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The Thing No One Tells You About Dying Is Just How Much Fun It Can Be. Alive, ad exec Amanda Feral worked hard to wring enjoyment out of her days. Now that she's a zombie, it's a different story. Turns out, Seattle is home to glamorous undead of every description, and Amanda--stylish and impeccably groomed even in the afterlife--is swigging cocktails and living large (so to speak) among its elite. But there are downsides. Not being able to stomach anything except alcohol and human flesh, for instance. And the fact that someone is targeting Seattle's otherworldly inhabitants for their own sinister reasons. Preying on the undead is seriously uncool. The only option is for Amanda and her zombie BFF Wendy and gorgeous gay vampire pal Gil to unearth the culprit among the legions of Seattle's bloodsuckers, shapeshifters, reapers, succubi, and demons--before they all meet a fate a lot worse than death. . . "Worth a read;priceless, really. Road Trip of the Living Dead can't come soon enough." --Urban Fantasy Land
THE THING NO ONE TELLS YOU ABOUT DYING IS JUST HOW MUCH FUN IT CAN BE. Alive, ad exec Amanda Feral worked hard to wring enjoyment out of her days. Now that she's a zombie, it's a different story. Turns out, Seattle is home to glamorous undead of every description, and Amanda, stylish and impeccably groomed even in the afterlife - is swigging cocktails and living large (so to speak) among its elite. But there are downsides. not being able to stomach anything except alcohol and human flesh, for instance. And the fact that someone is targeting Seattle's otherwordly inhabitants for their own sinister reasons. Preying on the undead is seriously uncool. The only option is for Amanda and her zombie BFF Wndy and gorgeous gay vampire pal Gil to unearth the culprit among the legions of Seattle's bloodsuckers, shapeshifters, reapers, succubi, and demons - before they all meet a fate a lot worse than death . . . 'Worth a read; priceless, really. Road Trip of the Living Dead can't come soon enough.' Urban Fantasy Land
Bobby Dollar has a problem or four of epic proportions. Problem one: his best friend Sam has given him an angel's feather that also happens to be evidence of an unholy pact between Bobby's employers and those who dwell in the infernal depths. Problem two: Eligor, Grand Duke of Hell, wants to get his claws on the feather at all costs, but particularly at all cost to Bobby . Problem three: Bobby has fallen in love with Casimira, Countess of Cold Hands, who just happens to be Eligor's girlfriend. Problem four: Eligor, aware of Problem three, has whisked Casimira off to the Bottomless Pit itself, telling Bobby he will never see her again unless he hands over the feather. But Bobby, long-time veteran of the endless war between above and below, is not the type of guy who finds Hell intimidating. All he has to do is toss on a demon's body, sneak through the infernal gates, solve the mystery of the angel's feather, and rescue the girl. Saving the day should just be a matter of an eon or two of anguish, mutilation and horror. If only it were that easy.
"Time travel, UFOs, mysterious planets, stigmata, rock-throwing poltergeists, huge footprints, bizarre rains of fish and frogs-nearly a century after Charles Fort's Book of the Damned was originally published, the strange phenomenon presented in this book remains largely unexplained by modern science. Through painstaking research and a witty, sarcastic style, Fort captures the imagination while exposing the flaws of popular scientific explanations. Virtually all of his material was compiled and documented from reports published in reputable journals, newspapers and periodicals because he was an avid collector. Charles Fort was somewhat of a recluse who spent most of his spare time researching these strange events and collected these reports from publications sent to him from around the globe. This was the first of a series of books he created on unusual and unexplained events and to this day it remains the most popular. If you agree that truth is often stranger than fiction, then this book is for you"--Taken from Good Reads website.
A Second Helping: Whining and Dining on Long Island picks up where Tom Schaudel’s first book, Playing With Fire, left off as a playful romp through the crazy world of restaurants, dining rooms, and professional kitchens. Filled with short stories of neurotic customers, stressed out servers, crazed cooks, and the undeniably unhinged, his unique and humorous observations will have you wondering how the expression, “The customer is always right,” ever came to be. Looking back through a fifty-year restaurant career, Tom has assembled a cast of characters that would be the envy of fiction writers everywhere. In this book, you will meet an f-bombing octogenarian, a D-level celebrity asking for separate checks at her wedding, an aspiring counterfeiter with a seriously flawed gift certificate, the nine-year-old antichrist, and a woman who flushed a six-carat diamond ring down a toilet bowl. This latest collection is guaranteed to make you stay up late and laugh out loud and is a must read for anyone who has ever eaten in a restaurant, worked in a restaurant, asked to use the restroom in a restaurant or, God forbid, dreamed of owning a restaurant.
This first volume of Robert Durling's new translation of The Divine Comedy brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with all its terror, pathos, and humor. Remarkably true to both the letter and spirit of this central work of Western literature, Durling's is a prose translation (the first to appear in twenty-five years), and is thus free of the exigencies of meter and rhyme that hamper recent verse translations. As Durling notes, "the closely literal style is a conscious effort to convey in part the nature of Dante's Italian, notoriously craggy and difficult even for Italians." Rigorously accurate as to meaning, it is both clear and supple, while preserving to an unparalleled degree the order and emphases of Dante's complex syntax. The Durling-Martinez Inferno is also user-friendly. The Italian text, newly edited, is printed on each verso page; the English mirrors it in such a way that readers can easily find themselves in relation to the original terza rima. Designed with the first-time reader of Dante in mind, the volume includes comprehensive notes and textual commentary by Martinez and Durling: both are life-long students of Dante and other medieval writers (their Purgatorio and Paradiso will appear next year). Their introduction is a small masterpiece of its kind in presenting lucidly and concisely the historical and conceptual background of the poem. Sixteen short essays are provided that offer new inquiry into such topics as the autobiographical nature of the poem, Dante's views on homosexuality, and the recurrent, problematic body analogy (Hell has a structure parallel to that of the human body). The extensive notes, containing much new material, explain the historical, literary, and doctrinal references, present what is known about the damned souls Dante meets --from the lovers who spend eternity in the whirlwind of their passion, to Count Ugolino, who perpetually gnaws at his enemy's skull--disentangle the vexed party politics of Guelfs and Ghibellines, illuminate difficult and disputed passages, and shed light on some of Dante's unresolved conflicts. Robert Turner's illustrations include detailed maps of Italy and several of its regions, clearly labeled diagrams of the cosmos and the structure of Hell, and eight line drawings illustrating objects and places mentioned in the poem. With its exceptionally high standard of typography and design, the Durling-Martinez Inferno offers readers a solid cornerstone for any home library. It will set the standard for years to come.