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A personal journey made on one of America's most historic and defining routes-Highway 61-by one of Hollywood's finest, most gifted talents--Jessica Lange. "These photographs are a chronicle of what remains and what has disappeared. It has a long memory, Highway 61." - Jessica Lange Renowned actress and photographer Jessica Lange was raised in Northern Minnesota and has travelled the length of Highway 61 countless times since her childhood and throughout her life. This storied route originates at the Canadian border in Minnesota and runs along the great Mississippi river through the American Midwest and South, rolling through eight states, down to New Orleans. With more than 80 stunning tritone photographs, Lange's Highway 61 reveals her deep connection to this iconic route, and presents that which she has long held dear along its way. This is a tale of our shared national heritage as seen by one of the most talented artists of her generation.
On Highway 61 explores the historical context of the significant social dissent that was central to the cultural genesis of the sixties. The book is going to search for the deeper roots of American cultural and musical evolution for the past 150 years by studying what the Western European culture learned from African American culture in a historical progression that reaches from the minstrel era to Bob Dylan. The book begins with America's first great social critic, Henry David Thoreau, and his fundamental source of social philosophy:–––his profound commitment to freedom, to abolitionism and to African–American culture. Continuing with Mark Twain, through whom we can observe the rise of minstrelsy, which he embraced, and his subversive satirical masterpiece Huckleberry Finn. While familiar, the book places them into a newly articulated historical reference that shines new light and reveals a progression that is much greater than the sum of its individual parts. As the first post–Civil War generation of black Americans came of age, they introduced into the national culture a trio of musical forms—ragtime, blues, and jazz— that would, with their derivations, dominate popular music to this day. Ragtime introduced syncopation and become the cutting edge of the modern 20th century with popular dances. The blues would combine with syncopation and improvisation and create jazz. Maturing at the hands of Louis Armstrong, it would soon attract a cluster of young white musicians who came to be known as the Austin High Gang, who fell in love with black music and were inspired to play it themselves. In the process, they developed a liberating respect for the diversity of their city and country, which they did not see as exotic, but rather as art. It was not long before these young white rebels were the masters of American pop music – big band Swing. As Bop succeeded Swing, and Rhythm and Blues followed, each had white followers like the Beat writers and the first young rock and rollers. Even popular white genres like the country music of Jimmy Rodgers and the Carter Family reflected significant black influence. In fact, the theoretical separation of American music by race is not accurate. This biracial fusion achieved an apotheosis in the early work of Bob Dylan, born and raised at the northern end of the same Mississippi River and Highway 61 that had been the birthplace of much of the black music he would study. As the book reveals, the connection that began with Thoreau and continued for over 100 years was a cultural evolution where, at first individuals, and then larger portions of society, absorbed the culture of those at the absolute bottom of the power structure, the slaves and their descendants, and realized that they themselves were not free.
The young man from Hibbing released Highway 61 Revisited in 1965, and the rest, as they say, is history. Or is it? From his roots in Hibbing, to his rise as a cultural icon in New York, to his prominence on the worldwide stage, Colleen J. Sheehy and Thomas Swiss bring together the most eminent Dylan scholars at work today--as well as people from such farreaching fields as labor history, African American studies, and Japanese studies--to assess Dylan's career, influences, and his global impact on music and culture.
A father and son take a road trip along Highway 61--the legendary road of the blues--and through some of the most musically fertile and diverse landscapes in America. 10 photos.
In this companion book to a new Twin Cities Public Television documentary also called "Tales of the Road" (airing in November 2008), Wurzer unearths stories about Highway 61, spotlighting famous and fascinating locations, many of them little remembered today.
An exploration of the pervasive influence of jazz on all forms of American music, this work maps the unexpected musical and cultural links between Louis Armstrong, Willie Nelson, Bob Dylan, Herbie Hancock and many others.
Dylan's first album to be recorded entirely with a full rock band, the groundbreaking Highway 61 Revisited is also arguable his best and most influential, and one of rock'n'roll's defining moments. This book examines Dylan's surreal genius at this important turning point in his career, as well as in the general history of rock, and discusses what it was like to work with the man who unleashed this masterpiece upon an unsuspecting, folk-loving public.
Autobiography of bass player Harvey Brooks who has played with everyone from Bob Dylan to Miles Davis to The Doors to Jimi Hendrix and many more. This is a fascinating collection of stories throughout his career. In this book, Harvey Brooks gives a first-hand account of his involvement in the classic albums "Highway 61 Revisited" by Bob Dylan and "Bitches Brew" by Miles Davis, among many others.
Highway 61 is the legendary Blues Highway and route taken by modern-day blues pilgrims on their journey south into the Mississippi Delta. For anyone embarking on the journey this is essential reading that ensures the blues pilgrim gets the most from the land where blues began.
Copasetic is the story of two families. The Stahlinkoviches are klezmorim (Jewish musicians) from Eastern Europe. The Carters are African American sharecroppers from the Mississippi Delta, home of the blues. Both families migrate to Chicago at the beginning of the twentieth century. Their lives intertwine like the notes to the score of the American experience.