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Focusing on the economic culture of colonial New England, Heavenly Merchandize views commerce through the eyes of four generations of Boston merchants, drawing upon their personal letters, diaries, business records, and sermon notes to reveal how merchants built a modern form of exchange out of profound transitions in the puritan understanding of discipline, providence, and the meaning of New England. --From publisher's description.
Heaven's Wrath explores the religious thought and religious rites of the early Dutch Atlantic world. D. L. Noorlander argues that the Reformed Church and the West India Company forged and maintained a close union, with considerable consequences across the seventeenth century. Dutch merchants, officers, sailors, and soldiers found in their faith an ideology and justification for mercantile and martial activities. The West India Company supported the Reformed Church financially in Europe and helped spread Calvinism to other continents, while Calvinist employees and colonists benefitted from the familiar aspects of religious instruction and public worship. Yet, Noorlander argues, the church-company union also encouraged destructive military operations against Catholic enemies abroad and divisive campaigns against sinners and religious nonconformers in colonial courts. Religious fervor, violence, and intolerance imposed financial and demographic costs that the small Dutch Republic and its people-strapped colonies could not afford. At the same time, the Reformed Church in the Netherlands undermined its own religious mission by trying to control colonial hires, publications, and organization from afar. Noorlander's argument in Heaven's Wrath questions the core assumptions about why the Dutch failed to establish a durable empire in America. He downplays the usual commercial explanations and places the focus instead on the tremendous expenses incurred in the Calvinist-backed war and the Reformed Church's meticulous, worried management of colonial affairs. By pinpointing the issues that hampered the size and import of the Dutch Atlantic world, Noorlander is poised to revise core notions about the organization and aims of the Dutch empire, the culture of the West India Company, and the very shape of Dutch society....
An analysis of African American televangelists as cultural icons Through their constant television broadcasts, mass video distributions, and printed publications, African American religious broadcasters have a seemingly ubiquitous presence in popular culture. They are on par with popular entertainers and athletes in the African American community as cultural icons even as they are criticized by others for taking advantage of the devout in order to subsidize their lavish lifestyles. For these reasons questions abound. Do televangelists proclaim the message of the gospel or a message of greed? Do they represent the "authentic" voice of the black church or the Christian Right in blackface? Does the phenomenon reflect orthodox "Christianity" or ethnocentric "Americaninity" wrapped in religious language? Watch This! seeks to move beyond such polarizing debates by critically delving into the dominant messages and aesthetic styles of African American televangelists and evaluating their ethical implications.