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Author : Millicent Bell Publisher : Ohio State University Press Page : 238 pages File Size : 33,34 MB Release : 2005 Category : Literature and society ISBN : 0814209866
Hawthorne was, with his own complicity, long described as a writer of unreal romances (as he preferred to call his novels) or "allegories of the heart" as he termed some of his short stories. The essays in this collection contribute to the turn in recent Hawthorne criticism which shows how deeply implicated in realism his writing was."--BOOK JACKET.
In this edited collection commemorating the bicentennial of Hawthorne's birth in 1804, Millicent Bell gathers essays by distinguished scholars and critics that examine the ways in which Hawthorne related himself to the "real" in his own world and expressed that relation in his writing. Radically revising the older view that he was detached from conditions of actual life in 19th-century American society, the authors undertake to show how current social conditions, current events, and political movements taking place at a crucial point in American history were an evident part of Hawthorne's consciousness. The essays situate his imaginative writings in a contemporary context of common experience and rediscover a Hawthorne alert to pressing problems of his day, especially slavery, feminism, and reform in general--the very issues that motivated his contemporaries on the eve of the Civil War. Hawthorne was, with his own complicity, long described as a writer of unreal romances (as he preferred to call his novels) or "allegories of the heart" as he termed some of his short stories. But the literary mode of his fiction has long needed to be redefined. The essays in this collection contribute to the turn in recent Hawthorne criticism which shows how deeply implicated in realism his writing was. This volume should long continue to provide new starting points for changing views of a great writer. Contributors: Millicent Bell Nina Baym Michael T. Gilmore Leland S. Person David Leverenz Larry J. Reynolds Lawrence Buell Rita K. Gollin John Carlos Row Brenda Wineapple
"Deming writes about the importance of nature writing for our peripatetic times. Because our lives are materially less connected to the natural world, they are spiritually less connected. Through the arts - through the story of the captain whose boat honors the Kwakiutl "Wild Woman of the Woods" or the fisherman who sacrificed his catch to save two whales - we fall again "into harmony with place and each other," we write the sacred into the real."--BOOK JACKET.
**A Guardian 'Best Thriller of the Year!'** The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz—a seasoned hand when it comes to crime stories—suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he’s at the center of a story he can’t control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.
Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.
The Arbiters of Reality: Hawthorne, Melville, and the Rise of Mass Information Culture disrupts our critical sense of nineteenth-century American literature by examining the storytelling strategies of both Nathaniel Hawthorne and Herman Melville in light of an emerging information industry. Peter West reveals how these writers invoked telegraphic and penny press journalism, daguerreotypy, and moving panoramas in their fiction to claim for themselves a privileged access to a reality beyond the reach of a burgeoning mass audience.Locating Hawthorne and Melville in vivid and overlooked contexts-the Salem Murder scandal of 1830, which transformed Hawthorne's quiet city into a media-manufactured spectacle, and Melville's New York City of 1846-47, where the American Telegraph was powerfully articulating a nation at war-West portrays the romance as a reactive, deeply rhetorical literary form and a rich historical artifact. In the early twenty-first century, it has become a postmodern cliche to place the word "reality" in scare quotes. The Arbiters of Reality suggests that attending to the construction of the real in public life is more than simply a language of critique: it must also be understood as a specific kind of romantic self-invention."
Death, deception, and a detective with quite a lot to hide stalk the pages of Anthony Horowitz’s brilliant murder mystery, the second in the bestselling series starring Private Investigator Daniel Hawthorne. “You shouldn’t be here. It’s too late . . . “ These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine—a 1982 Chateau Lafite worth £3,000, to be precise. Odd, considering he didn’t drink. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man’s many, many enemies did the deed? Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony, who’s really getting rather good at this murder investigation business. But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realizes that these secrets must be exposed—even at the risk of death . . .
The first literary/biographical study of Hawthorne's full career in almost forty years, Hawthorne's Habitations presents a self-divided man and writer strongly attracted to reality for its own sake and remarkably adept at rendering it yet fearful of the nothingness he intuited at its heart. Making extensive use of Hawthorne's notebooks and letters as well as nearly all of his important fiction, Robert Milder's superb intellectual biography distinguishes between "two Hawthornes," then maps them onto the physical and cultural locales that were formative for Hawthorne's character and work: Salem, Massachusetts, Hawthorne's ancestral home and ingrained point of reference; Concord, Massachusetts, where came into contact with Emerson, Thoreau, and Margaret Fuller and absorbed the Adamic spirit of the American Renaissance; England, where he served for five years as consul in Liverpool, incorporating an element of Englishness; and Italy, where he found himself, like Henry James's expatriate Americans, confronted by an older, denser civilization morally and culturally at variance with his own.
OVER 3 MILLION COPIES SOLD OF THE #1 BESTSELLING SERIES! Don't miss this New York Times bestselling "impossible to put down" (Buzzfeed) novel with deadly stakes, thrilling twists, and juicy secrets—perfect for fans of One of Us is Lying and Knives Out. Avery Grambs has a plan for a better future: survive high school, win a scholarship, and get out. But her fortunes change in an instant when billionaire Tobias Hawthorne dies and leaves Avery virtually his entire fortune. The catch? Avery has no idea why—or even who Tobias Hawthorne is. To receive her inheritance, Avery must move into sprawling, secret passage-filled Hawthorne House, where every room bears the old man's touch—and his love of puzzles, riddles, and codes. Unfortunately for Avery, Hawthorne House is also occupied by the family that Tobias Hawthorne just dispossessed. This includes the four Hawthorne grandsons: dangerous, magnetic, brilliant boys who grew up with every expectation that one day, they would inherit billions. Heir apparent Grayson Hawthorne is convinced that Avery must be a conwoman, and he's determined to take her down. His brother, Jameson, views her as their grandfather's last hurrah: a twisted riddle, a puzzle to be solved. Caught in a world of wealth and privilege with danger around every turn, Avery will have to play the game herself just to survive. **The games continue in The Hawthorne Legacy, The Final Gambit, and The Brothers Hawthorne!