[PDF] Habituation In German Modernism eBook

Author : Meindert Peters
Publisher : Boydell & Brewer
Page : 245 pages
File Size : 35,62 MB
Release : 2024
Category : Literary Criticism
ISBN : 1640141626

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"Joins a growing body of scholarship dealing with the productive relationship between literature and cognitive studies while also positing a new theory of modernism. How do we habituate ourselves to environments that are not yet, or no longer, familiar? What is at stake in adapting our behavior to new or changed situations? The present study explores these questions by bringing German literature and thought of the early twentieth century - a time of immense social and material change in Europe - into dialogue with contemporary research in embodied cognition. In six close readings of texts by Vicki Baum, Walter Benjamin, Alfred Dèoblin, Martin Heidegger, Georg Kaiser, and Rainer Maria Rilke, it brings into relief German modernism's concerns over how we adapt our behavior to environments that are new, changed, and/or changing. Rather than emphasizing the alienation and isolation that these texts investigate regarding the modern urban experience, as much of the research on literary modernism has traditionally done, Meindert Peters's book draws out the more dynamic moments of mastery, responsiveness, and cooperation that underpin habituation. Moreover, it extends these questions of habituation to the function of literature itself by showing how modernist forms invite engagement and participation. Habituation in German Modernism not only joins a growing body of scholarship dealing with the productive relationship between literature and cognitive studies but also posits a new theory of modernism"--

Author : Larson Powell
Publisher : Camden House
Page : 268 pages
File Size : 42,52 MB
Release : 2008
Category : History
ISBN : 9781571133823

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"Even after the end of modernism and postmodernism, the grandiose fantasies of artifice and self-reference that have informed so much modernist literature still resonate in the "social constructivism" of current literary and cultural theory: in the idea that we can perform or construct "identities" or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. He shows how nature, no longer the idealized, maternally coded Utopia of the Romantics, becomes the trace of specific political, sexual, and technological traumas. The book's four chapters center on the representation of nature in German prose and-especially-poetry by Rainer Maria Rilke, Gottfried Benn, Bertolt Brecht, and Alfred Doblin from the years 1900 to 1945, while making reference to other literatures as well." "Powell's term "the Technological Unconscious" refers to a point of intersection between psychoanalysis and social and scientific theories of modernism and also to the philosophical mediation between history and nature, a motif important from Kant to Adorno. Powell critiques the tendency toward jargon of an often merely rhetorical "theory," while continuing to develop the philosophical and conceptual inheritance of Continental traditions. He analyzes in connection with the works treated the conceptions of subject and system in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. The Technological Unconscious is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic "culturalist" theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other." --Book Jacket.

Author : Milton Mayer
Publisher : University of Chicago Press
Page : 391 pages
File Size : 36,51 MB
Release : 2017-11-28
Category : History
ISBN : 022652597X

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National Book Award Finalist: Never before has the mentality of the average German under the Nazi regime been made as intelligible to the outsider.” —The New York TImes They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Milton Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” These ten men were not men of distinction, according to Mayer, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune. A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

Author : Thorstein Veblen
Publisher : Good Press
Page : 263 pages
File Size : 28,81 MB
Release : 2024-01-10
Category : History
ISBN :

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In "IMPERIAL GERMANY AND THE INDUSTRIAL REVOLUTION: The Background Origins of World War I - Economic Rise as a Fuel for Political Radicalism", Thorstein Veblen explores the economic dynamics of Imperial Germany and their role in shaping the political landscape that ultimately led to World War I. Veblen's writing style is characterized by a meticulous attention to detail and a critical analysis of the interplay between economic interests and political ideologies during this critical period in history. This book serves as a significant contribution to the understanding of the complex relationship between economic power and political radicalism in pre-World War I Germany. Veblen's examination of the industrial revolution's impact on the rise of Imperial Germany sheds light on the roots of the social and political upheavals that eventually culminated in global conflict. As a respected economist and social critic, Veblen's insights offer valuable perspectives on the underlying causes of historical events that continue to shape our world today. I highly recommend this book to readers interested in delving into the economic factors that underpinned the tumultuous political developments of Imperial Germany and their repercussions in the lead-up to World War I.

Author : Thorstein Veblen
Publisher : DigiCat
Page : 261 pages
File Size : 25,29 MB
Release : 2024-01-01
Category : Political Science
ISBN :

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This carefully crafted ebook: "IMPERIAL GERMANY AND THE INDUSTRIAL REVOLUTION: The Background Origins of World War I - Economic Rise as a Fuel for Political Radicalism" is formatted for your eReader with a functional and detailed table of contents. The book was published in 1915, after the First World War began. Veblen considered warfare a threat to economic productivity and contrasted the authoritarian politics of Germany with the democratic tradition of Britain, noting that industrialization in Germany had not produced a progressive political culture. Imperial Germany and the Industrial Revolution is in major part a study of the deviations in cultural and social growth between the English and the German. It deals with the consequences those differences created in social, economic and other domains. Veblen here describes, through the study of German culture, historical and social aspect, how it came to forming of the Third Reich, even before it was formed. He suggests that the Germany's autocracy was an advantage compared to democratic countries. After it was censored during the war, it was later released and it represents a substantial contribution in its sphere of influence. Thorstein Veblen (1857-1929) was an American economist and sociologist. He is well known as a witty critic of capitalism. Veblen is famous for the idea of "conspicuous consumption." Conspicuous consumption, along with "conspicuous leisure," is performed to demonstrate wealth or mark social status. Veblen explains the concept in his best-known book, The Theory of the Leisure Class. Within the history of economic thought, Veblen is considered the leader of the institutional economics movement. Veblen's distinction between "institutions" and "technology" is still called the Veblenian dichotomy by contemporary economists.

Author : Nicholas A. Germana
Publisher : Boydell & Brewer
Page : 279 pages
File Size : 30,55 MB
Release : 2017
Category : History
ISBN : 1640140026

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A history of Kantian and post-Kantian thought and of a foundational stage of German orientalism. German orientalism has been understood, variously, as a form of latent colonialism, as a quest for academic hegemony in Europe, and as an effort to diagnose and treat the ills of modern Western culture. Nicholas Germana identifiesa different impetus for orientalism in German thought, seeing it as an effort to come to grips with the Other within German society at the turn of the nineteenth century and within the dynamics of subjectivity itself. Drawing largely on work by feminist scholars, the book uncovers an anxiety at the core of Kantian and post-Kantian thought, thus shedding light on its derogation (or elevation) of Oriental cultures. Kant's philosophy of freedom is a construction of modern, Western masculinity. Reason, which alone can make freedom possible, subverts and orders chaotic nature and protects the rational subject from the enervating influences of the senses and the imagination. The feminized, sexually charged Orient is a threat to the historical achievement of Western male rationality. Germana's book emphasizes aesthetics in the German orientalist discourse, a subject that has received little attention todate. In this tradition of German thought, aesthetics became a form of spiritual anthropology, ordering and classifying societies, races, and genders in terms of their ability to master the senses and the imagination, forces thatundermine rational autonomy, the very source of human (i.e., masculine) dignity. Nicholas A. Germana is Professor of History at Keene State College, New Hampshire.

Author : Irit Rogoff
Publisher :
Page : 390 pages
File Size : 31,6 MB
Release : 1991
Category : Social Science
ISBN : 9780521345538

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Within a wide-ranging, interdisciplinary discussion, The divided heritage considers twentieth-century German art in its social and political context. It focuses on the problems of German cultural production, rather than on a narrative of styles and movements, and it applies both social history and critical theory to an investigation of the visual arts. The collected essays are arranged in four heavily illustrated groups, each drawing attention to the cultural continuities and disjunctures of the period. The first set looks at the issue of cultural disruption, on both a social and political and a conceptual level; the second discusses the effect of representation of gender on the continuity of cultural history; the third highlights the variants within historical patterns of patronage; the city in German social and cultural theory and its place in the world of visual representation. The volume editor brings together the views expressed in an introductory chapter.

Author : Christiane Schönfeld
Publisher : Camden House
Page : 292 pages
File Size : 49,18 MB
Release : 2000
Category : Literary Criticism
ISBN : 9781571131980

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Commodities of Desire investigates the figure of the prostitute in modern German literature, from the Wilhelmine Empire to the Weimar Republic, and provides the social, legal and cultural contexts necessary for their interpretation.

Author : Marlene L. Eberhart
Publisher : Routledge
Page : 262 pages
File Size : 50,55 MB
Release : 2020-11-23
Category : History
ISBN : 1000225062

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Embodiment, Expertise, and Ethics in Early Modern Europe highlights the agency and intentionality of individuals and groups in the making of sensory knowledge from approximately 1500 to 1700. Focused case studies show how artisans, poets, writers, and theologians responded creatively to their environments, filtering the cultural resources at their disposal through the lenses of their own more immediate experiences and concerns. The result was not a single, unified sensory culture, but rather an entangling of micro-cultural dynamics playing out across an archipelago of contexts that dotted the early modern European world—one that saw profound transitions in ways people used sensory knowledge to claim ethical, intellectual, and practical authority.