[PDF] Hollywoods Second Sex The Treatment Of Women In The Film Industry 1900 1999 eBook

Author : Aubrey Malone
Publisher : McFarland
Page : 245 pages
File Size : 47,53 MB
Release : 2015-04-24
Category : Performing Arts
ISBN : 0786479787

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"Women stars in Hollywood were invariably in two categories," said director Otto Preminger. "One group was of women who were exploited by men, and the other, much smaller group was of women who survived by acting like men." Beginning with silent film vamp Theda Bara and continuing with icons like Greta Garbo, Marilyn Monroe and Raquel Welch, this study of film industry misogyny describes how female stars were maltreated by a sexist studio system--until women like Katharine Hepburn and Bette Davis fought for parity. The careers of Doris Day, Brigitte Bardot, Carole Landis, Frances Farmer, Dorothy Dandridge, Inger Stevens and many others are examined, along with more recent actresses like Demi Moore and Sharon Stone. Women who worked behind the scenes, writing screenplays, producing and directing without due credit, are also covered.

Author : Aubrey Dillon-Malone
Publisher :
Page : 0 pages
File Size : 12,31 MB
Release : 2015
Category : Sex discrimination in employment
ISBN :

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"Women stars in Hollywood were invariably in one of two categories," said director Otto Preminger. "One group was made up of women who were exploited by men, and the other, much smaller group was composed of women who survived by acting like men." This study of misogyny describes how female stars were maltreated by a sexist studio system"--

Author : Aubrey Malone
Publisher : McFarland
Page : 245 pages
File Size : 39,49 MB
Release : 2015-04-07
Category : Performing Arts
ISBN : 1476619514

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"Women stars in Hollywood were invariably in two categories," said director Otto Preminger. "One group was of women who were exploited by men, and the other, much smaller group was of women who survived by acting like men." Beginning with silent film vamp Theda Bara and continuing with icons like Greta Garbo, Marilyn Monroe and Raquel Welch, this study of film industry misogyny describes how female stars were maltreated by a sexist studio system--until women like Katharine Hepburn and Bette Davis fought for parity. The careers of Doris Day, Brigitte Bardot, Carole Landis, Frances Farmer, Dorothy Dandridge, Inger Stevens and many others are examined, along with more recent actresses like Demi Moore and Sharon Stone. Women who worked behind the scenes, writing screenplays, producing and directing without due credit, are also covered.

Author : Christina Julios
Publisher : Springer Nature
Page : 283 pages
File Size : 40,84 MB
Release : 2022-02-10
Category : Political Science
ISBN : 3030871401

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This book examines the phenomenon of sexual harassment in the UK Parliament and efforts to tackle it. The volume’s in-depth research unveils a political culture where sexual transgressions thrive. Its intersectional feminist perspective furthermore highlights multiple systems of gendered oppression perpetuating inequality. Britain’s experience is viewed against the global #MeToo movement and Hollywood’s Weinstein sex scandal. The book identifies ways to redress the status quo and challenges ahead, including a gender power gap, misuse of non-disclosure agreements to silence victims, and misogynistic organisational cultures.

Author : Julie Lobalzo Wright
Publisher : Bloomsbury Publishing USA
Page : 264 pages
File Size : 38,5 MB
Release : 2021-04-22
Category : Performing Arts
ISBN : 1501357093

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But is it a musical? This question is regularly asked of films, television shows and other media objects that sit uncomfortably in the category despite evident musical connections. Musicals at the Margins argues that instead of seeking to resolve such questions, we should leave them unanswered and unsettled, proposing that there is value in examining the unstable edges of genre. This collection explores the marginal musical in a diverse range of historical and global contexts. It encompasses a range of different forms of marginality including boundary texts (films/media that are sort of/not quite musicals), musical sequences (marginalized sequences in musicals; musical sequences in non-musicals), music films, musicals of the margins (musicals produced from social, cultural, geographical, and geopolitical margins), and musicals across media (television and new media). Ultimately these essays argue that marginal genre texts tell us a great deal about the musical specifically and genre more broadly.

Author : Karen Stollznow
Publisher : Cambridge University Press
Page : 203 pages
File Size : 31,52 MB
Release : 2024-05-31
Category : Language Arts & Disciplines
ISBN : 1009392328

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Delve into the history of the word 'bitch', from its humble origins to the complex modern phenomenon it is today.

Author : Aubrey Malone
Publisher : McFarland
Page : 236 pages
File Size : 15,95 MB
Release : 2017-11-28
Category : Literary Criticism
ISBN : 1476627878

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Writers and alcohol have long been associated--for some, the association becomes unmanageable. Drawing on rare sources, this collection of brief biographies traces the lives of 13 well known literary drinkers, examining how their relationship with alcohol developed and how it affected their work, for better or worse. Focusing on examples like F. Scott Fitzgerald, Ernest Hemingway, Edna St. Vincent Millay, Charles Bukowski and Raymond Carver, the combined biographies present a study of the classic figure of the over-indulging author.

Author : Rachel Monroe
Publisher : Scribner
Page : 288 pages
File Size : 18,42 MB
Release : 2020-07-07
Category : True Crime
ISBN : 1501188895

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A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession. In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s complicated relationship with true crime and the fear and desire it can inspire, together these stories provide a window into why many women are drawn to crime narratives—even as they also recoil from them. Monroe uses these four cases to trace the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. Combining personal narrative, reportage, and a sociological examination of violence and media in the 20th and 21st centuries, Savage Appetites is a “corrective to the genre it interrogates” (The New Statesman), scrupulously exploring empathy, justice, and the persistent appeal of crime.

Author : Hilary Hallett
Publisher : Univ of California Press
Page : 326 pages
File Size : 15,84 MB
Release : 2013-01-15
Category : Biography & Autobiography
ISBN : 0520274083

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In the early part of the twentieth century, migrants made their way from rural homes to cities in record numbers and many traveled west. Los Angeles became a destination. Women flocked to the growing town to join the film industry as workers and spectators, creating a “New Woman.” Their efforts transformed filmmaking from a marginal business to a cosmopolitan, glamorous, and bohemian one. By 1920, Los Angeles had become the only western city where women outnumbered men. In Go West, Young Women, Hilary A. Hallett explores these relatively unknown new western women and their role in the development of Los Angeles and the nascent film industry. From Mary Pickford’s rise to become perhaps the most powerful woman of her age, to the racist moral panics of the post–World War I years that culminated in Hollywood’s first sex scandal, Hallett describes how the path through early Hollywood presaged the struggles over modern gender roles that animated the century to come.

Author : Stephen Handzo
Publisher : McFarland
Page : 233 pages
File Size : 22,23 MB
Release : 2020-01-17
Category : Performing Arts
ISBN : 1476637776

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From the first, brief moving images of female nudes in the 1880s to the present, the motion picture camera made the female body a battleground in what we now call the culture wars. Churchmen feared the excitation of male lust; feminists decried the idealization of a body type that devalued the majority of women. This history of Hollywood's treatment of women's bodies traces the full span of the motion picture era. Primitive peepshow images of burlesque dancers gave way to the "artistic" nudity of the 1910s when model Audrey Munson and swimmer Annette Kellerman contended for the title of American Venus. Clara Bow personified the qualified sexual freedom of the 1920s flapper. Jean Harlow, Mae West and the scantily clad chorus girls of the early 1930s provoked the Legion of Decency to demand the creation of a Production Code Administration that turned saucy Betty Boop into a housewife. Things loosened up during World War II when Betty Grable and Rita Hayworth ruled the screen. The postwar years saw the blonde bombshells and "mammary madness" of the 1950s while the 1960's brought bikini-clad sex kittens. With the replacement of the Production Code by a ratings system in 1968, nudity and sex scenes proliferated in the R-rated movies of the 1970s and 1980s. Recent movies, often directed by women, have pointed the way toward a more egalitarian future. Finally, the #MeToo movement and the fall of Harvey Weinstein have forced the industry to confront its own sexism. Each chapter of this book situates movies, famous and obscure, into the context of changes in the movie industry and the larger society.