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"This abundantly illustrated book accompanies a major exhibition of William Holman Hunt's work. It explores the artist's vision and its relevance to contemporary audiences. Despite the great interest in Pre-Raphaelitism, it has been nearly forty years since the last exhibition devoted to Holman Hunt, one of the founders of the movement. His vision, which inspired the Pre-Raphaelite Brotherhood, has lost neither its timeliness or significance." "The book illustrates paintings by Hunt and his associates, John Everett Millais, Dante Gabriel Rossetti and Arthur Hughes, and also includes drawings, prints, photographs and textiles. It examines Hunt's work in the context of the Brotherhood, and his ideas in relation to the artistic, spiritual, intellectual, emotional and social issues of his age."--Jacket.
This revelatory book traces how the Pre-Raphaelite Brotherhood and their close associates put scientific principles into practice across their painting, poetry, sculpture, and architecture. In their manifesto, The Germ, the Pre-Raphaelites committed themselves to creating a new kind of art modeled on science, in which precise observation could lead to discoveries about nature and humanity. In Oxford and London, Victorian scientists and Pre-Raphaelite artists worked together to design and decorate natural history museums as temples to God's creation. At the same time, journals like Nature and the Fortnightly Review combined natural science with Pre-Raphaelite art theory and poetry to find meaning and coherence within a worldview turned upside down by Darwin's theory of evolution. Offering reinterpretations of well-known works by John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Ford Madox Brown, and William Morris, this major revaluation of the popular Victorian movement also considers less-familiar artists who were no less central to the Pre-Raphaelite project. These include William Michael Rossetti, Walter Deverell, James Collinson, John and Rosa Brett, John Lucas Tupper, and the O'Shea brothers, along with the architects Benjamin Woodward and Alfred Waterhouse. Published in association with the Paul Mellon Centre for Studies in British Art
This is a fundamental reassessment of the work of William Holman Hunt, and the first critical text to reproduce his pictures in color and set him on an international stage. Lavishly illustrated and engagingly written, this book answers the longstanding lack of any monograph on Hunt and will make compelling reading for undergraduate and graduate students of History of Art, Victorian Studies, English Literature and Religious Studies, as well as curators, conservators and the artist's many admirers.
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Published to accompany exhibition held at Tate Britain, London, 12 February - 3 May 2004, the Altes Nationalgalerie, Berlin, 12 June - 19 September 2004, and the Fundacio 'la Caixa', Madrid, 6 October 2004 - 9 January 2005.
The group of young painters and writers who coalesced into the Pre-Raphaelite movement in the middle years of the nineteenth century became hugely influential in the development not only of literature and painting, but also more generally of art and design. Though their reputation has fluctuated over the years, their achievements are now recognised and their style enjoyed and studied widely. This volume explores the lives and works of the central figures in the group: among others, the Rossettis, William Holman Hunt, John Everett Millais, Ford Madox Brown, William Morris and Edward Burne-Jones. This is the first book to provide a general introduction to the Pre-Raphaelite movement that integrates its literary and visual art forms. The Companion explains what made the Pre-Raphaelite style unique in painting, poetry, drawing and prose.
This beautifully illustrated book accompanies a major exhibition of William Holman Hunt's work. It explores the nature and significance of the artist's vision and its relevance to modern audiences. Despite the great interest in Pre-Raphaelitism, it has been nearly forty years since the last exhibition devoted to Holman Hunt, one of the founders of the movement. His vision, which inspired the Pre-Raphaelite Brotherhood, has lost neither its timeliness or relevance. The book illustrates paintings by Hunt and his associates, John Everett Millais, Dante Gabriel Rossetti, and Arthur Hughes, and also includes drawings, prints, photographs, decorative arts, costumes and archival material. It examines Hunt's work in the context of the Brotherhood, and his ideas in relation to the artistic, spiritual, intellectual, emotional and social crises of his age. By focusing on themes that remain relevant in the twenty-first century, the book sheds news light on Victorian neuroses, anxiety and the crisis of faith. Contributors include: - Jonathan Mané-Wheoki, Director of Art and Visual Culture, Te Papa, National Museum of New Zealand - Jan Marsh, independent scholar - Linda Parry, Curator of Textiles (retired), Victoria & Albert Museum - Carole Silver, Professor of English and Chair of the Humanities Division, Yeshiva University, New York - Nicholas Tromans, Lecturer, Kingston University, London - Joyce Townsend, Paintings Conservator, Tate Britain - Carol Jacobi, Associate Lecturer, Birkbeck College, University of London - Brenda Rix, Assistant Curator, Prints and Drawings, AGO - Katharine Lochnan, Deputy Director, Research and The R.Fraser Elliott Curator, Prints and Drawings, AGO Published in association with The Art Gallery of Ontario, Toronto Exhibition Schedule: Manchester City Galleries (10/11/08 - 1/11/09) Art Gallery of Ontario, Toronto (2/14- 5/10/09) Minneapolis Institute of Arts (6/13 - 9/6/09)
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.