Hijikata Tatsumi And Ohno Kazuo Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Hijikata Tatsumi And Ohno Kazuo book. This book definitely worth reading, it is an incredibly well-written.
Part of the "Routledge Performance Practitioners" series, this book deals with the contribution of two of modern theatre's most charismatic innovators. Including a glossary of English and Japanese terms, it presents an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno.
Now re-issued, this compact book unravels the contribution of one of modern theatre’s most charismatic innovators. Hijikata Tatsumi and Ohno Kazuo combines: • an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno, extending to the larger story of butoh’s international assimilation • an exploration of the impact of the social and political issues of post-World War II Japan on the aesthetic development of butoh • metamorphic dance experiences that students of butoh can explore • a glossary of English and Japanese terms. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
This compact, well-illustrated and clearly written book unravels the contribution of two of modern theatre's most charismatic innovators. Hijikata Tatsumi and Ohno Kazuo is the first book to combine: an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno, extending to the larger story of butoh's international assimilation an exploration of the impact of the social and political issues of post World War Two Japan on the aesthetic development of butoh metamorphic dance experiences that students of butoh can explore a glossary of English and Japanese terms. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, this addition to the Routledge Performance Practitioners series is unbeatable value for today's student.
The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of the global art form butoh. Originating in Japan in the 1960s, butoh was a major innovation in twentieth century dance and performance, and it continues to shape-shift around the world. Taking inspiration from the Japanese avant-garde, Surrealism, Happenings, and authors such as Genet and Artaud, its influence can be seen throughout contemporary performing arts, music, and visual art practices. This Companion places the form in historical context, documents its development in Japan and its spread around the world, and brings together the theory and the practice of this compelling dance. The interdisciplinarity evident in the volume reflects the depth and the breadth of butoh, and the editors bring specially commissioned essays by leading scholars and dancers together with translations of important early texts.
Approaching the avant-garde Japanese performance art form of butoh from a cross-cultural, gender studies, and scientific perspective, award-winning artist and teacher Vangeline brings a fresh look at this postmodern dance form.Butoh, a performance art form that grew out of the Japanese avant-garde scene of the 1950s, has traveled from east to west over the last 60 years, growing in popularity as it evolves. With origins in modern dance, French mime, and the surrealist movement, this fascinating postmodern dance genre is often thought of as mysterious and is frequently misunderstood. Through twenty years of research, interviews with some of the world's top practitioners, historical documents, and rare photographs, Vangeline shines light on this "dance of darkness." New revelations include the under-represented role of women in the development of the form, the connection between butoh and neuroscience, and the cross-cultural perspective of international influences on the evolution of the dance. Butoh: Cradling Empty Space will appeal to dance students, teachers, performance art scholars, somatic healers, and anyone interested in choreography, theater, and Japanese history, culture and art.The book includes rare photographs, helpful graphics, a detailed bibliography and footnotes, and resources for additional information."[A] handbook for the butoh practitioner, the (art) historian, the dance critic, and the curious reader. Encompassing, and reconciling, problems of movement, gender, race and universality, Cradling Empty Space guides the reader through the many possibilities of butoh."-Alice Baldock, Faculty of History, University of Oxford, from the ForewordPraise for Vangeline's choreography and dance work:"Captivating." -New York Times "[She] moves with the clockwork deliberation of a practiced Japanese Butoh artist."-Los Angeles Times
"Both a refraction of the bombings of Hiroshima and Nagasaki and a protest against Western values, butoh is a form of Japanese dance theater that emerged in the aftermath of World War II. Sondra Fraleigh chronicles the growth of this provocative art form from its midcentury founding under a sign of darkness to its assimilation in the twenty-first century as a poignant performance medium with philosophical and political implications. Employing intellectual and aesthetic perspectives to reveal the origins, major figures, and international development of the dance, Fraleigh documents the range and variety of butoh artists around the world with first-hand knowledge of butoh performances from 1973 to 2008. Her definitions of butoh's morphology, alchemy, and philosophy set a theoretical framework for poetic and engaging articulations of twenty butoh performances in Japan, Europe, India, and the West. With a blend of scholarly research and direct experience, she also signifies the unfinished nature of butoh and emphasizes its capacity to effect spiritual transformation and bridge cultural differences."--Publisher.
On March 11, 2011 the most powerful earthquakes in Japan's recorded history devastated the north east of Japan, triggering a massive tsunami with waves as high as 130 feet and traveled as far as six miles inland. As a result, three reactors in the Fukushima Daiichi Nuclear Power Plant complex experienced level seven meltdowns. The triple disaster, known as 3.11, had 15,899 confirmed deaths with 3529 people still missing. On five separate journeys, Japanese-born performer and dancer Eiko Otake and historian and photographer William Johnston, visited multiple locations across the Fukushima prefecture. The powerful photographs, selected from tens of thousands that Otake and Johnston created, document the irradiated landscape and how Eiko placed her lone body in those spaces. Each photograph is a performance across time and space, rewarding a viewer's intent gaze. The book includes essays and commentary reflecting on art, disaster, grief, and violated dignity of an irradiated Fukushima.
In Butoh Ethan Hoffman creates virtually a new genre of photographic theater and gives us an invaluable contribution to the literature of contemporary dance and theater. 100 full-color photographs.