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Geological Investigations

United States. Army. Corps of Engineers
Geological Investigations by United States. Army. Corps of Engineers PDF

Author : United States. Army. Corps of Engineers
Publisher :
Page : 32 pages
File Size : 29,30 MB
Release : 1960
Category : Flood control
ISBN :

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Handbook of Public Water Systems

Robert B. Williams
Handbook of Public Water Systems by Robert B. Williams PDF

Author : Robert B. Williams
Publisher : Van Nostrand Reinhold Company
Page : 1136 pages
File Size : 34,51 MB
Release : 1986
Category : Technology & Engineering
ISBN :

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Hollywood Highbrow

Shyon Baumann
Hollywood Highbrow by Shyon Baumann PDF

Author : Shyon Baumann
Publisher : Princeton University Press
Page : 242 pages
File Size : 18,55 MB
Release : 2018-06-05
Category : Performing Arts
ISBN : 0691187282

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Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.