A number of the selections relate to the historic events surrounding the War of Independence, including Lord Byron’s participation in it, which led to his death. Particular emphasis is given to the German painters of the 1830s and their pupils, who are comparatively little known in the English-speaking world. Framed by a text describing the relationship of artists to Greece, these images evoke the many moods of the country. The book is enhanced by succinct comments on the illustrations, a biographical index of the artists featured, and an introduction that discusses the development of the painterly approach to Greece.
A fresh approach to the old problem of the nature of individual liberty in ancient Athens. Using modern political theory as a springboard, Peter Liddel argues that the ancient Athenians held liberty to consist of the substantial obligations (political, financial, and military) of citizenship.
Martial Culture, Silver Screen analyzes war movies, one of the most popular genres in American cinema, for what they reveal about the narratives and ideologies that shape U.S. national identity. Edited by Matthew Christopher Hulbert and Matthew E. Stanley, this volume explores the extent to which the motion picture industry, particularly Hollywood, has played an outsized role in the construction and evolution of American self-definition. Moving chronologically, eleven essays highlight cinematic versions of military and cultural conflicts spanning from the American Revolution to the War on Terror. Each focuses on a selection of films about a specific war or historical period, often foregrounding recent productions that remain understudied in the critical literature on cinema, history, and cultural memory. Scrutinizing cinema through the lens of nationalism and its “invention of tradition,” Martial Culture, Silver Screen considers how movies possess the power to frame ideologies, provide social coherence, betray collective neuroses and fears, construct narratives of victimhood or heroism, forge communities of remembrance, and cement tradition and convention. Hollywood war films routinely present broad, identifiable narratives—such as that of the rugged pioneer or the “good war”—through which filmmakers invent representations of the past, establishing narratives that advance discrete social and political functions in the present. As a result, cinematic versions of wartime conflicts condition and reinforce popular understandings of American national character as it relates to violence, individualism, democracy, militarism, capitalism, masculinity, race, class, and empire. Approaching war movies as identity-forging apparatuses and tools of social power, Martial Culture, Silver Screen lays bare how cinematic versions of warfare have helped define for audiences what it means to be American.
Ashes, Images, and Memories argues that the institution of public burial for the war dead and images of the deceased in civic and sacred spaces fundamentally changed how people conceived of military casualties in fifth-century Athens. In a period characterized by war and the threat of civil strife, the nascent democracy claimed the fallen for the city and commemorated them with rituals and images that shaped a civic ideology of struggle and self-sacrifice on behalf of a unified community. While most studies of Athenian public burial have focused on discrete aspects of the institution, such as the funeral oration, this book broadens the scope. It examines the presence of the war dead in cemeteries, civic and sacred spaces, the home, and the mind, and underscores the role of material culture - from casualty lists to white-ground lekythoi-in mediating that presence. This approach reveals that public rites and monuments shaped memories of the war dead at the collective and individual levels, spurring private commemorations that both engaged with and critiqued the new ideals and the city's claims to the body of the warrior. Faced with a collective notion of "the fallen" families asserted the qualities, virtues, and family links of the individual deceased, and sought to recover opportunities for private commemoration and personal remembrance. Contestation over the presence and memory of the dead often followed class lines, with the elite claiming service and leadership to the community while at the same time reviving Archaic and aristocratic commemorative discourses. Although Classical Greek art tends to be viewed as a monolithic if evolving whole, this book depicts a fragmented and charged visual world.