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Robert Jones is a crew leader in a naval shipyard in Los Angeles in the 1940s. He should have a lot going for him, being educated, with a steady job and a steady relationship. But in the four days covered in this novel, the impossibility of life as a black man in a white world is made devastatingly clear. Jones is surrounded by prejudice, suspicion and paranoia, and his daily experiences influence his thoughts, dreams and behaviour. Immediately recognised as a masterful expose of racism in everyday life, If He Hollers Let Him Go is Chester Himes' first book, originally published in 1945.
Author : Lawrence P. Jackson Publisher : W. W. Norton & Company Page : 766 pages File Size : 38,83 MB Release : 2017-07-25 Category : Biography & Autobiography ISBN : 0393634132
Winner of the Edgar Award for Best Critical/Biographical Work Finalist for the PEN America/Jacqueline Bograd Weld Award for Biography The definitive biography of the groundbreaking African American author who had an extraordinary legacy on black writers globally. Chester B. Himes has been called “one of the towering figures of the black literary tradition” (Henry Louis Gates Jr.), “the best writer of mayhem yarns since Raymond Chandler” (San Francisco Chronicle), and “a quirky American genius” (Walter Mosely). He was the twentieth century’s most prolific black writer, captured the spirit of his times expertly, and left a distinctive mark on American literature. Yet today he stands largely forgotten. In this definitive biography of Chester B. Himes (1909–1984), Lawrence P. Jackson uses exclusive interviews and unrestricted access to Himes’s full archives to portray a controversial American writer whose novels unflinchingly confront sex, racism, and black identity. Himes brutally rendered racial politics in the best-selling novel If He Hollers Let Him Go, but he became famous for his Harlem detective series, including Cotton Comes to Harlem. A serious literary tastemaker in his day, Himes had friendships—sometimes uneasy—with such luminaries as Ralph Ellison, Carl Van Vechten, and Richard Wright. Jackson’s scholarship and astute commentary illuminates Himes’s improbable life—his middle-class origins, his eight years in prison, his painful odyssey as a black World War II–era artist, and his escape to Europe for success. More than ten years in the writing, Jackson’s biography restores the legacy of a fascinating maverick caught between his aspirations for commercial success and his disturbing, vivid portraits of the United States.
From “the best writer of mayhem yarns since Raymond Chandler” (San Francisco Chronicle) comes a hard-hitting, entertaining entry in the trailblazing Harlem Detectives series about two NYPD detectives who must piece together the clues of the scam of a lifetime. Flim-flam man Deke O’Hara is no sooner out of Atlanta’s state penitentiary than he’s back on the streets working a big scam. As sponsor of the Back-to-Africa movement, he’s counting on a big Harlem rally to produce a massive collection—for his own private charity. But the take is hijacked by white gunmen and hidden in a bale of cotton that suddenly everyone wants to get his hands on. As NYPD detectives “Coffin Ed” Johnson and “Grave Digger” Jones face the complexity of the scheme, we are treated to Himes’s brand of hard-boiled crime fiction at its very best.
This story of a man living every day in fear of his life for simply being black is as powerful today as it was when it was first published in 1947. The novel takes place in the space of four days in the life of Bob Jones, a black man who is constantly plagued by the effects of racism. Living in a society that is drenched in race consciousness has no doubt taken a toll on the way Jones behaves, thinks, and feels, especially when, at the end of his story, he is accused of a brutal crime he did not commit. "One of the most important American writers of the twentieth century ... [a] quirky American genius..."-Walter Mosley, author of Bad Boy Brawly Brown, Devil in a Blue Dress "If He Hollers is an austere and concentrated study of black experience, set in southern California in the early forties."-Independent Publisher
From “one of the most important American writers of the 20th century” (Walter Mosley) comes a classic thriller in the trailblazing Harlem Detectives series, in which love and jealousy erupt into violence. One early morning, Reverend Short is watching from his bedroom window as the A&P across the street is robbed. As he tries to see the thief get away, the opium-addicted preacher leans too far and falls out--but he is unscathed, thanks to an enormous bread basket outside the bakery downstairs. As the crowd gathers to see what happened, a shocking discovery is made: There is another body in the bread basket, and Valentine Haines is dead, really dead. It's up to Grave Digger Jones and Coffin Ed Johnson to find out who murdered Val.
A contemporary of Richard Wright, James Baldwin, and Ralph Ellison, Chester Himes wrote with perhaps more angry fire than his celebrated colleagues about black protagonists doomed by white racisim and self-hate. Among his writings is a series of hard-boiled detective novels featuring black detectives and a host of Harlem hustlers. The acclaimed Harlem series and much of his later work were written in France where Himes lived as an American expatriate from 1953 until his death in 1984. Exhaustively researched and well constructed, this comprehensive bibliography clears up mysteries and dispels misconceptions about the extent of Himes's work and its critical reception. The primary bibliography identifies all United States, French, and British first and second editions of Himes's novels, the first appearances in periodicals of his short stories, his collected fiction, and his magazine and book-length nonfiction pieces. It includes manuscript materials and a filmography of adaptations of his novels. The annotated secondary bibliography provides a key to the biographical and critical work produced about Himes in the United States, Britain, and France since the late 1940s. Chronologically organized, it is indexed by author and by titles of the relevant Himes's works. The volume's introduction outlines Himes's life and career, discusses gaps in his writing history, and attempts to provide a more realistic picture of his critical reception in the United States based on an analysis of the secondary bibliography rather than on previous views influenced by Himes's own negative perceptions. A chronology of Himes's career is also included, and the volume's preface explains the organization of the bibliography and how to use it. This work will be of special value to university libraries offering programs in popular culture, American literature, and African American studies as well as to individual scholars and researchers in these fields and scholars and collectors interested particularly in Himes and his works.
In this book, the authors, all legal scholars from the tradition of critical race theory start from the experience of injury from racist hate speech and develop a theory of the first amendment that recognizes such injuries. In their critique of "first amendment orthodoxy", the authors argue that only a history of racism can explain why defamation, invasion of privacy and fraud are exempt from free-speech guarantees but racist verbal assault is not.
To The Washington Post, he's "The Last Political Showman of the 20th Century." Bill Clinton has called him "the real Slick Willie." Ronald Reagan's secretary of state George Shultz called this famously liberal politician "a man of his word" and endorsed his successful candidacy for mayor of San Francisco. Indeed Ronald Reagan and Bill Clinton both called upon him for advice and help. He is Willie L. Brown, Jr., and he knows how to get things done in politics, how to work both sides of the aisle to get results. Compared to him, Machiavelli looks meek. And drab. In Basic Brown, this product of rural, segregated Texas and the urban black neighborhoods of San Francisco tells how he rose through the civil rights movement to become the most potent black politician in America through his shrewd understanding and use of political power and political money. He adapts the lessons he has learned so they can be used by anyone -- black, female, male -- intent on acquiring political power. And this master of the political deal demonstrates why deals are not enough, and that political power grows only when public good is being done. Willie Brown shows how some of the most far-reaching and socially advanced legislation in American history -- like gun control, legalized abortion, gay rights, and school funding -- was carried out under his guidance and on his watch, and tells of the ingenuity, the political machinations, and the personal perseverance that were required to enact what now seems to many to be obvious legislation. These are stories of breathtaking, sometimes hilarious ruses and gambits that show that even the most high-minded legislation needs the assistance of the skills of a shark, which is what Willie Brown often sees himself as. Basic Brown is a compendium of insights and stories on the real forces governing power in American political life that will leave you looking at politics anew. It is also the inspiring and funny story of the rise of a gawky teenager in mail-order shoes and trousers who rose to entertain royalty and schoolchildren, superstars and supersize egos, the saintly and the scholarly, while working to transform and open American politics. If you ever wanted to learn how to be slick, a shark, a do-gooder, and a man of your word, Willie L. Brown, Jr., is the storyteller for you.