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'The poet of the spy story' Sunday Times A sunken U-Boat has lain undisturbed on the Atlantic ocean floor since the Second World War - until now. Inside its rusting hull, among the corpses of top-rank Nazis, lie secrets people will kill to obtain. The sequel to Len Deighton's game-changing debut The IPCRESS File, Horse Under Water sees its nameless, laconic narrator sent from fogbound London to the Algarve, where he must dive through layers of deceit in a place rotten with betrayals.
"Stunning pictures and engaging words. . . . An accomplished entrée to early science topics." — Booklist (starred review) Dive into the warm ocean and swim around amid the coral and waving sea grass. Do you see an eye like a small black bead peering out at you? Linger for a while and discover the secrets of the sea horse — one of the shyest fish in the sea. With a head like a horse, a tail like a monkey, and a pouch like a kangaroo, the sea horse acts like a chameleon, changing color to ward off danger or to show that he and his mate are a lifelong pair. Watch their fascinating mating dance, as the two of them twine their tails together and twirl, before she places her eggs in his pouch to be born. Could there be a more intriguing creature of the sea? Back matter includes an index, and a note about sea horses.
A high-ranking scientist has been kidnapped, and a secret British intelligence agency has just recruited Deighton’s iconic unnamed protagonist—later christened Harry Palmer—to find out why. His search begins in a grimy Soho club and brings him to the other side of the world. When he ends up amongst the Soviets in Beirut, what seemed a straightforward mission turns into something far more sinister. With its sardonic, cool, working-class hero, Len Deighton’s sensational debut and first bestseller The IPCRESS File broke the mold of thriller writing and became the defining novel of 1960s London.
Winona LaDuke is a leader in cultural-based sustainable development strategies, renewable energy, sustainable food systems and Indigenous rights. Her new book, To Be a Water Protector: Rise of the Wiindigoo Slayers, is an expansive, provocative engagement with issues that have been central to her many years of activism. LaDuke honours Mother Earth and her teachings while detailing global, Indigenous-led opposition to the enslavement and exploitation of the land and water. She discusses several elements of a New Green Economy and outlines the lessons we can take from activists outside the US and Canada. In her unique way of storytelling, Winona LaDuke is inspiring, always a teacher and an utterly fearless activist, writer and speaker. Winona LaDuke is an Anishinaabekwe (Ojibwe) enrolled member of the Mississippi Band Anishinaabeg who lives and works on the White Earth Reservation in Northern Minnesota. She is executive director of Honor the Earth, a national Native advocacy and environmental organization. Her work at the White Earth Land Recovery Project spans thirty years of legal, policy and community development work, including the creation of one of the first tribal land trusts in the country. LaDuke has testified at the United Nations, US Congress and state hearings and is an expert witness on economics and the environment. She is the author of numerous acclaimed articles and books.
A Soviet space scientist defects to win academic freedom, but western intelligence has other plans for him, and sends an unnamed spy - perhaps the same reluctant hero of The Ipcress File - to look after him. But what follows is a blood-streaked trail across three continents...
Poetry. BRIEF UNDER WATER is a sequence of 55 short passages that uses prose narrative as a design element in a larger lyric structure. The title refers to Kafka's 1919 Brief an den Vater, reflecting a struggle with the notion of literary inheritance. So does Console's sentence, refined nearly to the point of anachronism, that owes a great deal to Melville and to Garnett's translations of Dostoevsky, Tolstoy, and Turgenev. The book was written while the author supported himself as a metalworker, housepainter, and waiter. The clashing of these professional spheres contributed to the struggle outlined above. The binary numbering (1, 10, 11, 100, 101...) is meant to express his sense of movement-in-place. "[The] manuscript is terrific...The sensory detail of the writing, not surrealistic, not plot-oriented, is not even with the sense of 'leading anywhere' but accumulating both detail and expansion at once, opening a floating, fascinating, sometimes apparently violent yet detached terrain, as if not the author's psyche--but the world itself--seen from at once extreme and mundane edges"--Leslie Scalapino.
The dead hand of a long-defeated Nazi Third Reich reaches out to Portugal, London and Marrakech in Deighton’s second novel, featuring the same anonymous narrator and milieu of The IPCRESS File, but finds Dawlish now head of the secret British Intelligence unit, WOOC(P).
“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review “Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME “A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily Winner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.
Sinister rumours link clandestine Arab arms dealing with the man who led the old anti-Nazi Guernica network. Time to reopen the master file on yesterday’s spy...