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A starship hurtles through the emptiness of space. Its destination - unknown. Its purpose - a mystery. Now, one man wakes up. Ripped from a dream of a new home - a new planet and the woman he was meant to love in his arms - he finds himself wet, naked, and freezing to death. The dark halls are full of monsters but trusting other survivors he meets might be the greater danger. All he has are questions -- Who is he? Where are they going? What happened to the dream of a new life? What happened to Hull 03? All will be answered, if he can survive the ship.
Dr. Peter Hobson has created three electronic simulations of his own personality. But they all have escaped from Hobson's computer into the web-and one of them is a killer.
Greg Bear is one of the greatest science fiction writers of the late twentieth century. He has a powerful voice, combining the intense rationality of science with the intensely passionate characters that can only be created by a writer who loves humanity. Bear’s novel Moving Mars won the Nebula Award in 1994, and he did it again, in 2000, with Darwin’s Radio. He has been honored with Hugo and Nebula nominations for novel-length work eight more times. But Greg Bear’s short fiction is even more astounding, as this powerful career retrospective demonstrates. This collection contains Bear’s earliest published fiction from the late 1960s and early 1970s as well his remarkable award-winning work from the ‘80s and ‘90s—stories like the Hugo and Nebula Award-winning novella- length version of “Blood Music” and the Hugo and Nebula Award-winner “Tangents.” This Collection is enhanced by brand-new introductions for each story, commentary, and reminiscences by Greg Bear.
Multiple Hugo and Nebula award-winning author, Greg Bear is one of science fiction’s most accomplished writers. Bold scientific speculation, riveting plots, and a fierce humanism reflected in characters who dare to dream of better worlds distinguish his work. Now Bear has written a mind-bendingly epic novel that may well be his masterpiece. Do you dream of a city at the end of time? In a time like the present, in a world that may or may not be our own, three young people–Ginny, Jack, and Daniel–dream of a doomed, decadent city of the distant future: the Kalpa. Ginny’s and Jack’s dreams overtake them without warning, leaving their bodies behind while carrying their consciousnesses forward, into the minds of two inhabitants of the Kalpa–a would-be warrior, Jebrassy, and an inquisitive explorer, Tiadba–who have been genetically retro-engineered to possess qualities of ancient humanity. As for Daniel: He dreams of an empty darkness–all that his future holds. But more than dreams link Ginny, Jack, and Daniel. They are fate-shifters, born with the ability to skip like stones across the surface of the fifth dimension, inhabiting alternate versions of themselves. And each guards an object whose origin and purpose are unknown: gnarled, stony artifacts called sum-runners that persist unchanged through all versions of time. Hunted by others with similar powers who seek the sum-runners on behalf of a terrifying, goddess-like entity known as the Chalk Princess, Ginny, Jack, and Daniel are drawn, despite themselves, into an all but hopeless mission to rescue the future–and complete the greatest achievement in human history.
A Ship of the Law travels the infinite enormity of space, carrying 82 young people: fighters, strategists, scientists; the Children. They work with sophisticated non-human technologies that need new thinking to comprehend them. They are cut off forever from the people they left behind. Denied information, they live within a complex system that is both obedient and beyond their control. They are frightened. And they are making war against entities whose technologies are so advanced, so vast, as to dwarf them. Against something whose psychology is ultimately, unknowably alien.
The New York Times Book Review hails this collection of thirteen dazzling stories and a rare screenplay by Hugo and Nebula Award–winning author Greg Bear as a “solid introduction to the oeuvre of a classic writer.” Greg Bear—author of Queen of Angels, Eon, and Hull Zero Three, among many other hugely popular novels—has an ability to transform challenging scientific concepts into gripping fiction that has won him numerous awards and an avid following. He has written novels about interstellar war, human evolution, intelligent bacteria, international terrorism, and the exploration of deep space—but he doesn’t stop there. This brilliant collection of Bear’s stories, each newly revised by the author, proves he is a master of the short form as well. Just Over the Horizon offers thirteen mind-bending explorations of the near future . . . or just beyond the border of conventional reality. The volume includes: · “Blood Music,” a Hugo and Nebula award–winning classic and the basis for the novel of the same name—and the first science-fictional exploration of nanotechnology; · “Sisters,” in which high school students find maturity and family by confronting a tragic genetic destiny; · “Tangents,” winner of the Hugo and Nebula Awards, about a persecuted scientist who seeks refuge in a better world; · “Dead Run,” a tale of union truck drivers ferrying souls through Death Valley into Hell, adapted for an episode of the television series The Twilight Zone; · “Sleepside Story,” which Bear calls one of his favorite pieces, an urban fantasy tale that takes a music student by Night Metro to the Sleepside mansion of a magical woman of the night, inverting “Beauty and the Beast” in a very modern mirror; · “Genius,” the screenplay written for the television series Outer Limits, but never produced. Just Over the Horizon combines Bear’s intense concern with the human condition with a deep understanding of science, resulting in a collection long to be remembered.
An epic interstellar tale of war from a master of science fiction. One more tour on the red. Maybe my last. They made their presence on Earth known thirteen years ago. Providing technology and scientific insights far beyond what mankind was capable of. They became indispensable advisors and promised even more gifts that we just couldn't pass up. We called them Gurus. It took them a while to drop the other shoe. You can see why, looking back. It was a very big shoe, completely slathered in crap. They had been hounded by mortal enemies from sun to sun, planet to planet, and were now stretched thin -- and they needed our help. And so our first bill came due. Skyrines like me were volunteered to pay the price. As always. These enemies were already inside our solar system and were moving to establish a beachhead, but not on Earth. On Mars.
This doomsday masterpiece from the author of Eon and Hull Zero Three was a finalist for the Hugo and Nebula awards. On July 26, Arthur Gordon learns that Europa, the sixth moon of Jupiter, has disappeared. Not hiding, not turned black, but gone. On September 28th, Edward Shaw finds an error in the geological records of Death Valley. A cinder cone was left off the map. Could it be new? Or, stranger yet, could it be artificial? The answer may be lying beside it—a dying Guest who brings devastating news for Edward and for Planet Earth. As more unexplained phenomena spring up around the globe—a granite mountain appearing in Australia, sounds emanating from the earth’s core, flashes of light among the asteroids—it becomes clear to some that the end is approaching, and there is nothing we can do. In The Forge of God, award-winning author Greg Bear describes the final days of the world on both a massive, scientific scale and in the everyday, emotional context of individual human lives. Facing the destruction of all they know, some people turn to God, others to their families, and a few turn to saviors promising escape from a planet being torn apart. Will they make it in time? And who gets left behind to experience the last moments of beauty and chaos on earth? Nominated for the Nebula, Hugo, and Locus Awards, The Forge of God is an engrossing read, breathtaking in its scope and in its detail.
The New York Times–bestselling author of Eon continues the interstellar saga of the Way. A devastating war has left Earth a nuclear wasteland. Orbiting the planet is the asteroid-starship containing the civilization of Thistledown, humanity’s future descendants. For decades, they have worked to heal their world and its survivors, but their resources are finite. They need to reopen the Way. An interdimensional gateway to a multiverse of realities, the Way was severed from Thistledown to stop an alien invasion and now exists as its own universe. Reopening the gate would not only benefit Earth but would also help the asteroid’s residents return home. But on the alternate world of Gaia, Rhita Vaskayza, daughter of mathematician Patricia Vasquez, has taken up her mother’s cause to find her own Earth, one that was never touched by nuclear war. There is a gateway on Gaia that could lead Rhita there—or unleash an even greater apocalypse across the multiverse . . . “Whether he’s tinkering with human genetic material or prying apart planets, Bear goes about the task with intelligence and a powerful imagination. Eternity offers many delights” (Locus).