[PDF] History Of European Drama And Theatre eBook

Author : Erika Fischer-Lichte
Publisher : Psychology Press
Page : 206 pages
File Size : 16,99 MB
Release : 2002
Category : European drama
ISBN : 9780415180597

GET BOOK

This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre * Shakespeare and Elizabethan theatre by Corneilli, Racine, Molière * the Italian commedia dell'arte and its transformations into eighteenth-century drama * the German Enlightenment - Lessing, Schiller, Goethe, and Lenz * romanticism by Kleist, Byron, Shelley, Hugo, de Vigny, Musset, Büchner, and Nestroy * the turn of the century - Ibsen, Strindberg, Chekhov, Stanislavski * the twentieth century - Craig, Meyerhold, Artaud, O'Neill, Pirandello, Brecht, Beckett, Müller. Anyone interested in theatre throughout history and today will find this an invaluable source of information.

Author : Erika Fischer-Lichte
Publisher : Psychology Press
Page : 412 pages
File Size : 39,53 MB
Release : 2002
Category : History
ISBN : 9780415180603

GET BOOK

This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre * Shakespeare and Elizabethan theatre by Corneilli, Racine, Molière * the Italian commedia dell'arte and its transformations into eighteenth-century drama * the German Enlightenment - Lessing, Schiller, Goethe, and Lenz * romanticism by Kleist, Byron, Shelley, Hugo, de Vigny, Musset, Büchner, and Nestroy * the turn of the century - Ibsen, Strindberg, Chekhov, Stanislavski * the twentieth century - Craig, Meyerhold, Artaud, O'Neill, Pirandello, Brecht, Beckett, Müller. Anyone interested in theatre throughout history and today will find this an invaluable source of information.

Author : Julie Stone Peters
Publisher : Oxford University Press, USA
Page : 516 pages
File Size : 14,75 MB
Release : 2003
Category : Literary Criticism
ISBN : 9780199262168

GET BOOK

This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.

Author : Downing Cless
Publisher : Routledge
Page : 526 pages
File Size : 25,42 MB
Release : 2010-05-11
Category : Literary Criticism
ISBN : 1136972056

GET BOOK

Looking at European drama through an ecological lens, this book chronicles nature and the environment as primary topics in major plays from ancient to recent times. Cless focuses on the few, yet well-known plays in which nature is at stake in the action or the environment is a dramatic force. Though theater predominantly explores human and cultural themes, these plays fully display the power of the other-than-human world and its endangerment during the history of Europe. While offering a broad overview, the book features extensive case studies of several playwrights, plays, and eco-theater productions: Aristophanes’ The Birds, Marlowe’s Doctor Faustus, Shakespeare’s A Midsummer Night’s Dream and The Tempest, and Giraudoux’s The Madwoman of Chaillot. In each case, Cless connects nature in the play to nature in the life of the playwright based on biographical research into the understanding of natural philosophy and awareness of the immediate environment that influenced the specific play. The book is one of the first of its kind in a growing field of ecocriticism and emerging eco-studies of theater.

Author : Joachim Küpper
Publisher : Walter de Gruyter GmbH & Co KG
Page : 210 pages
File Size : 41,92 MB
Release : 2018-12-03
Category : Language Arts & Disciplines
ISBN : 3110604272

GET BOOK

Aristotle’s neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past – arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their “emplotments” (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands.

Author : Julie Stone Peters
Publisher : Oxford University Press
Page : pages
File Size : 21,91 MB
Release : 2000-11-09
Category : Literary Criticism
ISBN : 0191541923

GET BOOK

Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print.

Author : William Tydeman
Publisher : Cambridge University Press
Page : 798 pages
File Size : 40,37 MB
Release : 2001-09-27
Category : Drama
ISBN : 9780521246095

GET BOOK

This volume brings together a wide selection of primary source materials from the theatrical history of the Middle Ages. The focus is on Western Europe between the fall of the Roman Empire and the emergence of markedly Renaissance forms in Italy. Early sections of the volume are devoted to the survival of Classical tradition and the development of the liturgical drama of the Roman Catholic Church, but the main concentration is on the genesis and growth of popular religious drama in the vernacular. Each of the major medieval regions is featured, while a final section covers the pastimes and customs of the people, a record of whose traditional activities often only survives in the margins of official recognition. The documents are compiled by a team of leading scholars in the field and the over 700 documents are all presented in modern English translation.

Author : Oscar Gross Brockett
Publisher : Prentice Hall
Page : 856 pages
File Size : 14,1 MB
Release : 1973
Category : Literary Criticism
ISBN :

GET BOOK

This is a revision of a major work in 20th-century theatre history by two theatre historians. It represents a comprehensive and accessible survey of the major movements, playwrights, critical theories and social contexts of theatre in this century. The text begins with an overview of the social/cultural environment at the end of the last century that spurred the development of drama and theatre, then surveys the realistic theatre of Ibsen and the Independent, Modernist and Anti-realist movements. The final two chapters cover world theatre of the past 20 years.