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Author : William L. Van Deburg Publisher : University of Chicago Press Page : 316 pages File Size : 29,33 MB Release : 2004-11-15 Category : Biography & Autobiography ISBN : 9780226847191
Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits - controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary."--BOOK JACKET.
Author : William L. Van Deburg Publisher : University of Chicago Press Page : 299 pages File Size : 19,81 MB Release : 2013-10-21 Category : Social Science ISBN : 022610981X
Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes—individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience. Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic—documents in which the enslavement of African Americans was justified through exegetical claims. Van Deburg then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits—controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary. Ultimately, Van Deburg brings his story up-to-date with discussions of prison and hip-hop culture, urban rioting, gang warfare, and black-on-black crime. What results is a work of remarkable virtuosity—a nuanced history that calls for both whites and blacks to rethink received wisdom on the nature and prevalence of black villainy.
"Johnny Washington, a black teenager in Los Angeles, knows the freight yards like the back of his hand. He and his pals, Josh and Buddy, hit them often, stealing for a fence. They have to. They're the sole support of their families. But when Josh is killed by a security guard, they are forced to look for other work. They find it with the underworld kings in Elliot Davis." -- Back cover.
For fans of Percy Jackson comes a high-adventure retelling of the classic Robin Hood tale featuring a diverse cast of characters and a kick-butt heroine . . . Robyn Hoodlum.
From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.
Top-notch street lit...one of the top urban fiction novels of the year." - Library Journal All he ever wanted to be was a Good Son ... Shai Clark was an all-American basketball player with aspirations of one day making it to the NBA, but that all changed when his father was viciously murdered and he found himself thrust into the role of the new head of his family's criminal enterprise. After waging a war on the streets of New York that lasts nearly three years, it seems like peace is finally being restored to the land and Shai can get back to focusing on continuing his father's mission to legitimize the Clark family— but little does he know it was only the calm before the storm. Not everyone respects his claim to the Clark empire, and when new and old enemies start to come out of the woodwork, Shai will find that inheriting the throne was one thing, but holding onto it will prove to be a far more difficult task.
From USA Today bestselling author K Webster comes a forbidden best friend's little sister romance called Little Hoodlum!There are few people in this world I thought I could count on.My brother. My two best friends. And him.Jordy Martinez.Problem is, Jordy thought protecting me was his sole mission in life.He gave up everything for me and my brother, including his freedom.Losing him left me hollow and empty.But after three long years, I've learned to live without him.Until I get mixed up with a guy who has dangerous connections in Hood River and everything begins to crash down around me just in time for my senior year of high school.Possessive boyfriend with a penchant for violence.Best friend turned enemy.Fights with my big brother.Everything's a mess and I'm not sure there's any fixing it.I might just need that bully ex-convict who'll do anything-again-to keep me safe.All I want is peace, happiness, and love.And I won't go down without a fight in order to get it.I'm a Hoodlum after all.They call me Little Hoodlum, but I'm not so little anymore...This is a full-length high school friends-to-lovers, forbidden, and new adult romance with high angst, suspense, and gutting emotion. It's book two in the Hood River Hoodlum series that will have interlinking storylines. Little Hoodlum shouldn't be read as a standalone and is the continuation of a four-book planned series that gives each Hoodlum a book. The first book in the series is the only MM story. The others, including this one, are MF.
He set out to be the good son, but the streets had a different plan. Born to one of the city's most notorious crime families, Shai Clark has always managed to be a good kid. A college hoops star, Shai shunned the world that his father had created and focused on his dreams of going pro. Tommy, Shai's trigger-happy older brother, is next in line for the throne and rules under his father through brute force. But Poppa has bigger plans for Shai. The situation soon turns ugly when Poppa is murdered and Tommy is removed from the equation. Suddenly Shai finds himself at the head of his father's empire and the streets are thrown into chaos. It is then that he must decide whether to pursue his own dreams or put his father's affairs in order. Unable to sit idly by while the Clarks' underworld empire is pillaged, Shai takes up his father's mantle and brings his game to the streets. He quickly learns that there are two sides to every coin, and the streets hold no mercy for the weak. Hoodlum chronicles three generations of Trinidadian immigrants and their rise to power in the New York City heroin trade. A K'wan classic.