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One day the king's men are out hunting and find Igreka, starving and neglected to such a degree that they are unsure whether he is human or animal. Igeraka soon falls in love with the king's daughter, Nyangunga, who according to some, marries a beast. The author's concern is how to present the story telling it from three different perspectives. First Nyangunga's father, the king, gives an account; the middle part of the story is told by Bubi, a second daughter who lets events speak for themselves, concealing herself, her age and gender, as narrator. Finally Nyangunga's mother describes her daughter's fate from a less compromising, feminist perspective.
The Columbia Guide to East African Literature in English Since 1945 challenges the conventional belief that the English-language literary traditions of East Africa are restricted to the former British colonies of Kenya, Uganda, and Tanzania. Instead, these traditions stretch far into such neighboring countries as Somalia and Ethiopia. Simon Gikandi and Evan Mwangi assemble a truly inclusive list of major writers and trends. They begin with a chronology of key historical events and an overview of the emergence and transformation of literary culture in the region. Then they provide an alphabetical list of major writers and brief descriptions of their concerns and achievements. Some of the writers discussed include the Kenyan novelists Grace Ogot and Ngugi wa Thiong'o, Ugandan poet and essayist Taban Lo Liyong, Ethiopian playwright and poet Tsegaye Gabre-Medhin, Tanzanian novelist and diplomat Peter Palangyo, Ethiopian novelist Berhane Mariam Sahle-Sellassie, and the novelist M. G. Vassanji, who portrays the Indian diaspora in Africa, Europe, and North America. Separate entries within this list describe thematic concerns, such as colonialism, decolonization, the black aesthetic, and the language question; the growth of genres like autobiography and popular literature; important movements like cultural nationalism and feminism; and the impact of major forces such as AIDS/HIV, Christian missions, and urbanization. Comprehensive and richly detailed, this guide offers a fresh perspective on the role of East Africa in the development of African and world literature in English and a new understanding of the historical, cultural, and geopolitical boundaries of the region.
The first trek-- The pioneers --Maria's independence --The travelling preacher --Specialisation --Having my way --The second trek-- going home --Tonde's return --A dream and a guitar --God's will --The third trek-- resettling.
David Livingstone: The Wayward Vagabond in Africa is an expression of doubt about the rason detre concerning the 19th Century explorers and missionaries in Africa. Led by David Livingstone, the Scottish explorer and missionary, they are said to have come to civilise backward Africans, which the author creatively re-imagines, arguing that it is far from the truth. Instead, their actions gave impetus to colonialism proper. In this book the omniscient narrator, Everywhere, is Gods special envoy mandated to witness history with far-reaching consequences for humanity. His investigation is to help nail David Livingstone on Judgment Day, much the same way St Peter chronicles events in the Book of Life. Read about how, Everywhere, the spirit rides on wind, walks on water, enters into his characters stream of consciousness and even discerns how they interpret the world around them. The novel retraces Livingstones early life, from his deprived childhood in Blantyre, Scotland; his ideological evolution and training in London and his dramatic sojourn in Monomotapa kingdom, which he half-believes is his destiny. The satirical tone in the novel aptly captures that delusional aspect of Livingstones God-ordained mission to the world.
Dan Chiponda earns a scholarship to study in China and reluctantly leaves his native Zimbabwe for an uncertain future. Learning to take racial abuse in his stride, he dates a fellow student, Lai Ying, who is attracted to his easy-going manner. He remains haunted by the weight of his mother’s expectations, encapsulated by the image of the African fish eagle. Things take a dramatic turn when Chinese students pour into the streets in an orgy of violence to drive Africans out of town. The situation in Nanjing only stabilises when attention turns to the mayhem that is unraveling in Tiananmen Square, Beijing. But that is only the beginning of Dan’s troubles with the ‘Campus Gestapo’, loan sharks in Hong Kong, and the shock of his family getting caught up in the violence by Mugabe’s war vets. Black Ghosts was inspired by stories of Africans living in China in the 1980s and, in particular, by the little known incident in Nanjing, where African and Chinese students engaged each other in a violent battle just months before the Tiananmen Square massacre.
The first collection of short stories from Kenya's foremost woman novelist. Twelve stories bring alive the author's feeling for the macabre and fantastic - reminiscent of the tragedy in The Promised Land.
Grace Ogot is a well-known Kenyan novelist. In this collection of nine stories, she explores themes of social, cultural and spiritual importance. Her imagery is designed to unveil evils which bedevil modern society, such as violence, lust for power and wealth, and family turmoil. Her stories are imbued with the culture of Kenya.
A young farmer and his wife who have migrated to Tanzania from Kenya become embroiled in issues of personal jealousy and materialism, and a melodramatic tale of tribal hatreds ensues. The novel explores Ogot's concept of the ideal African wife: obedient and submissive to her husband; family and community orientated; and committed to non-materialist goals. The style is distinctively ironic giving the story power and relevance. Grace Ogot has been employed in diverse occupations as a novelist, short story writer, scriptwriter, politician, and representative to the UN. Some of her other works include The Island of Tears (1980), the short story collection Land Without Thunder (1988), The Strange Bride (1989) and The Other Woman (1992). The Promised Land was originally published in 1966, and has since been reprinted five times.
This is the story of Muriuki, a young man from a Kenyan village who leaves him home and back-breaking job on a coffee plantation for the city, to pursue wealth, and happiness with his childhood sweetheart Mumbi. But life is not straightforward for the young lovers who become steeped in the quagmire of Kenyan politics, and are confronted with the sophistication of a new world, its economic hardships and brutality, and the racism and persistent inequities of the post-colonial and global society. Then Mumbi is murdered on account of her activism and race, in lineage with so many of her country's historical and fictional female activists. Muriuki avenges her death in a controversial act which reverberates historically and throughout the society in which he lives. But then he experiences betrayal by his own people, which changes him irrevocably.
In Street Life, Simon Oluoch, a Standard Six pupil of promise in Nyakach in Wesy Kenya, loses his legs in a road accident in Nairobi. He is henceforth condemned to a life of penury in a bustling city street, with a flute as his only asset. You'll meet familiar street characters with their varied, often conflicting cares, but with at least one common goal, "trying to live 'decently' on the pavement". Marjorie makes an incisive visit into the minds, lives and times of the desolate of our society in their dire strife for survival in a callous world.