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While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.
This beautifully illustrated social history of China highlights various aspects of traditional China as seen through the eyes of foreign visitors and residents from the time of the first trading contacts with China in the mid-sixteenth century to the beginning of World War II. The lives and lifestyles of the fascinating mix of people who came to China, as well as the places they visited and the sights and customs that attracted their attention, are set against the backdrop of China's great cities and it's ancient culture. A short history of the period sets the scene in each chapter, allowing the reader to follow the dramatic changes that took place through the turbulent years when China moved from feudal empire to republic. The illustrated sections which follow focus on notable themes and topics. The hundreds of unique images in China Illustrated, including early engravings and maps, hand–colored prints, studio portraits and amateur photographs, postcards, drawings and cartons come from the private collection of Arthur Hacker. Collected with the eye of an artist and the knowledge of a historian they eloquently bring China's social history to life.
The United States and China are arguably the most globally consequential actors of the early twenty first century, and look set to remain so into the foreseeable future. This volume seeks to highlight that American images of China are responsible for constructing certain truths and realities about that country and its people. It also introduces the understanding that these images have always been inextricable from the enactment and justification of US China policies in Washington, and that those policies themselves are active in the production and reproduction of imagery and in the protection of American identity when seemingly threatened by that of China. Demonstrating how past American images of China are vital to understanding the nature and significance of those which circulate today, Turner addresses three key questions: What have been the dominant American images of China and the Chinese across the full lifespan of Sino-US relations? How have historical and contemporary American images of China and the Chinese enabled and justified US China policy? What role does US China policy play in the production and reproduction of American images of China? Exploring and evaluating a wide-ranging variety of sources including films and television programmes, newspaper and magazine articles, the records and journals of politicians and diplomats and governmental documents including speeches and legal declarations this work will be of great interest to students and scholars of US foreign policy, American politics, China studies and international relations.
Provides an innovative reinterpretation of the cultural revolution through the medium of the poster -- a major component of popular print culture in China.